Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone B.C. Book & Online Media

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone B.C. Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52433

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Baritone B.C. Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8254-0
ISBN13: 978-1-4706-8254-5
UPC: 038081607276
SKU: 00-52433
Instrumentation: Baritone B.C.

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band repertoire. He serves as lead author of Sound Innovations for Concert Band and has received accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions connect profoundly with performers and listeners, earning performances on concert stages and competition circuits worldwide.

Sheldon maintains an active schedule creating new works through commissions and producing multiple publications for concert band annually. He frequently guest conducts All-State and Regional Honor Bands while also working as a music education clinician at colleges, universities, and state music education conferences. His conducting experience spans the United States and international venues including Japan, Canada, Italy, Germany, Australia, and China, with performances of his music presented at Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

In recognition of his contributions to music education and composition, VanderCook College of Music awarded Sheldon an honorary doctorate in 2020.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education, having presented and conducted throughout all fifty states and internationally. Recognized as the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All, he currently serves as Director of Education for Jupiter Band Instruments. His weekly "Boonshaft's Blog" continues to reach and motivate music teachers across the country.

His accomplishments have earned him extraordinary recognition, including gubernatorial proclamations from five states and a Certificate of Appreciation from former President Ronald Reagan. He has performed for former Presidents George H. W. Bush and Bill Clinton, as well as former British Prime Minister Margaret Thatcher. Among his academic honors are membership in Pi Kappa Lambda and Alpha Chi, multiple University of Hartford awards including the Outstanding Music Educator Award and the Regent's Award (twice), three designations as a National Endowment for the Arts Artist in Residence, and the Al G. Wright Award of Distinction from Women Band Directors International.

A Professor Emeritus of Music at Hofstra University, Boonshaft holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree. He completed additional study at the Kodály Musical Training Institute through a Connecticut General Fellowship. Early in his career, he taught at Moravian College and the University of Hartford while founding and directing both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous renowned entertainers and productions, establishing himself as a prolific creator of original works and arrangements.

With more than 60 published compositions and arrangements through major music publishers, Black has earned widespread recognition for his contributions to music education and performance. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation/nomination certificates, the Percussive Arts Society President's Industry Award, a Modern Drummer Readers Poll award, two Drum! Magazine Drummie! awards, and a certified Gold Record for Alfred's Drum Method, Book 1. His compositions have also been featured as source material in television shows and films, including the feature film Drumline.

As one of the world's leading percussion authors, Black has written or co-authored over 30 books, most notably Alfred's Drum Method, a global bestseller, and Sound Innovations for Concert Band. His educational materials and compositions reach students worldwide, with combined sales surpassing two million units.
Bob Phillips
# Bob Phillips

Born in 1953, Bob Phillips stands out as a composer, author, pedagogue, and conductor who has fundamentally shaped string education through innovative approaches to large group teaching and eclectic musical styles. His instructional materials and compositions reach thousands of young string players annually, making him one of the most influential educational composers working today.

Phillips has authored more than 25 book series for classroom use, including all six levels of Sound Innovations and pioneering eclectic style collections such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, and Latin Philharmonic. Over 200 of his orchestral and band works have been published, and he holds the distinction of being an award-winning ASCAP composer whose pieces regularly appear on Midwest Clinic programs. His instructional DVD series, String Clinics to Go, has become a standard resource for music educators nationwide.

During his 27 years leading the string program in Saline, Michigan, Phillips developed an ensemble of over 700 students recognized nationally for excellence across both classical and eclectic repertoires. He founded the Saline Fiddlers Philharmonic, which achieved international prominence through his direction, performing more than 80 concerts annually and appearing multiple times at the White House and Midwest Clinic. As assistant music director and arranger for the professional ensemble Barrage 8, and as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years, Phillips has also conducted numerous youth symphonies and all-state orchestras including ensembles in Michigan, California, Georgia, Kentucky, and beyond.

Why we love this

This method reflects pedagogical input from thousands of working teachers, which shows in every carefully sequenced page. The noteheads without note names accelerate reading development while the concert D starting pitch keeps beginners in a manageable register, and the six structured levels with clear advancement criteria give you measurable checkpoints for every student.

What to expect

Approachable and orderly. Each exercise arrives with a specific purpose and builds visibly on what came before, so students understand they are moving forward. The variety of musical styles (never the same texture twice) keeps the learning from feeling mechanical.

Who it's for

Baritone players beginning their first year in concert band who need clear, achievable steps from their first note through foundational solo and ensemble work. Teachers building an entire band program will find the same level of pedagogical rigor and Spanish-language accessibility across all instrumental parts.

How to get the most out of it

  • Slow down accompaniment tracks in SI Online when a passage feels rhythmically tight; locking the tempo together builds precision without frustration.
  • Isolate challenging fingering passages using the playback tools, repeating just the tricky measures until the motion becomes automatic.
  • Layer in the alternative melodies and full-band pieces from SI Online once students demonstrate confidence with the written exercises; variety sustains engagement through the book.

How to use it

Follow the six levels as your primary curriculum for fall and winter, using SI Online resources daily in sectionals and individual practice. Once your band reaches Level 3 or 4, introduce the additional full-band pieces in SI Online to rehearse blend and balance across the entire ensemble.

Skills your students will build

  • Reading in treble clef without note-name cues
  • Breath control and phrase shaping across sustained lines
  • Concert pitch transposition and register awareness
  • Rhythmic precision in basic meters (2/4, 3/4, 4/4)
  • Foundational fingering technique and hand position
  • Listening and blending in ensemble contexts

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