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Sound Innovations for Concert Band, Book 2: Baritone B.C. Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Baritone B.C. Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34561

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
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"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Baritone B.C. Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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1 A Sailors Chantey --:--
2 Big Rock Candy Mountain --:--

A Sailors Chantey

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6756-7
ISBN13: 978-0-7390-6756-7
UPC: 038081383293
SKU: 00-34561
Instrumentation: Baritone B.C.

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He is the lead author of Sound Innovations for Concert Band and has earned accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions achieve an expressive quality that connects meaningfully with both performers and listeners worldwide.

Sheldon's works appear regularly on international concert and contest programs, and he maintains an active schedule of new commissions and annual publications for concert band. He frequently guest conducts All-State and Regional Honor Bands throughout the country. His conducting and clinician appearances have taken him across the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China. Notable performance venues for his works include Carnegie Hall, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

As a music education clinician, Sheldon regularly presents at colleges, universities, and state music education conferences. VanderCook College of Music honored him with a doctorate in July 2020.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he brings decades of expertise to the field while maintaining an active presence through his widely followed "Boonshaft's Blog," which reaches music educators nationwide. His reputation has earned him invitations to speak and conduct across all fifty states and internationally.

His contributions have garnered extraordinary recognition. The National Association for Music Education and Music For All honored him as the first recipient of the George M. Parks Award for Leadership in Music Education. He has been named NEA Artist in Residence three times, earned the Al G. Wright Award of Distinction from Women Band Directors International, and received multiple honors from the University of Hartford, including the Regent's Award and Outstanding Music Educator Award. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies. His accolades also include official proclamations from five state governors and a Certificate of Appreciation from former President Ronald Reagan, along with performances for Presidents George H.W. Bush and Bill Clinton and former British Prime Minister Margaret Thatcher.

Boonshaft is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. He previously taught at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His educational credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree, complemented by a Certificate from the Kodály Musical Training Institute.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded globally with numerous renowned entertainers and productions, establishing himself as a widely sought-after musician.

As a prolific composer and arranger, Black has published more than 60 works through major music publishers, many of which have been professionally recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. Additionally, his Alfred's Drum Method, Book 1 achieved a certified Gold Record award for exceeding 500,000 copies sold.

Black stands among the world's best-selling percussion authors, having written or co-written over 30 books including the global bestseller Alfred's Drum Method and Sound Innovations for Concert Band. His compositions have been featured as source and background music in television shows and films, notably including Drumline. His educational materials and compositions have reached millions of musicians worldwide, with combined sales surpassing two million units.
Bob Phillips
Bob Phillips is an accomplished author, composer, and conductor born in 1953 who has fundamentally shaped string education through innovative large group pedagogy and eclectic musical styles. His extensive catalog of educational materials reaches thousands of student musicians annually across the country and beyond.

Phillips has authored over 25 book series for classroom instruction, most notably the complete Sound Innovations series and groundbreaking eclectic publications including Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. More than 200 of his orchestral and band compositions have been published, earning him recognition as an award-winning ASCAP composer whose works are regularly performed at the prestigious Midwest Clinic. His instructional DVDs, String Clinics to Go, have found widespread adoption among teachers nationwide.

Over 27 years in Saline, Michigan, Phillips built a string program serving over 700 students that became a national model for excellence in both classical and contemporary music. He founded and directed the Saline Fiddlers Philharmonic, an internationally recognized folk-fiddling ensemble that performed more than 80 shows annually, appeared multiple times at the White House, and regularly performed at the Midwest Clinic. Phillips has served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years and as an assistant music director for the professional ensemble Barrage 8. His conducting experience encompasses youth orchestras, all-state ensembles, and honors orchestras across numerous states and international programs.

Why we love this

Book 2 respects the developmental arc that Book 1 established while genuinely introducing new material rather than simply repeating concepts. The segmented approach isolates each new skill, giving students clear benchmarks and time to master one idea before moving forward, which reduces frustration and builds confidence on baritone. The integration of MasterClass videos and streaming accompaniments transforms practice sessions from solo work into genuine ensemble experience, even when your brass section can't all rehearse together.

What to expect

A structured yet engaging journey where each new challenge feels approachable because it builds intentionally on what came before. The baritone voice carries more weight and responsibility in Book 2 than in earlier materials, giving players a genuine sense of maturity in the ensemble while the careful pacing keeps technique from feeling overwhelming.

Who it's for

Baritone players in their second year of concert band study who completed Sound Innovations Book 1 or have equivalent foundational skills. The book serves students aged roughly 12-18 working in school concert band or community ensemble settings. It's designed for players ready to engage with ensemble literature and more sophisticated musical concepts while still building fundamental technique.

How to get the most out of it

  • Engage with the MasterClass brass ensemble videos during rehearsal so students see baritone's role within the section and hear how their voice contributes to blend and balance.
  • Use the streaming accompaniments to let students rehearse individually between ensemble calls; they'll internalize the full band context rather than practicing in isolation.
  • Reference the Sound Advice sections in the Teacher's Score before introducing each new concept; these quick tips often clarify common misconceptions before they take root.
  • Cycle through the performance opportunities at the end of each section to build variety in how students experience their growing skills, not just as technical drills.

How to use it

Progress through Sound Innovations Book 2 as your primary concert band method during the fall and winter, reserving performance pieces from the book for holiday concerts and early spring assessments. By late winter, introduce supplementary contest or concert repertoire alongside Book 2 to reinforce the technical and musical concepts students are building. The book works equally well in beginning high school bands and intermediate middle school ensembles, so sequence it based on your students' foundational level from Book 1.

Skills your students will build

  • Reading and executing rhythmic patterns across whole notes, half notes, quarter notes, and eighth notes in multiple meters
  • Baritone-specific technique including tone production, intonation awareness in ensemble context, and dynamic control
  • Part independence within a full concert band texture
  • Breath management and phrasing over longer melodic lines
  • Response to conductor gestures and ensemble cues
  • Articulation clarity and consistency with fellow brass players

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