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Sound Innovations for Concert Band, Book 2: E-flat Alto Clarinet Book, CD & DVD

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Sound Innovations for Concert Band, Book 2 Cover Image

Sound Innovations for Concert Band, Book 2: E-flat Alto Clarinet Book, CD & DVD

A Revolutionary Method for Early-Intermediate Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34553

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Sound Innovations for Concert Band, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Following the unique Sound Innovations organization, the band method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with woodwind and brass ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 2: E-flat Alto Clarinet Book, CD & DVD comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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1 America the Beautiful --:--
2 Pachabels Canon --:--

America the Beautiful

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-6748-6
ISBN13: 978-0-7390-6748-2
UPC: 038081383217
SKU: 00-34553
Instrumentation: E-flat Alto Clarinet

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band repertoire. He is the lead author of Sound Innovations for Concert Band and has received prestigious awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions connect with performers and listeners through their expressive depth and artistic merit.

Sheldon's works appear on concert and contest programs internationally and continue to gain worldwide recognition. He maintains an active commission schedule while producing numerous publications for concert band annually. His conducting credits include major venues such as Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

As a guest conductor, educator, and clinician, Sheldon works regularly with All-State and Regional Honor Bands. He presents music education seminars and sessions at colleges, universities, and state music education conferences throughout the United States and internationally, having worked in Japan, Canada, Italy, Germany, Australia, and China. In 2020, VanderCook College of Music awarded him an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University. His influence extends globally through speaking engagements and conducting appearances in every U.S. state and internationally.

Recognition of his leadership has been substantial and varied. The National Association for Music Education and Music For All honored him as the inaugural recipient of the George M. Parks Award for Leadership in Music Education. He has received official proclamations from five state governors, a Certificate of Appreciation from President Ronald Reagan, and has performed for Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. His academic credentials include membership in Pi Kappa Lambda and Alpha Chi honor societies, and he holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree.

Boonshaft's contributions to music education include founding the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. He maintains a popular weekly blog that reaches music educators nationwide. Additional honors include three National Endowment for the Arts Artist in Residence selections, the Al G. Wright Award of Distinction from Women Band Directors International, and recognition through the Center for Scholarly Research and Academic Excellence at Hofstra University. He previously taught at Moravian College and the University of Hartford, and holds a Certificate from the Kodály Musical Training Institute following a Connecticut General Fellowship.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and major productions, establishing himself as a respected figure in the music industry.

As a prolific composer and arranger, Black has had over 60 works published by leading music publishers worldwide. His achievements include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and recognition from Modern Drummer and Drum! Magazine for his educational materials. His composition work has extended to film and television, with pieces featured in productions including the film Drumline. He also received a certified Gold Record for Alfred's Drum Method, Book 1, which sold more than 500,000 copies.

Black stands among the world's best-selling percussion authors, having written or co-authored more than 30 instructional books. His works include Alfred's Drum Method, currently the world's bestselling drum method, and Sound Innovations for Concert Band. His educational materials have reached millions of students globally, with combined sales exceeding two million units.
Bob Phillips
Bob Phillips, born in 1953, is a composer, author, and conductor recognized as a pioneering force in string education. His expertise spans large group pedagogy and the development of diverse musical styles for string instruments. As one of the most prolific educational composers and authors working today, his compositions and instructional materials reach thousands of student musicians annually.

Phillips has created more than 25 book series for classroom instruction, including the complete Sound Innovations series across all six levels. His groundbreaking eclectic styles publications comprise Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Over 200 of his works have been published for orchestras and bands, and he holds recognition as an award-winning ASCAP composer whose pieces appear regularly on Midwest Clinic programs. His instructional DVDs, String Clinics to Go, have become standard resources in countless music classrooms.

During 27 years in Saline, Michigan, Phillips built a nationally recognized string program serving over 700 students in both classical and eclectic musical traditions. He founded and directed the Saline Fiddlers Philharmonic, an internationally respected folk-fiddling ensemble that performed more than 80 shows annually, including multiple performances at the White House and the Midwest Clinic. Phillips has conducted all-state and honors orchestras across numerous states, served as assistant music director and arranger for the professional ensemble Barrage 8, and held the position of resident conductor and arranger for Seattle's Wintergrass Festival for 12 years.

Why we love this

Sound Innovations Book 2 bridges the gap between foundational skills and ensemble musicianship without overwhelming students. The segmented approach to new concepts means your E-flat alto clarinet players aren't juggling multiple technical challenges at once, which is especially valuable for a double reed that sits at the top of the ensemble's range. With integrated MasterClass videos and accompaniment recordings accessible online, you gain flexibility in how you deliver instruction without tethering your program to physical media.

What to expect

Book 2 invites students into real ensemble playing while honoring their need for clear, manageable steps. The E-flat alto clarinet finally gets to contribute its reedy warmth to the band texture, supporting the soprano clarinets and adding character to harmonic passages. There's a sense of growth and belonging as students move beyond solo exercises into music written for the full ensemble.

Who it's for

E-flat alto clarinet players in beginning concert bands who have completed Book 1 and are ready to deepen ensemble skills while building technical vocabulary. This product works for students in grades 5 through 8, depending on program structure, and supports directors who want a consistent pedagogical framework across all woodwind voices.

How to get the most out of it

  • Isolate technical passages using the recorded accompaniments before full ensemble rehearsal; this gives your E-flat clarinets time to secure intonation and fingering without pressure from the band around them.
  • Sync your rehearsal pace with the MasterClass woodwind videos so students see professional models of tone production and articulation specific to the alto clarinet's register.
  • Balance the alto clarinet's natural brightness in the upper register by adjusting mouthpiece and reed choices before tackling ensemble blend issues in full rehearsal.
  • Use the assessment benchmarks built into each level to identify which students are ready to advance and which need extra work on specific concepts.

How to use it

Implement Book 2 as your method curriculum for the full first or second semester, pairing it with supplementary concert repertoire at the same level to reinforce new concepts in performance settings. The integrated online resources let you differentiate instruction within the same class period, accelerating advanced players while providing structured review for those who need it. By the end of Book 2, your E-flat clarinetists will be equipped to learn independent parts in early intermediate band arrangements.

Skills your students will build

  • Reading and performing in multiple keys beyond Book 1's foundational range
  • Articulation control and clarity in faster passages
  • Listening and responding to ensemble balance across different dynamic levels
  • Independence as a section player within the larger band texture
  • Rhythmic precision in syncopated and syncopated figures
  • Breath management across longer phrases

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