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Sound Innovations for Concert Band, Book 2: Baritone T.C. Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Baritone T.C. Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34562

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Baritone T.C. Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6757-5
ISBN13: 978-0-7390-6757-4
UPC: 038081383309
SKU: 00-34562
Instrumentation: Baritone T.C.

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band music. He is the lead author of Sound Innovations for Concert Band and has earned numerous accolades including awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions reach ensembles and audiences worldwide, appearing regularly on international concert and contest programs.

Sheldon maintains an active schedule accepting commissions and publishing new works for concert band annually. He serves as guest conductor for All-State and Regional Honor Bands while presenting clinics and seminars at universities and state music education conferences across the country. His conducting and educational work has taken him throughout the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China.

His performances have graced some of the world's most prestigious venues, including Carnegie Hall in New York, Orchestra Hall in Chicago, Symphony Hall in Boston, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators across the country and internationally through speaking engagements and conducting workshops in every U.S. state and beyond. His popular weekly blog continues to offer inspiration and guidance to music teachers everywhere.

Boonshaft's contributions to the field have earned him remarkable recognition. He received the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has been named an NEA Artist in Residence three times. His other accolades include the Al G. Wright Award of Distinction from Women Band Directors International, honorary life memberships in the Tri-M Music Honor Society, and selection for the Center for Scholarly Research and Academic Excellence at Hofstra University, where he is Professor Emeritus of Music.

Beyond his educational leadership, Boonshaft has performed for several U.S. presidents and foreign dignitaries, including President George H. W. Bush and Mrs. Bush, President Bill Clinton, and Margaret Thatcher. He earned three Regent's Awards and the Outstanding Music Educator Award from the University of Hartford. Boonshaft holds degrees including a Doctor of Musical Arts and a Master of Music Education in Conducting, along with a certificate from the Kodály Musical Training Institute. He previously taught at Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with prominent entertainers and major productions, establishing himself as a respected figure in the percussion world.

As a prolific composer and arranger, Black has published more than 60 works through leading music publishers, many of which have been commercially recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, a Modern Drummer Readers Poll award, and two Drum! Magazine Drummie! awards. His compositions have appeared as source and background music in numerous television shows and films, including the feature film Drumline. Additionally, Alfred's Drum Method, Book 1 earned Black a certified Gold Record for exceeding 500,000 copies sold.

As one of the world's bestselling percussion authors, Black has written or co-written over 30 books, including the internationally bestselling Alfred's Drum Method and Sound Innovations for Concert Band. His educational materials and compositions are performed and used by young musicians globally, with combined sales reaching two million units.
Bob Phillips
Bob Phillips is an acclaimed author, composer, conductor, and music educator born in 1953. Recognized as a pioneer in string education, he has shaped how large ensemble pedagogy is taught and practiced in schools across the country. His innovative approach to diverse musical styles for strings has influenced thousands of student musicians and teachers alike.

Phillips has authored more than 25 book series for classroom use, most notably the complete Sound Innovations series and the genre-spanning Philharmonic collections including Fiddlers, Jazz, Rock, Mariachi, and Latin editions. Over 200 of his compositions have been published for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose works regularly appear on Midwest Clinic programs. His instructional video series, String Clinics to Go, has become a resource for countless music teachers.

During his 27 years directing strings in Saline, Michigan, Phillips built a program of over 700 students that set national standards for musical excellence. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international prominence through more than 80 annual performances, appearances at the White House, and featured slots at major conferences. As a guest conductor, he has led all-state and honors orchestras throughout the country, including ensembles at Interlochen, Blue Lake Fine Arts Camp, and multiple state programs. He also served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director for the professional string ensemble Barrage 8.

Why we love this

Book 2 builds momentum without overwhelming students. The segmented introduction of new concepts, paired with realistic assessment benchmarks, lets you pace instruction deliberately and know exactly where each student stands. The integration of online MasterClass videos and accompaniment recordings transforms what could be rote drill into genuine ensemble playing from day one.

What to expect

Sound Innovations Book 2 feels purposeful and assured. Each lesson builds naturally on the last, with carefully isolated concepts that prevent cognitive overload while expanding the player's musical vocabulary. The early introduction of ensemble playing creates immediate engagement; baritones hear themselves supporting the harmonic foundation of a real band.

Who it's for

Baritone players in early intermediate concert bands who have completed Sound Innovations Book 1 or have equivalent foundational skills. This book works for both players continuing their method journey and those joining a band after using a different approach.

How to get the most out of it

  • Explore the MasterClass videos before rehearsal to familiarize yourself with the demonstration of tone production and technique specific to baritone T.C. This preparation lets you reference the videos confidently during sectional work.
  • Use the accompaniment recordings to create full ensemble context even when the baritone section is learning new material in isolation. Students hear themselves as part of the band, not as solo players.
  • Target the intermediate benchmarks in each level as formative checkpoints rather than final assessments. This helps you identify which students need extra practice with a concept before moving forward.

How to use it

Use Book 2 as your primary rehearsal and sectional resource throughout your concert band season. The built-in performance opportunities work well for autumn and winter concerts, while later levels support spring programming. Pair the method with your chosen concert repertoire rather than viewing them as separate; the skills and concepts from Book 2 directly strengthen students' ability to handle ensemble music.

Skills your students will build

  • Reading in concert pitch and transposed to B-flat
  • Sustaining longer note values and controlling air pressure
  • Executing dynamic changes within phrases
  • Balancing tone and tuning within the baritone section
  • Transitioning between register breaks with legit
  • Understanding harmonic function and voice leading in ensemble
  • Responding to conductor patterns during ensemble passages
  • Building music literacy through repeated exposure and performance

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