Why Shouldn't I? (from "Jubilee") Sheet Music Preview

Why Shouldn't I? (from "Jubilee"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0011495

Digital Download
$4.99

One moment…

Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

Why Shouldn't I? (from "Jubilee"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0011495

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who defined sophistication in musical theater. His songs combined jazz-influenced harmonies with witty, urbane lyrics that appealed equally to Broadway audiences and jazz musicians. Porter's output spanned four decades, from his early Paris-based compositions through his greatest Broadway successes, and his music remains central to the Great American Songbook.

Porter's harmonic language was advanced for its time, incorporating chromatic movement and unexpected chord progressions that challenged performers while delighting audiences. His melodies are memorable yet complex, and his lyrics display wordplay, cultural references, and romantic sensibility that reward repeated listening. For music educators, Porter's catalog offers unmatched opportunities to teach jazz harmony, song interpretation, and the craft of theatrical composition.

Why we love this

This collection captures Porter at his most inventive, when his harmonic language was still evolving and his wit was sharpest. The combination of sheet music, analysis, and historical photographs gives singers and pianists genuine insight into how these songs functioned on stage and in concert halls. Teaching from this resource means your students encounter Porter's genius not as abstract standards but as living theater with real performers, real contexts, and real creative choices.

What to expect

Porter's music sparkles with intelligence and charm. These early songs pulse with jazz rhythms and unexpected harmonic turns that keep listeners engaged, while lyrics that reference contemporary events and social situations ground the music in real human experience. There is elegance here, but never stuffiness; wit, but never cruelty; romance, but always with one eye toward irony.

Who it's for

This resource serves singers preparing audition pieces, recital repertoire, or cabaret programs who want authoritative texts and deeper understanding of Porter's musical language. Pianists accompanying singers or performing piano-vocal arrangements will benefit from both the scores and the analytical context. Voice teachers and musical theater coaches use this collection to help students connect Porter's sophisticated harmonies to his theatrical intentions.

How to get the most out of it

  • Study the harmonic language closely before memorizing melody; Porter's chords often move in unexpected ways that inform phrasing and dynamic shape.
  • Approach the lyrics as conversation rather than declaration. Porter wrote for sophisticated performers who understood innuendo and subtext, so commit to the specific situation each song describes.
  • Balance rhythmic precision with conversational phrasing. These songs sit between jazz and classical traditions, so neither rubato nor metronomic strictness serves the music well.
  • Use the historical images in the collection as performance research. Watching how original performers held themselves, gestured, and engaged the audience informs your interpretation choices.

How to use it

Feature Porter's songs in a cabaret-style concert that mixes standards with narration or thematic grouping. The analytical notes in this collection give you material to introduce each song meaningfully to your audience. These pieces work beautifully in recital programs that survey American song, particularly when programmed alongside works by Gershwin or Kern to show Porter's harmonic sophistication in comparison.

Skills your students will build

  • Interpreting advanced jazz harmonies and chromatic voice leading
  • Connecting lyrical content and subtext to musical phrasing
  • Understanding the relationship between song form and theatrical narrative
  • Balancing precision with stylistic flexibility in performed swing and syncopation
  • Analyzing Porter's distinctive melodic contours and how they reflect lyrical emphasis

You May Also Like