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Sound Innovations for Concert Band, Book 2: Mallet Instrument Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: Mallet Instrument Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34566

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Description
Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: Mallet Instrument Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 America The Beautiful --:--
2 Pachelbels Canon --:--

America The Beautiful

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6761-3
ISBN13: 978-0-7390-6761-1
UPC: 038081383347
SKU: 00-34566
Instrumentation: Mallet Percussion

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and has garnered recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions have achieved a distinctive artistic voice that connects with both performers and listeners across the globe.

Sheldon's works appear regularly on international concert and contest programs, and he maintains an active commission schedule while producing numerous new publications for concert band annually. His conducting and educational impact extends worldwide, including appearances as guest conductor for All-State and Regional Honor Bands as well as clinician presentations at colleges, universities, and state music education conferences. He has worked extensively throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China, conducting his compositions at prestigious venues including Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

In July 2020, VanderCook College of Music awarded Sheldon an honorary doctorate in recognition of his contributions to music education and composition.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to speak and conduct throughout the United States and internationally. His weekly "Boonshaft's Blog" reaches music educators across the country, offering inspiration and guidance to teachers everywhere.

His contributions to the field have garnered widespread recognition. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has been named a National Endowment for the Arts "Artist in Residence" three times. Additional honors include the Al G. Wright Award of Distinction from Women Band Directors International, honorary life memberships in the Tri-M Music Honor Society, and selection for the Center for Scholarly Research and Academic Excellence at Hofstra University, where he serves as Professor Emeritus of Music.

Beyond his education leadership, Boonshaft has performed for and received recognition from notable figures including former Presidents George H. W. Bush and Bill Clinton, former Prime Minister Margaret Thatcher, and former President Ronald Reagan. He founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, and previously taught at Moravian College and the University of Hartford. His formal training includes a Doctor of Musical Arts degree, a Master of Music Education in Conducting, and a Bachelor of Music (Summa Cum Laude), along with a Certificate from the Kodály Musical Training Institute.
Dave Black
Percussionist and composer Dave Black holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous acclaimed entertainers and productions, establishing himself as a versatile musician on the global stage.

Black stands among the world's most prolific percussion composers and arrangers, with over 60 published works by major music publishers. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and a Gold Record certification for Alfred's Drum Method, Book 1, which sold more than 500,000 copies. His compositions have also been featured as background music in television shows and films, including the motion picture Drumline.

As one of the bestselling percussion education authors globally, Black has written or co-written more than 30 books, including Alfred's Drum Method (the world's current bestselling drum method) and Sound Innovations for Concert Band. His educational materials and compositions have reached young musicians worldwide, with combined sales exceeding two million units.
Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, educator, and conductor who has fundamentally shaped string music instruction. He is recognized internationally for his expertise in large group pedagogy and his ability to develop eclectic musical styles for string students. His educational materials and compositions reach thousands of young musicians annually across the country.

Phillips has authored over 25 book series for classroom instruction, including the complete Sound Innovations series and innovative eclectic style publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. He has published more than 200 compositions for orchestras and bands and holds recognition as an award-winning ASCAP composer. His works are regularly performed at prestigious venues including the Midwest Clinic, and his instructional DVD series String Clinics to Go has become a resource for thousands of teachers nationwide.

Over 27 years in Saline, Michigan, Phillips built a string program serving over 700 students that became a nationally recognized model of excellence. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international prominence through over 80 annual performances, appearances at the White House, and featured performances at the Midwest Clinic. Phillips has conducted extensively with youth symphonies, all-state orchestras, and prestigious camps including ensembles at Interlochen, Blue Lake Fine Arts Camp, and orchestras throughout Georgia, Kentucky, California, and other states. He also served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years.

Why we love this

Sound Innovations Book 2 for mallets stands out because it treats percussion as an integral voice in the band, not an afterthought. The carefully scaffolded introduction of new concepts, combined with streaming MasterClass videos and accompaniment recordings, gives your mallet players the same engaged learning experience as the wind and brass students. You'll notice immediate results: students who understand their role in the ensemble, confident technique from day one, and genuine excitement about rehearsals.

What to expect

Working through Sound Innovations Book 2 feels methodical without being rigid. Each lesson builds on the last; new concepts appear when students are truly ready to absorb them. The combination of written exercises, video demonstration, and recorded accompaniment creates a complete learning environment that students experience as both supportive and musical.

Who it's for

Book 2 is designed for beginning concert band mallet players who have completed Sound Innovations Book 1 or who bring equivalent fundamental experience. The 48-page workbook accommodates the intermediate and early intermediate student who is ready to deepen ensemble skills while continuing to build technique and reading fluency.

How to get the most out of it

  • Engage with the online MasterClass videos before rehearsal. Watching a demonstrator play the exact passage your students are learning creates a visual reference that clarifies technique and intonation in ways written instruction cannot.
  • Use the accompaniment recordings to balance part independence. Mallet players often get caught listening to the melody line; the recording keeps them anchored to the ensemble and helps them hear their role distinctly.
  • Isolate one new concept at a time during rehearsal, following the book's own segmented structure. Resist the urge to preview what's coming next; this method works because each benchmark is complete before moving forward.
  • Rotate through the practice and performance opportunities to reinforce each lesson. These aren't filler; they're purposeful check-ins that build confidence and catch gaps in understanding before they compound.

How to use it

Adopt Sound Innovations Book 2 as your primary mallet method for grades 4-6 concert band, moving through it sequentially during regular rehearsals. Its alignment with your woodwind and brass sections means mallets develop alongside the full ensemble, ensuring every student contributes meaningfully to the band's overall sound by mid-year.

Skills your students will build

  • Ensemble balance and blend specific to mallet voice within concert band texture
  • Mallet grip, technique, and basic stroke control
  • Reading moderately complex rhythmic patterns and meters
  • Independent part playing while listening to surrounding voices
  • Technique transfer between different mallet percussion instruments
  • Response to conducting and rehearsal management expectations

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