After You, Who? (from "Gay Divorce"): Piano/Vocal/Chords
Cole Porter
Item: 00-PS-0011488
One moment…
Related Items
Begin the Beguine (from "Jubilee" and "Broadway Melody of 1940"): Piano/Vocal/Chords |
$3.99
|
View | |
Ridin' High (from "Red, Hot and Blue!" and "High Society"): Piano/Vocal/Chords |
$4.99
|
View | |
I'm in Love Again (from "Greenwich Village Follies of 1924"): Piano/Vocal/Chords |
$4.99
|
View | |
I'm Unlucky at Gambling (from "Fifty Million Frenchmen"): Piano/Vocal/Chords |
$4.99
|
View | |
Let's Do It (Let's Fall in Love) (from "Paris"): Piano/Vocal/Chords |
$4.99
|
View | |
Looking at You (from "Wake Up and Dream"): Piano/Vocal/Chords |
$4.99
|
View | |
Love for Sale (from "The New Yorkers"): Piano/Vocal/Chords |
$5.99
|
View | |
Night and Day (from "Gay Divorce"): Piano/Vocal/Chords |
$4.99
|
View | |
How's Your Romance (from "Gay Divorce"): Piano/Vocal/Chords |
$5.99
|
View | |
How Could We Be Wrong (from "Nymph Errant"): Piano/Vocal/Chords |
$4.99
|
View | |
Anything Goes (from the 1987 Revival "Anything Goes"): Piano/Vocal/Chords |
$9.99
|
View | |
It's De-Lovely (from "Red, Hot and Blue!"): Piano/Vocal/Chords |
$5.99
|
View | |
Wake Up and Dream (from "Wake Up and Dream"): Piano/Vocal/Chords |
$4.99
|
View | |
I've Got You on My Mind (from "Stardust" and "Gay Divorce"): Piano/Vocal/Chords |
$4.99
|
View | |
The Great Indoors (from "The New Yorkers"): Piano/Vocal/Chords |
$4.99
|
View | |
It's Bad for Me (from "Nymph Errant"): Piano/Vocal/Chords |
$4.99
|
View | |
Which? (from "Wake Up and Dream"): Piano/Vocal/Chords |
$4.99
|
View | |
You Don't Know Paree (from "Fifty Million Frenchmen"): Piano/Vocal/Chords |
$4.99
|
View | |
They All Fall in Love (from "The Battle of Paris"): Piano/Vocal/Chords |
$4.99
|
View | |
Goodbye, Little Dream, Goodbye (from "O Mistress Mine"): Piano/Vocal/Chords |
$4.99
|
View | |
Let's Misbehave: Piano/Vocal/Chords |
$4.99
|
View | |
What Is This Thing Called Love? (from "Wake Up and Dream"): Piano/Vocal/Chords |
$4.99
|
View | |
You Do Something to Me (from "Fifty Million Frenchmen"): Piano/Vocal/Chords |
$4.99
|
View | |
Just One of Those Things (from "Jubilee"): Piano/Vocal/Chords |
$5.99
|
View | |
Take Me Back to Manhattan (from "The New Yorkers"): Piano/Vocal/Chords |
$4.99
|
View | |
I Happen to Like New York (from "The New Yorkers"): Piano/Vocal/Chords |
$4.99
|
View | |
All Through the Night (from "Anything Goes"): Piano/Vocal/Chords |
$5.99
|
View | |
I Get a Kick Out of You (from "Anything Goes"): Piano/Vocal/Chords |
$4.99
|
View | |
Mister and Missus Fitch (from "Gay Divorce"): Piano/Vocal/Chords |
$4.99
|
View | |
I've Got You Under My Skin (from "Born to Dance"): Piano/Vocal/Chords |
$5.99
|
View | |
Easy to Love (from "Born to Dance"): Piano/Vocal/Chords |
$4.99
|
View | |
Down in the Depths (On the Ninetieth Floor) (from "Red, Hot and Blue!"): Piano/Vocal/Chords |
$5.99
|
View | |
Longing for Dear Old Broadway (from "The Pot of Gold"): Piano/Vocal/Chords |
$4.99
|
View | |
Ours (from "Red, Hot and Blue!"): Piano/Vocal/Chords |
$4.99
|
View | |
Don't Look at Me That Way (from "Paris"): Piano/Vocal/Chords |
$4.99
|
View | |
The Laziest Gal in Town (from "Stage Fright"): Piano/Vocal/Chords |
$4.99
|
View | |
Old-Fashioned Garden (from "Hitchy-Koo"): Piano/Vocal/Chords |
$4.99
|
View | |
You've Got That Thing (from "Fifty Million Frenchmen"): Piano/Vocal/Chords |
$4.99
|
View | |
Where Have You Been? (from "The New Yorkers"): Piano/Vocal/Chords |
$4.99
|
View | |
Weren't We Fools?: Piano/Vocal/Chords |
$4.99
|
View | |
Experiment (from "Nymph Errant"): Piano/Vocal/Chords |
$4.99
|
View | |
The Physician (from "Nymph Errant"): Piano/Vocal/Chords |
$4.99
|
View | |
Miss Otis Regrets (from "Hi Diddle Diddle"): Piano/Vocal/Chords |
$4.99
|
View | |
Buddie, Beware (from "Anything Goes"): Piano/Vocal/Chords |
$5.99
|
View | |
You're the Top (from "Anything Goes"): Piano/Vocal/Chords |
$4.99
|
View | |
Blow, Gabriel, Blow (from "Anything Goes"): Piano/Vocal/Chords |
$5.99
|
View | |
Why Shouldn't I? (from "Jubilee"): Piano/Vocal/Chords |
$4.99
|
View | |
The Tale of the Oyster (from "Fifty Million Frenchmen"): Piano/Vocal/Chords |
$4.99
|
View | |
I've a Shooting Box in Scotland (from "See America First"): Piano/Vocal/Chords |
$5.99
|
View |
Description
