Ridin' High (from "Red, Hot and Blue!" and "High Society") Sheet Music Preview

Ridin' High (from "Red, Hot and Blue!" and "High Society"): Piano/Vocal/Chords

Cole Porter

Item: 00-PS-0001161

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Description
This is the first of a two-volume series presenting highlights from the career of Cole Porter. Volume one documents 50 songs from his early career, from 1912 until 1936. The book includes a song-by-song analysis, rare images of original sheet music, informal shots from Porter's scrapbooks, and publicity stills from motion pictures and Broadway. Titles: Anything Goes * Begin the Beguine * Easy to Love * I Get a Kick Out of You * It's De-Lovely * I've Got You Under My Skin * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets * Night and Day * What Is This Thing Called Love * You Do Something to Me * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-PS-0001161

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) shaped American musical theater through sophisticated harmonies, witty lyrics, and an ear for melody that made standards from standards. His career spanned from the 1910s through the 1950s, a period when he moved seamlessly between Broadway revues, operettas, and film scores. Porter's harmonic language influenced generations of composers; his use of unexpected chord progressions and chromatic movement created both accessibility and musical depth that rewards close study.

Why we love this

This collection captures Porter at his most inventive, pairing 50 essential songs with archival material that shows the evolution of his craft across nearly three decades. Teachers and performers find themselves drawn back to these pieces repeatedly; the harmonic sophistication keeps advancing musicians engaged while the melodic clarity makes them teachable at multiple levels. The historical documentation transforms a songbook into a window onto American musical theater's golden age.

What to expect

Urbane, clever, occasionally wistful. Porter's melodies have an uncanny way of feeling inevitable once you know them, yet the harmonic paths he takes to arrive there surprise you each time. These songs evoke nightclubs, Broadway theaters, and elegant evenings; they are conversational rather than grandiose, intimate rather than bombastic.

Who it's for

Pianists and singers preparing audition material or recital programs will find dependable, rewarding repertoire across a range of moods and tempos. Voice teachers and their students can draw from this collection for years; each song offers different technical or interpretive challenges. Pianists accompanying vocalists will appreciate having so many Porter standards in one resource with chord symbols for flexible performance.

How to get the most out of it

  • Study the harmonic movement before focusing on interpretation. Porter's chromaticism and unexpected modulations require secure voice leading, especially in accompaniment figures that can sound muddled if the harmonic intent isn't clear.
  • Resist over-romanticizing the tempo. Many of these songs swing or move with a deliberate lilt; leaning into Porter's rhythmic profile keeps the music alive rather than making it precious.
  • Treat the lyrics as melody partners, not afterthoughts. Porter's lyrical rhythms are integral to phrasing; singing or playing through the text reveals where the musical architecture truly lands.
  • Balance the sophistication with warmth. These pieces demand technical control, but their appeal comes from a conversational elegance. Play for the listener, not the difficulty.

How to use it

Build a recital around Porter selections from this book to show a specific era or mood. Pair lighter, faster numbers with introspective ballads to create shape and variety. These songs also serve jazz programs well; their harmonic language connects directly to the standards repertoire that jazz musicians study.

Skills your students will build

  • Reading and executing chromatic harmony and unexpected chord progressions
  • Phrasing vocal melody over sophisticated piano accompaniment
  • Interpreting rhythmic subtlety and swing in written notation
  • Understanding song form in the American standard tradition
  • Accompanying singers with attention to lyrical rhythm and harmonic support

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