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Sound Innovations for Concert Band, Book 2: Horn in F Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Horn in F Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34559

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Horn in F Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 A Sailors Chantey --:--
2 Big Rock Candy Mountain --:--

A Sailors Chantey

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6754-0
ISBN13: 978-0-7390-6754-3
UPC: 038081383279
SKU: 00-34559
Instrumentation: Horn in F

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band, and his works have earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions reach audiences worldwide and consistently appear on international concert and contest programs.

Sheldon maintains an active schedule accepting commissions and releasing numerous new publications annually. He regularly guests conducts All-State and Regional Honor Bands while also working as a music education clinician at colleges, universities, and state music education conferences. His conducting career has taken him throughout the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China. Notable performance venues for his works include Carnegie Hall in New York, Orchestra Hall in Chicago, Symphony Hall in Boston, the Sydney Opera House, and the Kennedy Center for the Performing Arts in Washington D.C. In 2020, VanderCook College of Music awarded him an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft stands as one of the most dynamic voices in music education, recognized for his influential work as Director of Education for Jupiter Band Instruments. His engaging weekly blog "Boonshaft's Blog" reaches music educators nationwide, while his speaking and conducting appearances have taken him to every U.S. state and numerous countries around the world.

Boonshaft's contributions to the field have earned him the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds professorships at both the University of Hartford (Professor Emeritus) and Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His academic credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts, along with a Certificate from the Kodály Musical Training Institute.

Among his numerous honors, Boonshaft has received official proclamations from five state governors and recognition from former Presidents Ronald Reagan, George H. W. Bush, and Bill Clinton, as well as Margaret Thatcher. He holds memberships in Pi Kappa Lambda and Alpha Chi, has been named an NEA "Artist in Residence" three times, and received the Al G. Wright Award of Distinction from Women Band Directors International. As founder and music director of both the Pennsylvania Youth Honors Concert Band and Connecticut Valley Youth Wind Ensemble, he shaped educational experiences for countless young musicians.
Dave Black
Dave Black is an accomplished percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions across diverse musical genres.

As a prolific composer and arranger, Black has published more than 60 works through major music publishers, many of which have been commercially recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His Alfred's Drum Method, Book 1 achieved Gold Record status with sales exceeding 500,000 copies, and he received two Drum! Magazine Drummie! awards for his educational materials.

Black stands among the world's best-selling percussion authors, having written or co-written over 30 books including the global bestseller Alfred's Drum Method and Sound Innovations for Concert Band. His compositions have served as source music for numerous television shows and films, including Drumline. His educational materials and compositions have reached millions of young musicians worldwide, with combined sales totaling two million units.
Bob Phillips
Bob Phillips is an accomplished composer, author, pedagogue, and conductor born in 1953. Recognized as a pioneer in string education, he has distinguished himself through his expertise in large group instruction and his innovative approach to eclectic musical styles for string ensembles. His educational materials and compositions reach thousands of young musicians annually across classrooms nationwide.

Phillips has authored more than 25 book series for educational use, including all six levels of Sound Innovations and groundbreaking genre-focused publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. Over 200 of his orchestral and band compositions have been published, and he is an award-winning ASCAP composer whose works regularly appear on Midwest Clinic performance schedules. His instructional video series String Clinics to Go has become a valued resource for educators worldwide.

Throughout his 27-year tenure in Saline, Michigan, Phillips developed a nationally recognized string program enrolling over 700 students in both classical and eclectic music. He founded the Saline Fiddlers Philharmonic ensemble, which under his direction earned international acclaim through more than 80 annual performances, White House appearances, and Midwest Clinic performances. Phillips has served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years and has conducted numerous youth orchestras, all-state ensembles, and honor groups including those at Interlochen, Blue Lake Fine Arts Camp, and various state programs across the country.

Why we love this

Book 2 strikes a genuine balance between systematic skill-building and genuine musicality. The segmented approach isolates one concept at a time, which means horn players actually understand what they're learning rather than drowning in simultaneous challenges. Ensemble opportunities appear throughout rather than waiting until the end, so students experience the payoff of individual progress immediately.

What to expect

Sound Innovations Book 2 feels purposeful. Each page introduces one clear skill, practices it thoroughly, then puts it to work in a real ensemble context. The writing avoids overwhelming complexity while respecting the intelligence of young players, creating the satisfaction of genuine progress without frustration.

Who it's for

Horn players in their second year of concert band study, or any early intermediate player picking up the method after finishing Book 1. This product works equally well for students progressing sequentially through the Sound Innovations series or joining an established ensemble mid-year.

How to get the most out of it

  • Record yourself playing the solo exercises before moving to the ensemble sections. Playback reveals intonation habits and rhythmic inconsistencies that sound fine in the moment but show up clearly on tape.
  • Use the online MasterClass brass ensemble videos for intonation reference, especially in the early ensemble pieces. Hearing accomplished brass players model sound quality raises your own standard faster than any written instruction.
  • Practice the new concept in isolation first, then immediately apply it in the provided exercises. This reinforcement cycle (isolate, then integrate) embeds the skill before moving forward.
  • Mark the Sound Advice tips in your book during band rehearsal and review them before your practice session. These quick reminders from experienced educators address the exact pitfalls horn students encounter.

How to use it

Use this as the primary method book for a developing concert band, working through sequentially during the fall and winter rehearsal seasons. It integrates perfectly alongside early concert repertoire at the same level, since the method itself incorporates ensemble arrangements. The online videos and accompaniment tracks make it adaptable to remote or hybrid rehearsal situations.

Skills your students will build

  • Extended range on horn (building on Book 1 foundation)
  • Ensemble intonation and balance in mixed brass sections
  • Reading and executing articulation markings in musical context
  • Breath support for longer phrases and dynamic control
  • Part independence while listening to other sections
  • Application of major and minor tonalities in band arrangements

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