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Satin Doll: Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000274

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000274

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909-1976) stands among the most prolific lyricists in American popular music, crafting words for over 1,400 songs across his lifetime. Born in Savannah, Georgia, Mercer brought a distinctly American vernacular to his lyrics, whether painting scenes of the South, capturing the swagger of big band era swing, or distilling complex emotions into unforgettable phrases. His collaborations with composers like Harold Arlen, Henry Mancini, and Duke Ellington produced standards that defined American songwriting for generations.

Mercer's gift lay in matching language to melody with precision and wit. He could write a comic novelty number like "G.I. Jive" with the same craftsmanship he brought to the tender introspection of "Moon River." His lyrics remain singable, memorable, and dramatically intelligent, making them essential repertoire for anyone studying American vocal music.

Why we love this

This collection captures the full range of Mercer's artistry in one accessible volume, pairing his lyrics with piano arrangements that singers and accompanists can dig into immediately. The 46 titles span decades of American popular song, giving vocalists a chance to explore how one writer crafted everything from novelty songs to torch ballads, all in singable keys with clear chord symbols for guitarists.

What to expect

Stepping into Mercer's catalog feels like wandering through decades of American memory, from Depression-era optimism to post-war sophistication. These songs carry the warmth of live performance, the wit of great storytelling, and the melodic generosity of an era when popular song was a true art form. Each piece invites singers to inhabit a character, a moment, or a mood with specificity and style.

Who it's for

This book serves singers performing in jazz or cabaret settings, pianists accompanying vocalists, and guitarists working in small ensembles or as solo accompanists. It also works well for voice students exploring American standards as part of a classical vocal curriculum, and for jazz vocalists building their repertoire of essential tunes.

How to get the most out of it

  • Balance lyrical clarity with the melody line. Mercer's words are meant to be heard, so shape phrases around the natural speech rhythms of the text rather than forcing strict time.
  • Use the chord symbols to guide harmonic interpretation on guitar or piano; many of these standards exist in multiple recorded versions, so your voicings shape the character of the arrangement.
  • Pay attention to the rhythmic specificity in Mercer's lyrics. Songs like "Ac-cent-tchu-ate the Positive" and "G.I. Jive" have snappy, syncopated phrasing that drives the groove; honor those articulations in your delivery.
  • Study at least one recorded version of each song before rehearsing it, especially for tempos and swing feel. These standards have deep interpretive traditions worth knowing.

How to use it

Program individual standards from this collection in recitals, concert showcases, or salon-style performances where intimate, lyric-driven singing takes center stage. For teaching purposes, use selections to demonstrate how American vernacular language works in song, or build a thematic evening around Mercer's collaborations with a single composer (Ellington, Arlen, or Mancini). The breadth of the collection makes it ideal for exploring the American Songbook across a full semester.

Skills your students will build

  • Interpreting American vernacular language and colloquial diction in vocal music
  • Managing swing rhythms and syncopated phrasing in standards
  • Accompanying from chord symbols and adapting voicings for piano and guitar
  • Sustaining character and emotional specificity across contrasting song types
  • Understanding the relationship between lyric content and melodic shape

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