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Skylark: Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000245

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000245

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909–1976) shaped American popular music as one of the twentieth century's most prolific and inventive lyricists. Born in Savannah, Georgia, he brought a distinctly Southern sensibility to songs written for Broadway, Hollywood, and the Great American Songbook, collaborating with composers including Harold Arlen, Hoagy Carmichael, and Henry Mancini. His lyrics balance sophistication with accessibility, moving seamlessly from jazz standards to novelty numbers, always grounded in vivid storytelling and a keen ear for colloquial speech.

Mercer won four Academy Awards for Best Original Song and countless other accolades, yet his enduring influence rests on his ability to craft lyrics that singers and audiences return to across generations. His work remains central to vocal jazz, musical theatre, and standards repertoire in music education and performance.

Why we love this

This collection captures the full range of Mercer's artistry across 46 standards, giving vocalists and pianists direct access to the songs that defined American popular music. The inclusion of guitar chord frames makes these arrangements accessible to musicians across multiple instruments, perfect for studio singers, jazz ensembles, or vocal recitals. Each song demonstrates why Mercer's lyrics remain so teachable: rhythmically inventive, narratively clear, and endlessly singable.

What to expect

These songs breathe with the warmth and sophistication of classic American song. Whether you're performing a wistful ballad like "Skylark" or a playful novelty like "Ac-cent-tchu-ate the Positive," Mercer's lyrics invite intimacy and storytelling. The collection evokes both the elegance of mid-century songwriting and the accessibility that made these standards timeless.

Who it's for

Vocalists studying American standards and popular song literature will find this collection essential for recitals, auditions, and repertoire building. Pianists working as accompanists benefit from the chord frames and vocal ranges, while guitarists can use these arrangements for coffeehouse performances or studio work. Music educators can draw from individual songs for vocal ensembles, jazz combos, or student recital programming.

How to get the most out of it

  • Pay attention to Mercer's rhythmic placement of syllables. His lyrics sit differently than conversational speech, and respecting those placements reveals the melodic sophistication underneath.
  • Use the guitar chord frames to explore harmonic movement while singing. Understanding the underlying changes sharpens phrasing and gives you landmarks for breath placement.
  • Balance the lyrical storytelling with the musical form. Many of these standards repeat harmonic and melodic ideas while advancing the narrative, so avoid letting the music become backdrop.
  • Experiment with different interpretations of the lyrics across multiple songs. Mercer wrote for many styles and moods; comparing how "Moon River" differs from "One for My Baby" reveals how his lyrics adapt to different emotional contexts.

How to use it

Feature individual songs from this collection in vocal recitals, jazz nights, or pops concerts. A vocalist preparing for an American standards audition will find concentrated study material here, and a director building a concert around Mercer's catalog can draw from comedic novelties, sophisticated ballads, and rhythm song gems within a single resource. This works equally well for a single vocalist's recital or as source material for an ensemble exploring jazz and popular song styles.

Skills your students will build

  • Interpreting rhythmically complex lyrics that sit ahead of or behind the beat
  • Phrasing and breath placement in jazz and popular song idiom
  • Understanding harmonic function through chord frames and comping
  • Stylistic awareness across genres (novelty song, ballad, swing, rhythm song)
  • Building recital-ready arrangements from vocal lead sheets

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