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Sound Innovations for Concert Band, Book 2: B-flat Bass Clarinet Book & Online Media

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: B-flat Bass Clarinet Book & Online Media

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34554

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: B-flat Bass Clarinet Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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1 A Sign of the Times --:--
2 Smooth Sailing --:--

A Sign of the Times

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6749-4
ISBN13: 978-0-7390-6749-9
UPC: 038081383224
SKU: 00-34554
Instrumentation: B-flat Bass Clarinet

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and has established himself as a prolific creator whose work appears on concert and contest programs throughout the world.

His contributions to music have earned him recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. Each year he produces numerous publications and accepts commissions for new compositions. His music resonates with both ensembles and audiences, performed in prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

Sheldon regularly appears as a guest conductor for All-State and Regional Honor Bands and serves as a music education clinician at colleges, universities, and state conferences. He has conducted and presented throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China. In 2020, VanderCook College of Music awarded him an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft stands as one of the most compelling voices in music education today. He currently serves as Director of Education for Jupiter Band Instruments and holds the rank of Professor Emeritus of Music at Hofstra University. His influence extends across the nation and internationally through speaking engagements, conducting opportunities, and his popular weekly blog that reaches music educators everywhere.

His list of honors reflects decades of distinguished service. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He has earned membership in Pi Kappa Lambda and Alpha Chi honor societies, been named a National Endowment for the Arts "Artist in Residence" three times, and received the Al G. Wright Award of Distinction from Women Band Directors International. Additionally, governors from five states have issued him official proclamations, and he has performed for multiple U.S. presidents and the former Prime Minister of the United Kingdom.

Boonshaft holds degrees including a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts. He completed specialized training at the Kodály Musical Training Institute through a Connecticut General Fellowship. Early in his career, he founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, and taught at Moravian College and the University of Hartford.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally alongside renowned entertainers and theatrical productions.

As a prolific composer and arranger, Black has published more than 60 compositions and arrangements through major music publishers, many of which have been recorded professionally. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and recognition in the Modern Drummer Readers Poll. His compositions have been featured as source music in television shows and films, including the movie Drumline.

Black stands among the world's best-selling percussion education authors, having written or co-written over 30 books. Alfred's Drum Method remains a global bestseller, and his educational materials including Sound Innovations for Concert Band are used by young musicians worldwide. His work has achieved a certified Gold Record status for Alfred's Drum Method, Book 1, with combined book and music sales exceeding two million units.
Bob Phillips
Born in 1953, Bob Phillips is a composer, author, pedagogue, and conductor who has fundamentally shaped string education through his innovative approaches to large group teaching and eclectic musical styles. As one of the most prolific educational composers working today, his materials reach thousands of young string players annually across classrooms nationwide.

Phillips has created over 25 instructional book series, including all six levels of Sound Innovations and a distinctive collection of genre-focused publications: Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. He holds over 200 published works for orchestras and bands to his credit and is an award-winning ASCAP composer whose pieces are regularly performed at the Midwest Clinic. His instructional video series, String Clinics to Go, has become a resource for thousands of educators.

Over 27 years in Saline, Michigan, Phillips developed a string program exceeding 700 students that became a national model for excellence in both classical and eclectic music. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international recognition while performing over 80 shows annually, including multiple performances at the White House and the Midwest Clinic. Phillips has also conducted numerous youth orchestras and all-state ensembles across the country, served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years, and worked as an assistant music director and arranger for the professional ensemble Barrage 8.

Why we love this

Sound Innovations Book 2 builds on the foundation of Book 1 without retreading familiar ground, introducing new concepts in isolated sections so bass clarinet players grasp each skill before moving ahead. The method's layered approach (levels divided into focused sections) creates natural checkpoints where students experience measurable progress, and the MasterClass videos with ensemble recordings provide real-world models of how their part fits into the full band sound.

What to expect

Moving through Book 2 feels like opening the bass clarinet's voice in the ensemble gradually and intentionally. New concepts emerge one at a time against familiar material, so players experience the security of known territory mixed with the excitement of discovering what their instrument can do when reading more complex rhythms and harmonies.

Who it's for

This book serves early intermediate to intermediate bass clarinet players in concert band who have completed Sound Innovations Book 1. It works equally well for students progressing through a band method for the first time and for those joining a band program mid-year needing a structured path to catch up.

How to get the most out of it

  • Engage with the MasterClass woodwind ensemble videos before rehearsing full band parts; seeing how bass clarinet voice-leads within the section builds confidence and clarifies your role in the ensemble texture.
  • Use the accompaniment recordings to check intonation and articulation consistency in your part; recording yourself alongside the track reveals rhythmic tightness issues that are easy to miss in real-time playing.
  • Practice the isolated concept sections methodically before applying them to full pieces; the method's design rewards this deliberate approach by strengthening skills that carry across multiple arrangements.

How to use it

Assign Book 2 as your primary method during the fall semester once Book 1 is secure, pacing through levels as your full band ensemble develops. The built-in performance pieces give you ready-made content for sectional rehearsals and assessment, and the online media integrates naturally into rehearsal routines where you can project the ensemble videos for the whole band to observe and learn from.

Skills your students will build

  • Reading and playing the bass clarinet range with secure fingering patterns
  • Articulation clarity in ensemble contexts (staccato, legato, and mixed articulation within same phrase)
  • Intonation matching across the ensemble using tuning reference recordings
  • Rhythmic accuracy in mixed meters and subdivisions appropriate to early intermediate level
  • Part independence while listening to surrounding voices in concert band texture

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