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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Electric Bass Book & Online Media

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Electric Bass Book & Online Media

El método integral para músicos principiantes

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-52436

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Sound Innovations para Banda de concierto, Libro 1, Segunda edición, es el método para estudiantes principiantes de banda más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. La nota de inicio es Re de concierto, lo que facilita el control del registro y la digitación. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para banda completa, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, corales, páginas de ritmos y más para el refuerzo y la personalización del aprendizaje en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Banda de concierto, Libro 1, Segunda edición, en español: Electric Bass Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8257-5
ISBN13: 978-1-4706-8257-6
UPC: 038081607306
SKU: 00-52436
Instrumentation: Electric Bass

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and has earned numerous accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions connect deeply with performers and listeners worldwide, appearing regularly on international concert and contest programs.

Sheldon maintains an active schedule of commissions and produces multiple new works for concert band annually. He frequently guests conducts All-State and Regional Honor Bands while serving as a music education clinician at colleges, universities, and state music education conferences. His conducting and teaching have taken him throughout the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China.

His works have been performed in prestigious venues including Carnegie Hall in New York, Orchestra Hall in Chicago, Symphony Hall in Boston, the Sydney Opera House, and the Kennedy Center for the Performing Arts in Washington D.C. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to speak and conduct throughout the United States and internationally. His weekly "Boonshaft's Blog" reaches music educators across the country, offering ongoing inspiration and guidance to the profession.

His distinguished career includes numerous prestigious honors. The National Association for Music Education and Music For All recognized him as the inaugural recipient of the "George M. Parks Award for Leadership in Music Education." Dr. Boonshaft has received official proclamations from five state governors and a Certificate of Appreciation from former President Ronald Reagan. He has also performed for former Presidents George H. W. Bush and Bill Clinton, as well as former British Prime Minister Margaret Thatcher. His academic credentials include membership in Pi Kappa Lambda and Alpha Chi honor societies, along with multiple awards from the University of Hartford including the Regent's Award and Outstanding Music Educator Award.

Beyond these recognitions, Dr. Boonshaft holds Professor Emeritus status at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. He has served on the faculties of Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His education includes a Bachelor of Music (Summa Cum Laude) and a Doctor of Musical Arts degree, plus a Certificate from the Kodály Musical Training Institute following a Connecticut General Fellowship for advanced study.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions, establishing himself as a prolific creator in both composition and arrangement.

With over 60 published compositions and arrangements across major music publishers, Black has achieved significant recognition in the industry. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His educational materials have earned two Drum! Magazine Drummie! awards, and Alfred's Drum Method, Book 1 achieved Gold Record certification with over 500,000 copies sold.

Black stands among the world's best-selling percussion authors, having written or co-written more than 30 books including the bestselling Alfred's Drum Method and Sound Innovations for Concert Band. His compositions have been featured as background music in television shows and films, including Drumline. His educational materials and compositions reach students globally, with combined sales exceeding two million units.
Bob Phillips
Bob Phillips, born in 1953, is an accomplished author, composer, pedagogue, and conductor recognized for transforming string education. As a leading innovator in large group pedagogy and eclectic musical styles for strings, his educational materials and compositions reach thousands of student musicians annually across the country.

Phillips has authored more than 25 book series for classroom instruction, including the complete Sound Innovations series and six groundbreaking eclectic style publications: Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Over 200 of his works have been published for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces appear regularly on Midwest Clinic programs. His instructional video series, String Clinics to Go, has become a resource for thousands of educators.

During his 27 years in Saline, Michigan, Phillips built a string program of over 700 students that became a national model for excellence in both classical and eclectic music. He established the Saline Fiddlers Philharmonic, which under his direction achieved international prominence while performing more than 80 shows annually, appearing at the White House multiple times and at the Midwest Clinic. Phillips has conducted youth and all-state orchestras across the country, including ensembles at Interlochen, Blue Lake Fine Arts Camp, and regional honor orchestras in Georgia, Kentucky, South Carolina, Michigan, Tennessee, and California. He also served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years and worked as assistant music director and arranger for the professional string ensemble Barrage 8.

Why we love this

Sheldon and his co-authors built this method from input collected across thousands of music educators, which shows in every page layout decision and pedagogical sequence. The structure unfolds across six clear levels with built-in checkpoints and assessment criteria, so you know exactly where students stand and what comes next. The online platform removes friction from daily teaching and practice, slowed-down accompaniment tracks, instrument-specific videos, and extra full-band arrangements eliminate the need for external materials.

What to expect

Learning progresses with clear intention and frequent musical payoff. Every exercise builds toward real repertoire, and the variety of styles keeps practice engaging while the uncluttered page design removes cognitive overload.

Who it's for

Beginning electric bass players in concert band programs who need a method that integrates their instrument into the full ensemble context from day one. This book serves directors seeking materials written by composers who understand what contemporary bands actually sound like and what students need to become confident section members.

How to get the most out of it

  • Engage with SI Online's accompaniment tracks by adjusting the tempo downward when learning new passages; this preserves rhythmic accuracy while building finger strength and muscle memory.
  • Reference the instructional videos for your instrument as you encounter new techniques; watching experienced players demonstrate proper hand position and finger placement accelerates your understanding of execution.
  • Work with the scale exercises and musical theory content in the PDF supplements to internalize the harmonic function of your lines, not just the mechanical fingerings.

How to use it

Anchor your first-year bass curriculum with this method, moving through the six leveled sections at your ensemble's pace. The full-band pieces included in SI Online give your students a reason to practice individually: they're building lines that matter in actual concert arrangements.

Skills your students will build

  • Reading bass clef in treble transposition for concert band contexts
  • Playing in the electric bass's typical starting register (D concert and surrounding range)
  • Understanding chord progressions and harmonic function within ensemble textures
  • Developing left-hand finger strength and fret-board accuracy
  • Coordinating rhythmic precision with pitched articulation and dynamic control
  • Responding to conductor tempo and style cues in real band settings

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