Just One of Those Things (from "Jubilee") Sheet Music Preview

Just One of Those Things (from "Jubilee"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0005276

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Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0005276

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who defined sophistication in musical theater. Born to wealth in Indiana, he studied at Yale and in Paris, where he absorbed both classical training and the jazzy irreverence of 1920s artistic life. His songs blend complex harmonies, witty rhyme schemes, and memorable melodies in ways that have made them standards for nearly a century.

Porter's theatrical output spanned four decades, from "See America First" (1916) through "Silk Stockings" (1955). His best work combines intellectual playfulness with genuine emotional depth, creating songs that work equally well in a concert hall, a jazz club, or a Broadway stage. Pianists and singers return to his catalog repeatedly because the music rewards close study: his chords are sophisticated without being precious, and his lyrics demand precision and personality from performers.

Why we love this

This collection captures Porter at his most inventive, with songs whose harmonic language still challenges pianists and singers while remaining accessible to audiences. The historical context—rare images, analysis, and photos from his personal archive—makes this more than sheet music; it's a window into how one of theater's greatest songwriters developed his craft across two and a half decades.

What to expect

These songs carry the urbane wit and emotional nuance of 1920s and 1930s New York and Paris. They shimmer with sophistication, yet underneath runs genuine vulnerability and human observation. Whether playful, romantic, or satirical, each piece reflects a composer who understood that great popular music requires both craft and heart.

Who it's for

This resource serves pianists accompanying singers, vocalists preparing standards repertoire, and music students studying the development of American musical theater. Directors building concert programs around Porter's work will find the historical documentation invaluable for program notes and context.

How to get the most out of it

  • Respect the harmonic sophistication. Porter's chord changes are intentional, not decorative. Take time in rehearsal to hear how each substitution lands and to understand the progression underneath the melody.
  • Treat the lyrics as equal partners to the music. Porter's rhymes are often clever or double-edged; clarity and comic timing matter as much as vocal beauty.
  • Use the song-by-song analysis in this collection to inform your interpretation. Understanding Porter's intent and the show's context deepens every performance.

How to use it

Program songs from this collection alongside each other to showcase Porter's range and the evolution of his style across his early career. The combination of familiar standards ("Anything Goes," "Night and Day") with lesser-known gems makes this valuable for curating concerts that educate as much as entertain.

Skills your students will build

  • Reading and interpreting complex harmonic progressions and chord substitutions
  • Coordinating lyrical clarity with melodic phrasing in vocal performance
  • Understanding song structure and dramatic context within musical theater
  • Accompanying singers with stylistic nuance and harmonic awareness
  • Analyzing and performing standards with historical awareness

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