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Sound Innovations for Concert Band, Book 2: Oboe Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Oboe Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34550

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Oboe Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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1 A Sailors Chantey --:--
2 Big Rock Candy Mountain --:--

A Sailors Chantey

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6745-1
ISBN13: 978-0-7390-6745-1
UPC: 038081383187
SKU: 00-34550
Instrumentation: Oboe

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and regularly receives commissions for new works, producing numerous publications annually. His compositions reach ensembles and audiences worldwide, appearing frequently on international concert and contest programs.

His accolades include multiple awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His works have been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctoral degree.

Sheldon actively contributes to music education as a guest conductor for All-State and Regional Honor Bands and as a clinician at colleges, universities, and state music education conferences. His work has taken him across the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China, where he continues to conduct performances and lead educational seminars.
Peter Boonshaft
Peter Loel Boonshaft is recognized as one of today's most dynamic voices in music education. He currently serves as Director of Education for Jupiter Band Instruments while maintaining his position as Professor Emeritus of Music at Hofstra University. His weekly "Boonshaft's Blog" reaches music educators nationwide with practical inspiration and leadership insights.

Dr. Boonshaft's distinguished career has earned him numerous accolades, including the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has received the University of Hartford's Regent's Award twice, along with its Outstanding Music Educator Award. Additional honors include three selections as a National Endowment for the Arts Artist in Residence and three Honorary Life Memberships in the Tri-M Music Honor Society.

Throughout his career, Boonshaft has been invited to speak and conduct across all fifty states and internationally. He has performed for former Presidents Clinton and George H. W. Bush, former Prime Minister Margaret Thatcher, and received a Certificate of Appreciation from President Ronald Reagan. He earned official proclamations from five state governors and was honored with the Al G. Wright Award of Distinction from Women Band Directors International. Boonshaft founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble and previously taught at Moravian College and the University of Hartford. He holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, plus a Certificate from the Kodály Musical Training Institute through a Connecticut General Fellowship.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with prominent entertainers and theatrical productions across the globe.

As a prolific composer and arranger, Black has published more than 60 compositions and arrangements through major music publishers, many of which have been recorded commercially. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award for educational materials. His work has appeared as source music in numerous television shows and films, including the feature film Drumline, and Alfred's Drum Method, Book 1 achieved certification as a Gold Record for sales exceeding 500,000 copies.

Black stands among the world's leading percussion authors, having written or co-written over 30 books. His best-known works include Alfred's Drum Method, currently the world's bestselling drum instructional book, and Sound Innovations for Concert Band. His educational materials and compositions reach musicians globally, with combined sales totaling two million units and continuing to impact music education worldwide.
Bob Phillips
Bob Phillips, born in 1953, stands as a pioneering force in string education. As an author, composer, pedagogue, and conductor, he has fundamentally shaped how string students learn through innovative large group pedagogy and eclectic musical styles. His educational materials reach thousands of student musicians annually across classrooms worldwide.

Phillips has created over 25 book series for classroom instruction, most notably the complete Sound Innovations series and groundbreaking publications like Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. He has published more than 200 works for orchestras and bands and earned recognition as an award-winning ASCAP composer, with his works frequently performed at the prestigious Midwest Clinic. His instructional DVDs, String Clinics to Go, have become tools for thousands of educators.

During his 27 years in Saline, Michigan, Phillips built an exceptional string program enrolling over 700 students that became a national model for excellence in both classical and eclectic styles. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that performed internationally with over 80 shows annually while appearing multiple times at the White House and the Midwest Clinic. As an accomplished conductor, Phillips has led youth symphonies, all-state orchestras, and honor ensembles across the country, including programs at Interlochen, Blue Lake Fine Arts Camp, and California All-State. He also served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional string ensemble Barrage 8.

Why we love this

Sound Innovations Book 2 respects where your oboe players actually are, reviewing foundational concepts before layering new ones in. The segmented approach isolates each new idea so students can master it without cognitive overload, and the ensemble playing opportunities throughout give your section real reasons to refine what they're learning. The embedded MasterClass videos and accompaniment recordings let students hear and match professional woodwind tone, turning practice time into genuine modeling of what good playing sounds like.

What to expect

Structured and supportive. Each new oboe technique arrives with clear benchmarks and built-in assessment checkpoints, so students always know what they're aiming for. The repertoire feels purposeful rather than arbitrary; oboes have genuine musical lines that matter to the ensemble, not just whole-note padding.

Who it's for

Oboe students in grades 2-4 who have completed Book 1 and are ready for more complex rhythms, tonality, and ensemble texture. Teachers and directors running concert band programs at the elementary or early middle school level will find this book essential for moving beginners into genuine band repertoire without losing them.

How to get the most out of it

  • Assign students to watch the oboe-specific MasterClass videos before they tackle each new concept in their book. Having seen how a professional oboe player approaches the technique removes guesswork and gives your section a shared reference point.
  • Use the accompaniment recordings during sectional rehearsals so oboes can hear exactly where they fit within the full ensemble sound, building confidence in both intonation and rhythmic placement.
  • Break the ensemble pieces into small sections and isolate the oboe parts before combining with other instruments. This prevents your section from getting lost in the fuller texture while they're still learning.
  • Rotate through the practice and performance opportunities in order rather than jumping ahead. Each one builds directly on what precedes it, so skipping around can leave gaps in understanding.

How to use it

Work through Book 2 as your primary oboe curriculum during Year 2 of concert band, pacing one level per week or two depending on your ensemble's readiness. The embedded performance pieces fit naturally into winter or spring concerts, giving students real performance goals as they progress. Pair the online resources with your regular rehearsal schedule so that home practice reinforced by the MasterClass videos strengthens what happens in the band room.

Skills your students will build

  • Reading and executing rhythmic notation including sixteenth-note patterns and syncopation
  • Producing consistent tone across the full oboe range with improved breath support
  • Playing ensemble passages with attention to intonation, balance, and rhythmic precision
  • Interpreting stylistic markings and dynamic shadings in context of a full arrangement
  • Sight-reading within the intermediate range with confidence

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