I Happen to Like New York (from "The New Yorkers") Sheet Music Preview

I Happen to Like New York (from "The New Yorkers"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0005282

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Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0005282

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) stands as one of Broadway's most sophisticated songwriters, known for witty lyrics, elegant melodies, and harmonies that challenged popular music conventions. His career spanned from the 1910s through the 1950s, producing standards that remain central to the American songbook and continue to define jazz, cabaret, and musical theater repertoire for singers and pianists worldwide.

Why we love this

This collection captures Porter's early mastery when he was still refining the wit and harmonic sophistication that would define his legacy. Programming these songs offers singers a pathway into American standards with genuine theatrical storytelling and pianists the chance to accompany repertoire that rewards both technical skill and interpretive maturity.

What to expect

These songs shimmer with urban sophistication and sharp-edged humor. There's an underlying elegance to Porter's melodies, paired with lyrics that wink at the listener while never sacrificing musical substance. The piano parts invite you into an intimate space where wit and genuine emotion coexist.

Who it's for

Singers preparing auditions, cabaret recitals, or jazz standards programs will find essential Porter material at various vocal ranges and comic styles. Pianists seeking to deepen their understanding of American song accompaniment will appreciate the harmonic language and the chance to support sophisticated vocal storytelling.

How to get the most out of it

  • Honor the lyrical clarity; Porter's words are comedy and character, not decoration. Shape phrases around the natural speech rhythm and comic timing of each line.
  • Approach the harmonies with pianistic color. Porter's chord choices aren't incidental; they're expressive tools that support the vocal line's emotional arc.
  • Balance the vocal line with a responsive accompaniment that supports but doesn't overshadow. These arrangements work best when the piano partnership feels conversational.
  • Pay attention to Porter's rhythmic sophistication, particularly syncopation and unexpected accents. The swing comes from precision, not rushing.

How to use it

Solo these standards in cabaret-style concerts, jazz recitals, or musical theater retrospectives. They also work beautifully as encores following heavier classical repertoire, offering audiences a chance to experience Porter's theatrical mastery and the vocal-piano partnership at its most refined.

Skills your students will build

  • Interpreting syncopated rhythms and jazz-inflected phrasing in a classical context
  • Managing sophisticated harmonic progressions and unexpected chord changes
  • Coordinating vocal line with accompaniment in songs with intricate rhythmic relationships
  • Developing stylistic flexibility within the American songbook tradition

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