After You, Who? (from "Gay Divorce"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Cole Porter
Cole Porter (1891-1964) stands apart among American songwriters for his sophisticated harmonic language, witty lyrics, and ability to craft melodies that feel both elegant and effortlessly singable. Born into a wealthy Indiana family, Porter studied at Yale and Paris before establishing himself on Broadway and in Hollywood during the 1920s and 1930s, creating standards that remain central to jazz, cabaret, and musical theater repertoires.
Porter's early career (1912-1936) represents a formative period when he developed the stylistic hallmarks that define American popular song: unexpected chord progressions, clever internal rhymes, and urbane sophistication paired with genuine emotional depth. His work during these decades influenced generations of composers and continues to reward careful study by musicians seeking to understand how to balance technical craft with theatrical storytelling.
Why we love this
This collection captures Porter's innovations during his most prolific and exploratory period, when he was still refining the techniques that would make him legendary. The inclusion of rare photographs, scrapbook images, and historical context transforms what could be a simple anthology into a window onto Broadway's golden age and Porter's creative process. For pianists and singers serious about standard repertoire, having these 50 songs with chord symbols alongside period documentation creates both a performance resource and a musical history lesson.
What to expect
These songs embody the confidence and polish of the Jazz Age and early swing era, where wit and worldliness were expressed through intricate harmony and clever wordplay. There's an urbanity to Porter's writing, a sense of sophistication and style, yet underneath runs genuine emotion and surprising vulnerability. Many of these standards have become jazz touchstones precisely because their harmonic and melodic construction rewards both faithful interpretation and creative reharmonization.
Who it's for
Pianists and singers preparing standard repertoire for recitals, auditions, or cabaret settings will find essential material here. Music teachers introducing students to American songwriting traditions, jazz educators building understanding of harmonic sophistication, and theater musicians working toward fluency with mid-century Broadway material will all benefit from this collection and its contextual richness.
How to get the most out of it
- Pay attention to Porter's harmonic progressions, which often move through unexpected key areas within a single verse or chorus. Don't rush the changes; let each color register clearly for your ear and your audience.
- Study the lyrics as carefully as you study the melody. Porter's internal rhyme schemes and double meanings are integral to phrasing and emotional delivery. A lyric sung with genuine understanding of its wit lands differently.
- Use the historical images and context provided to build your interpretation. Understanding the theatrical or film moment where a song originated informs tempo, style, and what emotional truth the song serves.
- Balance swing feel with clarity of articulation in the piano accompaniment. Many of these standards benefit from a relaxed, almost conversational tempo that gives the harmony room to breathe.
How to use it
Build a recital around Porter's evolution during this 24-year span, programming pieces that show his range from cheeky comedy songs to torch numbers and romantic ballads. The historical context makes these selections ideal for a thematic concert about American musical theater, Golden Age Broadway, or the foundations of American popular song. Pianists can also use individual pieces as stylistic studies between classical and contemporary repertoire, developing fluency with jazz-influenced harmony and rubato.
Skills your students will build
- Reading and interpreting jazz-influenced harmony and chromaticism
- Balancing rhythmic precision with swing feel and rubato
- Coordinating melody and chord changes across voice and piano parts
- Understanding sophisticated lyrical content and how it shapes phrasing
- Recognizing harmonic progressions that modulate through unexpected key areas