Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone T.C. Book & Online Media

$12.99 USD
Sale price  $12.99 USD Regular price 
Skip to product information
Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone T.C. Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52434

$12.99
Shipped

One moment…

Description
Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone T.C. Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8255-9
ISBN13: 978-1-4706-8255-2
UPC: 038081607283
SKU: 00-52434
Instrumentation: Baritone T.C.

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers for wind band. He serves as lead author of Sound Innovations for Concert Band and has earned widespread recognition through awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions have achieved a distinctive voice that connects deeply with both performers and listeners worldwide.

His works appear regularly on international concert and contest programs. Sheldon maintains an active commission schedule and releases numerous new concert band publications annually. He has conducted his compositions in prestigious venues including Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

As a guest conductor and clinician, Sheldon works extensively with All-State and Regional Honor Bands throughout the United States and internationally. He presents educational sessions and seminars at colleges, universities, and state Music Education Association conferences. His conducting and clinical work has taken him across North America, Europe, Asia, and Australia. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft stands out as a dynamic and influential voice in music education, widely recognized for his inspiring approach to teaching and learning. He serves as Director of Education for Jupiter Band Instruments and maintains an active presence through his popular weekly blog, "Boonshaft's Blog," which reaches music educators across the country. His speaking and conducting engagements have taken him throughout all fifty states and internationally.

His achievements have garnered numerous prestigious honors. The National Association for Music Education and Music For All recognized him as the inaugural recipient of the George M. Parks Award for Leadership in Music Education. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has earned multiple accolades from the University of Hartford, including the Regent's Award (twice) and the Outstanding Music Educator Award. Additional distinctions include three selections as a National Endowment for the Arts Artist in Residence, three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International. Governors from five states have issued him official proclamations, and he received a Certificate of Appreciation from former President Ronald Reagan.

As Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence, Dr. Boonshaft brings extensive teaching experience. He previously held faculty positions at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His academic credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions, establishing himself as a prolific creator in the percussion world.

Black's compositions and arrangements have been published by major music publishers, with over 60 works in circulation and numerous recordings of his pieces. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. Additionally, he received a certified Gold Record for Alfred's Drum Method, Book 1, which sold more than 500,000 copies. His compositions have been featured as source material in television shows and films, including the movie Drumline.

As one of the world's best-selling percussion authors, Black has written or co-authored over 30 educational books, most notably Alfred's Drum Method (currently the world's bestselling percussion method) and Sound Innovations for Concert Band. His materials are used by students globally, with combined sales exceeding two million units.
Bob Phillips
Bob Phillips, born in 1953, is an accomplished composer, author, conductor, and music educator recognized for transforming string education. His innovative approach to large group pedagogy and development of eclectic musical styles has made him one of today's most influential educational composers. His teaching materials and compositions reach thousands of string students annually across the country.

Phillips has created more than 25 book series for classroom instruction, including all six levels of Sound Innovations and the pioneering eclectic styles publications Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Over 200 of his works have been published for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces are regularly performed at the Midwest Clinic. His instructional DVDs, String Clinics to Go, have become standard resources in thousands of music classrooms.

During his 27 years leading the string program in Saline, Michigan, Phillips built an ensemble of over 700 students that became a nationally recognized model of excellence. He founded and directed the Saline Fiddlers Philharmonic, which gained international acclaim through more than 80 annual performances, including multiple appearances at the White House and the Midwest Clinic. Phillips has served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years and has conducted numerous youth symphonies and all-state orchestras across the country, including programs at Interlochen, Blue Lake Fine Arts Camp, and festivals in Georgia, Kentucky, California, and beyond.

Why we love this

Sound Innovations was built by teachers for teachers, and it shows in every page. The methodical six-level structure gives you clear benchmarks and built-in assessment criteria so you know exactly where each student stands and what comes next, eliminating the guesswork that can slow progress in the first year of band.

What to expect

Sound Innovations moves with intention and clarity. Each page builds on what came before, never overwhelming; the clean layout keeps focus on the music itself rather than visual clutter. The range of musical styles—from folk songs to jazz rhythms to world music—keeps the learning process engaging and relevant.

Who it's for

Beginning baritone players in concert band settings, particularly those in grades 6-8 or high school first-year students. This Spanish-language edition serves ensembles in Spanish-speaking regions or classrooms with significant Spanish-speaking populations.

How to get the most out of it

  • Work with the SI Online accompaniment tracks at a slower tempo during the first reading of any new exercise, then gradually increase speed as the fingerings and rhythms become secure.
  • Isolate the most challenging passages by looping them in the practice tools; the repeat mode lets students lock in difficult transitions without hearing the full accompaniment.
  • Reference the instrument-specific instructional videos when introducing new techniques; these model proper embouchure and hand position for baritone T.C. directly.
  • Encourage students to sing melodic lines before playing them, using the alternative melodies available on SI Online to reinforce pitch accuracy and phrasing.

How to use it

Use this as your complete first-year foundation, progressing through the six levels at a pace that matches your ensemble's growth. The embedded performance pieces work well for fall and winter concerts before students move to more substantial solo literature in later years.

Skills your students will build

  • Reading music notation without note names printed in the noteheads
  • Concert pitch transposition understanding through consistent T.C. baritone voicing
  • Breath control and phrase shaping across various musical styles
  • Sight-reading accuracy in mixed meters and rhythmic patterns
  • Playing in tune within a concert band ensemble context
  • Stylistic interpretation across folk, jazz, and world music genres

You May Also Like