Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: E-flat Baritone Saxophone Book & Online Media

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: E-flat Baritone Saxophone Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52429

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: E-flat Baritone Saxophone Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8250-8
ISBN13: 978-1-4706-8250-7
UPC: 038081607238
SKU: 00-52429
Instrumentation: E-flat Baritone Saxophone

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers for wind bands. He serves as the lead author of Sound Innovations for Concert Band and has earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His works have achieved international reach, appearing on concert and contest programs worldwide while captivating both ensembles and audiences through their expressive depth.

Sheldon maintains an active commission schedule and releases numerous concert band publications annually. He regularly guests conducts All-State and Regional Honor Bands while serving as a clinician at colleges, universities, and state music education conferences. His conducting and teaching have taken him across the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China. His compositions have been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Symphony Hall, The Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music awarded him an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft stands among today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to speak and conduct throughout the United States and internationally. His weekly "Boonshaft's Blog" reaches music educators globally, offering ongoing inspiration and practical guidance for teachers in the field.

His leadership has been recognized with numerous prestigious honors. The National Association for Music Education and Music For All awarded him the inaugural "George M. Parks Award for Leadership in Music Education." Dr. Boonshaft has received official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for former Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has been selected three times as a National Endowment for the Arts "Artist in Residence."

Additional recognition includes the Al G. Wright Award of Distinction from Women Band Directors International, three Honorary Life Memberships in the Tri-M Music Honor Society, and selection for the Center for Scholarly Research and Academic Excellence at Hofstra University. Dr. Boonshaft earned his Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degrees, along with a Certificate from the Kodály Musical Training Institute. A Professor Emeritus of Music at Hofstra University, he previously taught at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions, establishing himself as a prolific figure in both composition and arrangement.

With over 60 published compositions and arrangements distributed by major music publishers, Black has received significant recognition for his contributions to music education and performance. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award for educational materials. His work has also earned two Drum! Magazine Drummie! awards and a certified Gold Record for Alfred's Drum Method, Book 1, which exceeded 500,000 copies in sales.

Black stands among the world's best-selling percussion authors, having written or co-written more than 30 books. His most notable publications include Alfred's Drum Method, currently the world's bestselling drum method book, and Sound Innovations for Concert Band. His compositions have been featured as background music in numerous television shows and films, including the motion picture Drumline. With combined sales exceeding two million units worldwide, his educational materials and music continue to be performed and studied by young musicians globally.
Bob Phillips
Bob Phillips (born 1953) stands as a leading innovator in string education, recognized for his expertise in large group pedagogy and the creation of eclectic musical styles for string instruments. As an accomplished author, composer, pedagogue, and conductor, he has shaped music education through both his teaching and his published works, which reach thousands of string students annually.

Phillips has authored more than 25 book series for classroom use, including the complete Sound Innovations curriculum and pioneering eclectic styles collections such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. He has published over 200 compositions for orchestras and bands, earning recognition as an award-winning ASCAP composer whose works are regularly performed at the Midwest Clinic. His instructional DVD series, String Clinics to Go, has become a resource for countless educators.

During his 27 years in Saline, Michigan, Phillips built a string program that enrolled over 700 students and became a national model for excellence in both classical and eclectic music. He founded the Saline Fiddlers Philharmonic, which achieved international prominence while performing more than 80 shows annually, including multiple performances at the White House and the Midwest Clinic. As a guest conductor, he has worked with youth symphonies and all-state orchestras across the country, and served for 12 years as resident conductor and arranger for Seattle's Wintergrass Festival. He also worked as an assistant music director and arranger for the professional ensemble Barrage 8.

Why we love this

Sound Innovations reflects the voices of thousands of band directors who shaped its design, making it grounded in real classroom needs rather than theory alone. The pedagogical structure unfolds through six clear levels with explicit advancement criteria and assessment guides, so you know exactly where each student stands and what comes next. Clean page layouts and a logical skill progression mean less time explaining the book and more time making music.

What to expect

Structured yet musically alive. The method balances technical exactitude with genuine musical expression, introducing a wide range of styles so students encounter jazz, folk, classical, and contemporary idioms from the start. Reading grows steadily without becoming frustrating; starting on concert D and omitting note names on the staff encourages independence while building confidence.

Who it's for

Beginning concert band saxophonists who need a comprehensive method with clear skill scaffolding and abundant reinforcement. The Spanish-language edition serves ensembles and private studio teachers working with Spanish-speaking students or bilingual programs. Sheldon's method works equally well in school band curricula and private instruction settings.

How to get the most out of it

  • Work the online accompaniment tracks at tempo first to hear how your passage fits within the band texture, then slow the track down using SI Online's tempo controls to isolate problem spots.
  • Practice scales and alternate melodic lines provided in the SI Online PDF resources to develop fluency beyond the written exercises.
  • Use the embedded instructional videos by instrument to verify your embouchure and hand position match the method's technical approach.
  • Set the SI Online tracks to repeat mode when drilling a single exercise; this removes the stop-and-start friction and builds stamina naturally.

How to use it

Sound Innovations Book 1 forms the foundation of your beginning band curriculum, moving students through the full first year in a logical sequence that coordinates across all instruments. Programming a full-band piece from the SI Online supplemental collection into a fall or spring concert demonstrates immediate musicality and gives the ensemble a shared goal. Pair it with sectional rehearsals using the instrument-specific videos to address woodwind technique issues in real time.

Skills your students will build

  • Reading in multiple clefs and keys without relying on note names
  • Concert D as a secure home note with controlled upper and lower register access
  • Rhythmic accuracy in simple and compound meters
  • Listening and ensemble blend across a full concert band texture
  • Articulation control and dynamic shaping in multiple musical styles
  • Scale facility and melodic accuracy across diverse harmonic progressions

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