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Sound Innovations for Concert Band, Book 2: E-flat Baritone Saxophone Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: E-flat Baritone Saxophone Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34557

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Description
Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: E-flat Baritone Saxophone Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6752-4
ISBN13: 978-0-7390-6752-9
UPC: 038081383255
SKU: 00-34557
Instrumentation: E-flat Baritone Saxophone

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and has earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions resonate with both ensembles and audiences through their expressive depth and have been performed internationally across concert stages and competition circuits.

Sheldon maintains an active commission schedule while producing numerous concert band publications annually. His guest conducting appearances include All-State and Regional Honor Bands, and he regularly presents clinician sessions at universities and state music education conferences throughout the country. He has worked as a conductor and clinician across the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China.

His performances and conducting engagements have taken place in prestigious venues including Carnegie Hall in New York, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts in Washington D.C. In 2020, VanderCook College of Music presented him with an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft is recognized as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His influence extends through his weekly "Boonshaft's Blog," which reaches music educators across the country.

Throughout his career, Boonshaft has earned numerous prestigious honors. He was the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. His other accolades include three selections as a National Endowment for the Arts "Artist in Residence," three Honorary Life Memberships in the Tri-M Music Honor Society, the Al G. Wright Award of Distinction from Women Band Directors International, and memberships in Pi Kappa Lambda and Alpha Chi. He has also received the University of Hartford's Regent's Award twice and its Outstanding Music Educator Award.

Boonshaft's national and international presence spans speaking and conducting engagements in all fifty states and around the world. He has performed for former Presidents George H. W. Bush and Bill Clinton, as well as Margaret Thatcher. He holds the distinction of receiving official proclamations from five state governors and a Certificate of Appreciation from former President Ronald Reagan. His educational background includes a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. Before his current position, he served on the faculties of Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous renowned entertainers and theatrical productions.

As a prolific composer and arranger, Black has published more than 60 compositions and arrangements through major music publishers, many of which have been professionally recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and a certified Gold Record for Alfred's Drum Method, Book 1. His music has been featured as background material in television programs and films, including Drumline.

Black stands among the world's best-selling percussion education authors, having written or co-written over 30 books. His most notable works include Alfred's Drum Method, a global bestseller, and Sound Innovations for Concert Band. His educational materials and compositions are used by students worldwide, with combined sales surpassing two million units.
Bob Phillips
Born in 1953, Bob Phillips is a composer, author, educator, and conductor recognized for transforming string education through innovative large group pedagogy and eclectic musical styles. As one of the most prolific educational authors working today, his materials reach thousands of string students annually across classrooms nationwide.

Phillips has created over 25 instructional book series, including all six levels of Sound Innovations and pioneering eclectic style collections such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. His published catalog exceeds 200 works for orchestras and bands, earning him recognition as an award-winning ASCAP composer. His instructional DVD series, String Clinics to Go, has become a resource for teachers everywhere, while his compositions receive regular performances at the prestigious Midwest Clinic.

During 27 years in Saline, Michigan, Phillips built an exceptional string program enrolling over 700 students and established the Saline Fiddlers Philharmonic, an internationally recognized folk-fiddling ensemble that performs 80 shows annually and has appeared at the White House and Midwest Clinic. His conducting experience spans youth symphonies and all-state orchestras throughout the nation, including positions at Blue Lake Fine Arts Camp, Interlochen, and honors orchestras in Georgia, Kentucky, South Carolina, Michigan, Tennessee, and California. He also served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years.

Why we love this

This method doesn't ask you to choose between musical integrity and pedagogical scaffolding. The segmented presentation of new concepts means baritone saxophonists have space to absorb one idea before the next arrives, while the integration of ensemble playing keeps motivation high from the start. MasterClass videos and accompaniment recordings available through the online portal transform practice sessions into realistic performance contexts without requiring your students to find extra musicians.

What to expect

Opening this book feels like stepping into a rehearsal where each new challenge arrives at just the right moment. The music combines functional exercises with engaging melodic content, so practice sessions avoid the sterile feeling of pure drill work. By the time a concept appears in an ensemble arrangement, baritone saxophonists have already found confidence in it as individuals.

Who it's for

Intermediate and early intermediate baritone saxophonists in concert band who have completed Book 1 or comparable foundational material. This book suits students ready to balance individual technical development with meaningful ensemble participation, and it works well for players ages 12 and up in both school and community band settings.

How to get the most out of it

  • Engage with the online MasterClass videos before rehearsing each new section. Hearing the concept demonstrated by ensemble professionals gives students a sonic target and clarifies what the written notation should produce.
  • Alternate between individual practice using the accompaniment recordings and ensemble rehearsal so students internalize their part within a full band texture rather than in isolation.
  • Use the assessment benchmarks embedded in each level to identify which concepts need reinforcement before moving forward. Skipping over uneven mastery creates gaps that compound quickly on a low brass instrument.

How to use it

Deploy this during your primary instructional block when you can devote focused rehearsal time to method work and new concept integration. The embedded performance opportunities create natural moments to feature your bari saxes in concert alongside the rest of the band, building their sense of contribution to the ensemble sound. Space the progression across your season so students have time to mature through each level rather than rushing through material.

Skills your students will build

  • Review and reinforcement of Book 1 fundamentals (tone production, basic articulation, fundamental rhythm patterns)
  • Reading in multiple meters and navigating meter changes
  • Extended range development appropriate to early intermediate level
  • Articulation clarity and independence from the ensemble
  • Intonation control within a full band context
  • Understanding bass-register voice leading and harmonic support roles
  • Sight-reading fluency across varied musical styles and textures

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