Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Piano Book & Online Media

$15.99 USD
Sale price  $15.99 USD Regular price 
Skip to product information
Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Piano Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52440

$15.99
Shipped

One moment…

Description
Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Piano Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 76
ISBN10: 1-4706-8261-3
ISBN13: 978-1-4706-8261-3
UPC: 038081607344
SKU: 00-52440
Instrumentation: Piano

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed wind band composers. His works appear on contest and concert programs internationally, earning recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. Beyond composing, Sheldon co-authored Sound Innovations for Concert Band, shaping how countless students encounter their instruments and develop foundational musicianship.

His calendar fills with commissions, guest conducting posts at All-State and Regional Honor Bands, and clinician appearances across the United States and abroad. He has worked in Japan, Canada, Italy, Germany, Australia, and China, and his music has sounded in some of the world's most prestigious venues: Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center.

VanderCook College of Music awarded Sheldon an honorary doctorate in 2020, recognizing his lasting impact on music education and composition.
Peter Boonshaft
Peter Loel Boonshaft stands among the most influential voices shaping music education today. As Director of Education for Jupiter Band Instruments and Professor Emeritus of Music at Hofstra University, he has spent decades conducting and teaching across every U.S. state and internationally. His weekly "Boonshaft's Blog" reaches music educators worldwide, offering practical wisdom and encouragement to teachers in the field.

Recognition of his leadership spans both the profession and the highest levels of government. The National Association for Music Education and Music For All honored him as the inaugural recipient of the "George M. Parks Award for Leadership in Music Education." He has received official proclamations from five state governors, performed for three U.S. presidents and their families, and been selected three times as a National Endowment for the Arts "Artist in Residence." His academic credentials include Pi Kappa Lambda and Alpha Chi memberships, multiple awards from the University of Hartford, and a Certificate from the Kodály Musical Training Institute.

Beyond his teaching posts at Moravian College and the University of Hartford, Boonshaft founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. He holds degrees including a Doctor of Musical Arts, and his influence continues through the countless educators and students shaped by his vision and mentorship.
Dave Black
Dave Black studied percussion performance at California State University, Northridge, where he earned his Bachelor of Music. His career has taken him across the globe performing and recording with major entertainers and touring productions, experiences that inform his distinctive compositional voice.

As a composer and arranger, Black has built an extraordinary catalog of over 60 published works through the major music publishing houses. His compositions have earned 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and recognition in Modern Drummer's Readers Poll and Drum! Magazine's Drummie! Awards. His work has appeared in television and film, including the movie Drumline, and Alfred's Drum Method, Book 1 achieved Gold Record certification for sales exceeding 500,000 copies.

Beyond his compositions, Black has established himself as one of the world's most widely used percussion educators, authoring or co-authoring more than 30 instructional books. His publications, particularly Alfred's Drum Method and Sound Innovations for Concert Band, have reached millions of students globally with combined sales of over two million units, making his influence on percussion and band music education profound and enduring.
Bob Phillips
Bob Phillips (b. 1953) has shaped string education through decades of classroom work, composition, and mentorship. A prolific educational author, he has created over 25 instructional series that reach thousands of young string players annually. His Sound Innovations curriculum and eclectic style collections—spanning jazz, rock, mariachi, Latin, and folk traditions—have become staples in programs seeking to expand what strings can do beyond the standard classical repertoire.

For 27 years, Phillips built the Saline, Michigan string program into a nationally recognized model, eventually serving over 700 students at all levels. His work extended far beyond his home district; he founded the Saline Fiddlers Philharmonic, an ensemble that performs internationally with substantial performing schedules, has appeared at the White House, and regularly takes the stage at the Midwest Clinic. Phillips has also guest conducted at prestigious youth ensembles and all-state orchestras across the country, from Interlochen and Blue Lake to state honors programs in Georgia, California, Tennessee, and beyond.

His influence as a composer is equally substantial, with over 200 published works for orchestras and bands earning ASCAP recognition and regular performances at major festivals. Through his instructional video series String Clinics to Go and his roles as arranger for professional ensembles and long-time conductor of the Wintergrass Festival, Phillips has consistently demonstrated that effective string pedagogy thrives when it honors both classical foundations and the full spectrum of musical styles students encounter in their lives.

Why we love this

Sound Innovations reflects the pedagogical thinking of thousands of teachers, which shows in every carefully sequenced page and thoughtfully designed progression. The Spanish-language edition removes a genuine barrier for many students and families, making the method accessible to programs serving Spanish-speaking communities. The concert D starting pitch keeps beginners focused on manageable register and fingering patterns, while the unlabeled noteheads accelerate music reading development from the very first page.

What to expect

Clean, organized, and intentional. Every page has a purpose, and students always know what they're working toward. The variety of musical styles keeps the book engaging across the full year.

Who it's for

Beginning band students in Spanish-speaking classrooms or programs. Directors and teachers who want a method built on classroom feedback from experienced educators, with clear advancement criteria and built-in assessment checkpoints.

How to get the most out of it

  • Access SI Online without login to find instrument-specific instructional videos that target common early-band problem areas. Watch these alongside your students during individual practice to reinforce what they learned in rehearsal.
  • Slow the accompaniment tracks to 70 or 80 percent tempo while students lock in their rhythm and intonation. Gradually increase speed only when the passage feels secure in the slower versions.
  • Pair the additional full-band pieces available through SI Online with the exercises in the book to give students frequent performance experience throughout the year.
  • Use the PDF theory and scale materials as homework reinforcement between rehearsals. These resources connect reading on the page to physical technique at the instrument.

How to use it

Start here in September if you teach beginning band; the six-level structure maps naturally onto a full school year with room for review and consolidation. The unlabeled noteheads and concert D starting pitch make this especially effective for students who benefit from a slower pace in music reading acquisition, so do not hesitate to use this book with older beginners or transfer students.

Skills your students will build

  • Reading music without noteheads, advancing independence from written pitch labels
  • Pitch control and fingering management in the written concert D register
  • Rhythmic accuracy and ensemble timing with variable-tempo accompaniment tracks
  • Foundational music theory including scales, intervals, and harmonic function
  • Sight-reading multiple musical styles and articulation patterns
  • Self-assessment and progress tracking using six cumulative level benchmarks

You May Also Like