Down in the Depths (On the Ninetieth Floor) (from "Red, Hot and Blue!") Sheet Music Preview

Down in the Depths (On the Ninetieth Floor) (from "Red, Hot and Blue!"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0011476

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Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0011476

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who defined the golden age of musical theater. Born into wealth in Indiana, Porter studied music at Yale and later in Paris, where he absorbed jazz, folk idioms, and European sophistication into a distinctly American voice. His songs combined witty, urbane lyrics with harmonically adventurous melodies that moved far beyond the conventions of his era, influencing generations of composers and songwriters who followed.

Why we love this

Porter's songs occupy a rare space in music education: they are immediately singable yet harmonically intricate enough to reward deep study. This collection pairs a vocal line that sits naturally in the voice with chord changes that challenge pianists and reveal the craftsmanship beneath every measure. Programming a Porter song signals sophistication and gives singers access to some of the most beautifully constructed popular music ever written.

What to expect

Stepping into a Porter song feels like entering a cocktail party where everyone is beautifully dressed and saying something clever. The melodies are urbane and confident; the harmonies shimmer with unexpected turns and chromatic color. There's sophistication here, but never coldness, because Porter's melodies always sing with genuine warmth beneath the wit.

Who it's for

Singers preparing audition material, voice students learning the American songbook, and pianists who want to expand their repertoire of jazz-inflected standards. This collection also serves jazz ensembles and cabaret performers looking for songs with genuine musical substance.

How to get the most out of it

  • Treat the lyrical content seriously. Porter's wit lives in precise diction and timing; rush through the words and you lose the song.
  • Balance the piano part's role as both harmonic foundation and independent melodic voice. The accompaniment is never mere support.
  • Pay attention to Porter's use of chromatic movement and unexpected chord substitutions. These moments need clarity without sounding labored.
  • Let the phrasing breathe. Porter's melodies often move in longer phrases than contemporary pop songs; don't break them up artificially.

How to use it

Feature a single Porter standard in a pops concert or jazz ensemble program to anchor a set of American songbook classics. Alternatively, include this in a vocal recital that traces the evolution of American song, pairing Porter alongside folk traditions and later popular music to show his harmonic innovations in context.

Skills your students will build

  • Reading and performing jazz-influenced chord changes and chromatic harmony
  • Interpreting lyrics with precision and intentionality
  • Understanding the relationship between melody and underlying harmonic movement
  • Accompanying singers while managing complex piano parts
  • Phrasing longer, song-form melodies idiomatically

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