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Sound Innovations for Concert Band, Book 2: E-flat Alto Saxophone Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: E-flat Alto Saxophone Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34555

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Description
Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: E-flat Alto Saxophone Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 America the Beautiful --:--
2 Pachalbels Canon --:--

America the Beautiful

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6750-8
ISBN13: 978-0-7390-6750-5
UPC: 038081383231
SKU: 00-34555
Instrumentation: E-flat Alto Saxophone

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers for wind band. He serves as lead author of Sound Innovations for Concert Band and has created a substantial catalog of works that captivate both performers and listeners through their expressive depth. His compositions appear regularly on international concert and contest programs worldwide.

Sheldon's achievements have earned him recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. He maintains an active commission schedule and releases numerous concert band publications annually. In 2020, VanderCook College of Music granted him an honorary doctorate in recognition of his contributions to music.

His professional engagement extends across the globe through guest conducting appearances with All-State and Regional Honor Bands, music education clinics, and presentations at colleges, universities, and state music education conferences. Sheldon has conducted throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China. His works have been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has established himself through speaking and conducting engagements across all fifty states and internationally. His weekly "Boonshaft's Blog" continues to reach and inspire music educators globally.

His contributions to the field have earned him extraordinary recognition. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds membership in Pi Kappa Lambda and Alpha Chi honor societies and has been named a National Endowment for the Arts "Artist in Residence" three times. Additional honors include the Al G. Wright Award of Distinction from Women Band Directors International, honorary life membership in the Tri-M Music Honor Society (three times), and selection for the Center for Scholarly Research and Academic Excellence at Hofstra University, where he is Professor Emeritus of Music.

Boonshaft's academic credentials include a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. He previously taught at Moravian College and the University of Hartford, where he earned the Regent's Award twice and the Outstanding Music Educator Award. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His career has also included performances for former Presidents George H. W. Bush and Bill Clinton, as well as Margaret Thatcher, and he has received official proclamations from five state governors.
Dave Black
Dave Black is a percussionist and composer who holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous renowned entertainers and productions, establishing himself as a prolific creator in the field.

Black's compositions and arrangements have earned him significant recognition within the music industry. Over 60 of his works have been published by major music publishers and many have been recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award for educational materials. Additionally, his compositions have been featured as source and background music in television shows and films, including the movie Drumline.

As one of the world's most successful percussion education authors, Black has written or co-written more than 30 books. His most notable works include Alfred's Drum Method, recognized as the world's current bestseller, and Sound Innovations for Concert Band. His educational materials have achieved remarkable commercial success, with combined sales exceeding two million units worldwide, and are used by young musicians globally. His drum method book alone earned a certified Gold Record award for selling over 500,000 copies.
Bob Phillips
Bob Phillips, born in 1953, is a composer, author, conductor, and music educator who has fundamentally shaped string education through innovative pedagogy. Recognized as a leading figure in large group instruction and eclectic string styles, his teaching materials and compositions reach thousands of student musicians annually across classrooms nationwide.

Phillips has created more than 25 instructional book series, including the complete Sound Innovations curriculum and six groundbreaking eclectic publications: Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. With over 200 published works for orchestras and bands, he holds the distinction of being an award-winning ASCAP composer whose pieces are regularly performed at the prestigious Midwest Clinic. His instructional DVD series, String Clinics to Go, has become a valuable resource for music teachers worldwide.

During his 27 years directing the string program in Saline, Michigan, Phillips built it into a nationally recognized model with more than 700 students studying both classical and eclectic styles. He founded the Saline Fiddlers Philharmonic, which achieved international prominence under his direction while performing over 80 shows annually, including multiple performances at the White House and the Midwest Clinic. Phillips has also worked as assistant music director and arranger for the professional ensemble Barrage 8 and served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years. He regularly conducts youth orchestras and all-state ensembles across the country, including programs at Interlochen, Blue Lake Fine Arts Camp, and various state honor orchestras.

Why we love this

Sound Innovations Book 2 strikes the balance that makes teaching alto saxophone in a concert band setting actually manageable. The method reviews foundational skills from Book 1 while introducing new concepts one at a time, so students aren't overwhelmed and you're not spending rehearsal time troubleshooting unclear instructions. Built-in ensemble pieces give your alto section real music to play early on, which keeps students invested.

What to expect

Sound Innovations Book 2 opens up what the alto saxophone can do in a band setting. You move beyond simple melody lines into parts that interlock with clarinets, flutes, and trumpets, discovering how your voice contributes to the full texture rather than carrying everything solo.

Who it's for

Alto saxophonists in middle and early high school concert bands who have finished Sound Innovations Book 1 and are ready for more sophisticated ensemble writing and expanded technique. This book works equally well for students coming from other methods who need a structured bridge into concert band repertoire and intermediate playing skills.

How to get the most out of it

  • Work with your band director on intonation blend in the ensemble passages. Alto saxophone tends to sit underneath the soprano line, so consistent voicing with the surrounding parts matters more than standing out.
  • Use the online accompaniment recordings to practice sections at home independently. This lets you solidify rhythm and tone without relying on rehearsal time.
  • Record yourself playing the solo and duet exercises. Listening back reveals articulation clarity and tone consistency issues you can't always hear in the moment.
  • Approach the new technical material in sequence rather than skipping ahead. Each section builds on the last, so jumping around creates gaps that compound in Book 3.

How to use it

Pair this with your concert band's fall and winter programs. As students progress through the book during rehearsals, assign the solo and duet pieces as practice or performance material for student recitals and ensemble concerts. The pacing aligns naturally with a school year structure, so you can complete Book 2 by spring and move into Book 3 the following fall.

Skills your students will build

  • Expanded range and articulation patterns for alto saxophone
  • Ensemble voicing and balance within a concert band texture
  • Reading and performing passages with changing meter signatures
  • Breath control and phrasing in longer melodic lines
  • Technical facility with new fingering patterns and scales
  • Sight-reading in ensemble context

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