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Sound Innovations for Concert Band, Book 2: B-flat Clarinet Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: B-flat Clarinet Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34552

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Description
Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: B-flat Clarinet Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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2 Pachabels Canon --:--

America the Beautiful

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6747-8
ISBN13: 978-0-7390-6747-5
UPC: 038081383200
SKU: 00-34552
Instrumentation: B-flat Clarinet

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band repertoire. He authored the foundational pedagogical series Sound Innovations for Concert Band and continues to produce multiple new publications annually while accepting commissions for original works.

His compositions have earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His music reaches global audiences through international concert programs and competition lists, performed in prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

Sheldon maintains an active schedule as a guest conductor for All-State and Regional Honor Bands and serves as a clinician at universities and state music education conferences. His work has taken him throughout the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China. In 2020, VanderCook College of Music awarded him an honorary doctorate in recognition of his contributions to music education and composition.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He currently serves as Director of Education for Jupiter Band Instruments and holds the position of Professor Emeritus of Music at Hofstra University. His influence extends far beyond any single institution, as he has been invited to speak and conduct throughout all fifty states and internationally.

Boonshaft's accomplishments have earned him widespread recognition from prestigious organizations. He was the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. Additional honors include membership in Pi Kappa Lambda and Alpha Chi, three selections as a National Endowment for the Arts Artist in Residence, and the Al G. Wright Award of Distinction from Women Band Directors International. He holds advanced degrees from the University of Hartford, including a Master of Music Education in Conducting and a Doctor of Musical Arts, along with a Certificate from the Kodály Musical Training Institute.

Beyond his formal roles, Boonshaft has distinguished himself through leadership and public service. His weekly blog continues to reach and inspire music educators nationwide. He has performed for and received recognition from multiple U.S. presidents and foreign dignitaries, including official proclamations from five state governors. Earlier in his career, he served as faculty member at both Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded alongside renowned entertainers and productions across the globe, establishing himself as a versatile musician with an extensive performance background.

A prolific composer and arranger, Black has published more than 60 compositions and arrangements through major music publishing houses, many of which have been commercially recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award for educational materials. His work has also earned two Drum! Magazine Drummie! awards and a certified Gold Record for Alfred's Drum Method, Book 1, which sold over 500,000 copies. Beyond these honors, his compositions have been featured as background music in television shows and films, including the movie Drumline.

As one of the world's leading percussion education authors, Black has written or co-written over 30 books that are performed and studied by young musicians worldwide. His publications include Alfred's Drum Method (currently the world's bestselling drum method) and Sound Innovations for Concert Band. His educational materials and compositions have achieved combined global sales exceeding two million units.
Bob Phillips
Bob Phillips, born in 1953, stands as a pioneering force in string education. A composer, author, pedagogue, and conductor, he has earned recognition for his innovative approaches to large group instruction and his development of diverse musical styles for string instruments. His educational materials reach thousands of young string players annually, making him one of the most influential educational composers of our time.

Phillips has created over 25 instructional book series, including the comprehensive Sound Innovations curriculum and groundbreaking style-focused publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. He has published more than 200 compositions for orchestras and bands and is an award-winning ASCAP composer whose works appear regularly on Midwest Clinic programs. His instructional video series, String Clinics to Go, has become a valuable resource for educators nationwide.

For 27 years in Saline, Michigan, Phillips developed a string program enrolling over 700 students that became a nationally recognized model for musical excellence across classical and eclectic styles. He founded the Saline Fiddlers Philharmonic ensemble, which under his direction achieved international prominence through annual performances exceeding 80 shows, including appearances at the White House and the Midwest Clinic. As a guest conductor, Phillips has worked with numerous youth orchestras, all-state ensembles, and prestigious summer camps including programs at Interlochen and Blue Lake Fine Arts Camp. He also served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional string ensemble Barrage 8.

Why we love this

Sheldon and his co-authors have built Book 2 around the principle that new concepts taught in isolation stick better than those buried in dense exercises. The segmented approach means students master one skill before moving to the next, creating genuine confidence rather than frustration. The inclusion of online MasterClass videos and accompaniment recordings transforms what could be a static workbook into a dynamic learning experience.

What to expect

Book 2 strikes a balance between structured skill development and genuine musicality. Exercises progress logically without feeling redundant, and the material breathes space for students to absorb each concept before moving forward. Ensemble passages spark the energy that makes band appealing to young musicians.

Who it's for

This book serves B-flat clarinetists in early intermediate through intermediate concert bands who have completed Sound Innovations Book 1 or equivalent foundational material. It works equally well for students transitioning from private study into ensemble settings and those continuing within an established band program.

How to get the most out of it

  • Reference the MasterClass woodwind ensemble videos for tone production and articulation before working through passages independently. Seeing accomplished clarinetists execute the technique first gives students a clear sonic target.
  • Use the accompaniment recordings during practice to build rhythmic independence. Students internalize ensemble pulse more reliably when playing against a steady harmonic backdrop than counting alone.
  • Break longer exercises into smaller segments. Book 2 introduces increasingly complex material, so isolating four or eight measures for focused repetition builds accuracy faster than running a full exercise straight through.
  • Have students identify the specific concept being taught in each section before they play. This metacognitive step transforms mechanical practice into purposeful learning.

How to use it

Sequence Book 2 as your primary clarinet method during the second year of concert band. The review of Book 1 concepts at the beginning makes it accessible whether your clarinetists started with the method or joined mid-stream. Assign practice sections that align with rehearsal focus areas so students reinforce in the lesson book what they're working on with the full ensemble.

Skills your students will build

  • Extended range in the clarion register with secure intonation
  • Articulation clarity across varied styles (staccato, legato, accents)
  • Rhythmic accuracy in simple and compound meters
  • Ensemble blend and balance within a concert band texture
  • Reading mixed meters and key signatures
  • Dynamic control and phrasing at the instrument level

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