Ours (from "Red, Hot and Blue!") Sheet Music Preview

Ours (from "Red, Hot and Blue!"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0011480

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Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0011480

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) created some of American musical theatre's most enduring standards, writing both music and lyrics for Broadway shows and Hollywood films across four decades. His sophisticated harmonic language, witty lyrics, and gift for memorable melody made him a defining voice of the Golden Age of musical theatre. Porter's influence extends far beyond his era; his songs remain central to jazz repertoire, cabaret programming, and music education for their harmonic richness and lyrical intelligence.

Why we love this

This collection captures Porter at his most inventive, spanning the period when he was establishing the harmonic and melodic vocabulary that would define American standards. Teachers and pianists value it not just for the songs themselves, but for the contextual material—original sheet music, photographs, and period documentation—that brings the era and Porter's creative process into the studio or classroom.

What to expect

Porter's melodies glide with urbane ease over harmonies that shimmer with unexpected color and movement. There's an elegance and sophistication here, laced with humor and romance, that reflects the glamour and wit of 1920s and 1930s Broadway at its height.

Who it's for

This book serves pianists and singers preparing Porter standards for recital, jazz study, or cabaret performance, as well as music educators teaching American musical theatre history and song interpretation. It's equally valuable for accompanists who need deep familiarity with Porter's harmonic language and stylistic markers.

How to get the most out of it

  • Study the harmonic progressions closely; Porter's chromaticism and unexpected chord movements reward careful voice leading and deliberate tempo choices that allow the harmony to breathe.
  • Match the lyrical sophistication in your phrasing. Porter's words are precise and often witty; let the rhythm of the language shape your rubato and articulation.
  • Use the rare manuscript images and original sheet music reproductions in the book to understand Porter's own notation choices and performance markings, then apply those insights to your interpretation.
  • Balance the theatrical character of these songs with instrumental clarity; resist over-romanticizing even the slower pieces, which benefit from crisp accompaniment and rhythmic definition.

How to use it

Program individual songs from this collection in recital to showcase the stylistic range of American standards, or use multiple Porter selections to create a thematic program exploring the Golden Age of musical theatre. The historical context provided makes this resource especially useful for lecture-recitals or educational performances that frame these songs within their original theatrical and cultural moment.

Skills your students will build

  • Interpreting chromatic harmony and unexpected chord progressions characteristic of Porter's style
  • Balancing lyrical phrasing with rhythmic precision in American popular song
  • Understanding the relationship between theatrical context and musical interpretation
  • Accompaniment technique that supports a vocalist's diction and dramatic intention
  • Historical awareness of 1920s-1930s Broadway musical theatre conventions and performance practice

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