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Sound Innovations for Concert Band, Book 2: Electric Bass Book, CD & DVD

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Electric Bass Book, CD & DVD

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34564

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Electric Bass Book, CD & DVD comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6759-1
ISBN13: 978-0-7390-6759-8
UPC: 038081383323
SKU: 00-34564
Instrumentation: Electric Bass

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band repertoire. He is the lead author of Sound Innovations for Concert Band, and his compositions are heard in concert halls and competitions worldwide. His music speaks to both ensembles and audiences through its expressive depth and accessibility.

Sheldon's achievements have earned him recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. He maintains an active schedule accepting commissions and producing new concert band publications each year. In 2020, VanderCook College of Music honored him with a doctorate degree.

As a clinician and guest conductor, Sheldon works extensively with All-State and Regional Honor Bands across the country and internationally. He has presented music education sessions at universities and state conferences, and conducted performances of his works at prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. His conducting and teaching have taken him throughout the United States, Japan, Canada, Italy, Germany, Australia, and China.
Peter Boonshaft
Peter Loel Boonshaft stands among today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators nationwide and internationally through speaking engagements and conducting appearances in all fifty states and beyond. His influential weekly blog continues to energize music teachers everywhere.

Boonshaft's contributions to the field have earned him the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds membership in Pi Kappa Lambda and Alpha Chi honor societies and has received the University of Hartford's Regent's Award twice along with the Outstanding Music Educator Award from that institution. Additional recognitions include three National Endowment for the Arts "Artist in Residence" selections, three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International.

Boonshaft's academic credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree. He earned a Connecticut General Fellowship to study at the Kodály Musical Training Institute, where he received a Certificate. His career has included faculty positions at Moravian College and the University of Hartford, where he is now Professor Emeritus of Music. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His work has earned recognition from five state governors and a Certificate of Appreciation from former President Ronald Reagan, and he has performed for multiple U.S. presidents and international dignitaries.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with prominent entertainers and production shows, establishing himself as a versatile and accomplished musician.

As a prolific composer and arranger, Black has published more than 60 works through major music publishers, many of which have been commercially recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His compositions have also served as source material for television and film productions, including the movie Drumline.

Black stands among the world's best-selling percussion education authors, having written or co-written over 30 books. His Alfred's Drum Method remains a global bestseller and has achieved Gold Record status for sales exceeding 500,000 copies, while Sound Innovations for Concert Band is widely adopted in music education. Combined sales of his books and compositions have surpassed two million units, with his materials used by young musicians worldwide.
Bob Phillips
Bob Phillips, born in 1953, stands as a pioneering figure in string education. As an author, composer, conductor, and teacher trainer, he has fundamentally shaped how large group string instruction is taught and performed. His innovative approach to introducing eclectic musical styles to string students has influenced music education across the country.

Phillips has created over 25 book series for classroom use, most notably the complete Sound Innovations series and groundbreaking collections including Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. With more than 200 published works for orchestras and bands, he is an award-winning ASCAP composer whose music regularly appears on Midwest Clinic programs. His instructional video series, String Clinics to Go, has been adopted by thousands of teachers nationwide.

For 27 years in Saline, Michigan, Phillips developed a string program that grew to over 700 students and became nationally recognized for excellence in both classical and eclectic music. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that gained international acclaim while performing more than 80 shows annually and appearing multiple times at the White House and the Midwest Clinic. His conducting experience spans youth symphonies, all-state orchestras across numerous states including Georgia, Michigan, and California, and prestigious camps such as Interlochen and Blue Lake Fine Arts Camp. He also served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years.

Why we love this

This book treats the electric bass as a full ensemble voice, not an afterthought. Sheldon and his co-authors scaffold new concepts methodically, ensuring bass students understand their role in harmonic and rhythmic foundation before moving to more complex material. The included CD and DVD resources eliminate the excuse of missing accompaniment or demonstration, making it genuinely possible to teach this book successfully even if you're not a bass specialist.

What to expect

Solid, grounded, and purposeful. The electric bass moves from supporting exercises to playing genuine ensemble parts, giving students the satisfaction of locking into the band's rhythm section and hearing their role matter. The segmented approach means students spend focused time on each new concept, building confidence rather than confusion.

Who it's for

Electric bass players in beginning to early intermediate concert bands who are reading standard notation and ready to integrate into full ensemble settings. This book works for students who completed Sound Innovations Book 1 and need systematic instruction in ensemble playing without losing their fundamental skills.

How to get the most out of it

  • Start each practice session with the rhythm review sections before tackling new pitch material; this builds consistent pulse across the ensemble.
  • Use the MasterClass videos at alfred.com/SIOnline to show students how electric bass sits in the rhythm section context, not just how to play isolated exercises.
  • Lock in with the accompaniment recordings at performance tempo from the start; rushing through slow recordings creates bad habits.
  • Check the Sound Advice sections in the Teacher's Score before each lesson for quick pedagogical cues that address common bass player struggles.

How to use it

Move your bass section through this book alongside your main band method if you're using Sound Innovations across the ensemble. The parallel organization means bass players advance at the same pedagogical pace as their section mates, simplifying rehearsal planning and allowing you to combine isolated bass concepts with full-band repertoire work. If you're bridging to ensemble playing mid-year, this book's complete review of foundational material makes it a practical entry point.

Skills your students will build

  • Reading exercise-based and ensemble-based notation for electric bass
  • Understanding the role of bass in harmonic foundation and rhythm section
  • Playing rhythms in coordination with accompaniment tracks
  • Performing new melodic and rhythmic concepts with ensemble support
  • Building finger strength and left-hand technique on fretted instruments
  • Listening and responding to recorded ensemble contexts

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