Bless Yore Beautiful Hide (from "Seven Brides for Seven Brothers") Sheet Music Preview

Bless Yore Beautiful Hide (from "Seven Brides for Seven Brothers"): Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000250

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Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000250

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909–1976) stands among the most prolific and versatile lyricists in American popular music. A native of Savannah, Georgia, he brought the rhythms and idioms of the American South into some of the most enduring songs of the 20th century, collaborating with composers including Harold Arlen, Hoagy Carmichael, Henry Mancini, and Gene DePaul. His gift lay in matching language to melody with surgical precision, whether crafting playful novelty numbers or deeply emotional standards.

Mercer's catalog spans Broadway, Hollywood, and the American songbook itself. He won four Academy Awards for Best Original Song and composed or co-composed the music for numerous films and stage productions. His work shaped how generations of singers approached phrasing, diction, and the marriage of words to music—principles that remain central to vocal pedagogy today.

Why we love this

This collection captures Mercer's extraordinary range in a single volume: from the rollicking cowboy humor of "I'm an Old Cowhand" to the sophisticated melancholy of "Moon River," from narrative novelties to intimate ballads. For singers and pianists, these arrangements offer immediate access to songs that demand both technical skill and interpretive maturity, with guitar chords included for flexible ensemble work. The 46 selections ensure you'll find material suited to recitals, jazz programming, community theater, and cabaret contexts.

What to expect

These songs inhabit a warm, conversational space between jazz sophistication and Americana storytelling. Whether reflecting on lost love, celebrating ordinary moments, or spinning a tall tale, Mercer's lyrics invite singers to find intimacy within each phrase. The piano arrangements support this blend of polish and accessibility, creating an atmosphere that feels both crafted and genuinely felt.

Who it's for

Pianists and singers preparing audition and recital repertoire will find immediately useful, performance-ready material here. Music students studying American popular song, jazz standards, and mid-century songwriting craft benefit from direct access to these foundational works. Music directors seeking flexible accompaniment material for singers in small ensemble, musical theater, or cabaret settings will appreciate the dual utility of piano and guitar chord notations.

How to get the most out of it

  • Pay attention to Mercer's vernacular phrasing and regional dialect markers ("Bless Yore Beautiful Hide," "I'm an Old Cowhand"). These aren't decorative; they shape the rhythm and emotional truth of the song.
  • Balance the piano part's jazz-influenced harmonies with the vocal line's clarity. The accompaniment often moves in ways that complement rather than double the melody.
  • Use the guitar chord frames to explore harmonic reharmonization if playing in an ensemble setting. Mercer's songs accommodate subtle reinterpretation while maintaining their essential character.
  • Allow space for lyrical storytelling in narrative songs. Many of these pieces unfold as small scenes; let the accompaniment support that dramatic arc rather than overshadow it.

How to use it

Program selections from this collection alongside other American songbook standards to build themed recitals or concert sets exploring regional voices, narrative song, or mid-century film music. The breadth of material makes it easy to construct a single program drawing on multiple moods and styles. For studio instructors, this resource provides singers at intermediate-through-advanced levels with a curated repertoire list requiring no additional arrangement work.

Skills your students will build

  • Lyric diction and articulation in American vernacular English
  • Interpreting jazz-influenced harmony and chord substitution
  • Phrasing across longer melodic lines with natural speech rhythm
  • Coordinating vocal line with piano accompaniment in flexible tempos
  • Building character and narrative coherence within 3-4 minute song forms

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