Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Oboe Book & Online Media

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Oboe Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52422

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Oboe Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-8243-5
ISBN13: 978-1-4706-8243-9
UPC: 038081607160
SKU: 00-52422
Instrumentation: Oboe

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands as one of today's most widely performed composers in wind band music. He authored Sound Innovations for Concert Band and has earned recognition through numerous prestigious awards, including honors from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions achieve a distinctive artistic depth that connects powerfully with both performers and audiences.

Sheldon's works appear on concert and contest programs internationally and are performed across the globe. He maintains an active commission schedule while producing multiple concert band publications annually. His conducting appearances span All-State and Regional Honor Bands, and he regularly presents clinics and seminars at universities and state music education conferences throughout North America, Europe, Asia, and Australia.

His career has taken him to major concert halls including Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music awarded him an honorary doctorate in recognition of his contributions to music education and composition.
Peter Boonshaft
Peter Loel Boonshaft stands among today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators globally through speaking engagements across all fifty states and internationally. His weekly "Boonshaft's Blog" continues to inspire music teachers with practical insights and professional guidance.

Recognition of his contributions includes the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds membership in Pi Kappa Lambda and Alpha Chi honor societies and has received the University of Hartford's Regent's Award twice, along with their Outstanding Music Educator Award. Additional honors span three National Endowment for the Arts "Artist in Residence" selections, three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International.

Boonshaft earned his Bachelor of Music degree Summa Cum Laude, Master of Music Education in Conducting, and Doctor of Musical Arts degree. He completed certification training at the Kodály Musical Training Institute through a Connecticut General Fellowship. His career includes faculty positions at Moravian College and the University of Hartford, where he is now Professor Emeritus of Music. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. Throughout his career, he has performed for multiple U.S. Presidents and received official recognition from five state Governors.
Dave Black
Dave Black is a percussionist and composer who holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous acclaimed entertainers and productions, establishing himself as a prolific creator of original works and arrangements.

Black has published more than 60 compositions and arrangements with major music publishers, many of which have been recorded and widely performed. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and recognition in the Modern Drummer Readers Poll. His compositions have been featured as background music in television shows and films, including the motion picture Drumline.

As one of the world's leading percussion education authors, Black has written or co-authored over 30 instructional books. His works, including the best-selling Alfred's Drum Method and Sound Innovations for Concert Band, have achieved remarkable commercial success with combined sales exceeding two million units globally. Alfred's Drum Method, Book 1 earned a certified Gold Record award for surpassing 500,000 sales, while his educational materials have earned Drum! Magazine Drummie! awards and continue to be used by students worldwide.
Bob Phillips
# Bob Phillips

Born in 1953, Bob Phillips is a composer, author, educator, and conductor recognized as a pioneer in string education. He has established himself as a leading figure in large group pedagogy and the development of diverse musical styles for string instruments. His educational materials and compositions reach thousands of student musicians annually through classroom use and performance.

Phillips has created over 25 instructional book series, including the complete Sound Innovations curriculum and innovative eclectic style publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. He holds the distinction of being an ASCAP award-winning composer with more than 200 published works for orchestras and bands. His compositions receive regular performances at the Midwest Clinic, and his instructional video series String Clinics to Go has become a valuable resource for educators nationwide.

Over 27 years in Saline, Michigan, Phillips developed a string program with over 700 students that became a nationally recognized model for excellence in both classical and eclectic music. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international acclaim while performing over 80 shows annually and appearing at the White House and Midwest Clinic. Phillips has conducted youth symphonies and all-state orchestras across the country, including ensembles at Interlochen, Blue Lake Fine Arts Camp, and state honors orchestras in Georgia, Kentucky, South Carolina, Michigan, Tennessee, and California. He also served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years.

Why we love this

Sound Innovations was built by thousands of teachers, and that collaboration shows in every page. The oboe book progresses logically across six levels with clear benchmarks, letting you pace instruction without guessing what comes next. The clean layout, starting pitch of concert D, and notation without note names accelerates reading fluency while keeping beginners confident.

What to expect

Clear, purposeful, and genuinely encouraging. Each exercise has a reason for existing, and the variety of musical styles keeps players engaged rather than grinding through scales. The online resources mean oboists can practice confidently at home, hearing professional accompaniments that make their playing feel musical from day one.

Who it's for

Beginning oboe students in concert band settings who need a method that doesn't overwhelm. Directors who want a sequential, standards-based curriculum with built-in assessment checkpoints and flexibility for students progressing at different rates.

How to get the most out of it

  • Slow the online accompaniment tracks to half or three-quarter tempo while learning new passages, then gradually build speed using the repeat mode feature for persistent trouble spots.
  • Pair the melodic material with the full-band recordings available on SI Online to help oboists hear their voice within the ensemble texture.
  • Use the alternative melody options provided online to differentiate instruction within the same lesson without breaking the class apart.

How to use it

Deploy this as your primary oboe curriculum from the start of the year. The six-level structure aligns with semester or term progression, and the integrated full-band pieces let oboists contribute to ensemble repertoire while still building fundamentals. The pedagogical videos and practice tracks make it equally effective for students learning remotely or in pull-out lessons.

Skills your students will build

  • Reading treble clef notation without reliance on note-name labels on the staff
  • Tonguing, breath control, and tone production specific to oboe
  • Sight-reading across varied musical styles and time signatures
  • Ensemble listening and balance within concert band texture
  • Playing in tune through embouchure adjustment and voicing
  • Rhythmic precision and subdivision across compound and simple meters

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