Lazy Bones Sheet Music Preview

Lazy Bones: Piano/Vocal/Chords

Johnny Mercer

Item: 00-PS-0013127

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-PS-0013127

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909-1976) shaped American popular song through a lyricist's ear for vernacular speech, regional dialect, and emotional authenticity. A native of Savannah, Georgia, he brought the cadence and vocabulary of the American South into standards that range from wistful ballads to comic novelty numbers, collaborating with composers like Harold Arlen, Hoagy Carmichael, and Henry Mancini to create one of the most distinctive catalogs in twentieth-century songwriting.

Mercer's gift lay in matching precise, singable lyrics to memorable melodies while capturing specific moments and moods. Whether writing for film, stage, or the Great American Songbook, his work demonstrates how lyrics can carry character, humor, and emotional weight without sacrificing musicality. For music educators, Mercer's songs offer singers and pianists a masterclass in text-music relationships and the craft of vocal writing.

Why we love this

This collection spans Mercer's most enduring work across multiple decades and genres, offering singers a genuine range of vocal and emotional territory. Whether you're teaching jazz phrasing, building a cabaret program, or introducing students to American song tradition, these arrangements provide accessible entry points to sophisticated lyrical writing and harmonic language from the golden age of popular song.

What to expect

These songs capture everything from late-night melancholy and playful humor to soaring romantic gestures and clever social commentary. The collection swings between intimate ballads, uptempo novelties, and film standards, all unified by Mercer's gift for writing words that sit naturally in the mouth and land memorably in the ear.

Who it's for

Singers preparing audition material, jazz vocalists looking for classic repertoire, pianists accompanying vocalists, and music educators building curriculum around American song standards. The guitar chord frames make this equally useful for singer-songwriters and ensemble players.

How to get the most out of it

  • Treat the lyrics as dialogue or storytelling. Mercer's words often paint specific scenes or characters; look for the narrative arc and let that shape your phrasing and interpretation.
  • Pay close attention to the chord changes in the accompaniment. Many of these songs use chromatic voice leading and jazz-influenced harmonies that reward careful listening between voice and piano.
  • Use rubato sparingly and purposefully. These songs often sit comfortably in a steady tempo, but a subtle stretch at phrase endings or before key harmonic shifts can enhance emotional weight.
  • Experiment with different approaches to syncopation and swing in uptempo numbers. The notation gives you a foundation, but jazz standards benefit from thoughtful rhythmic flexibility.

How to use it

Build a Mercer-themed cabaret or concert showcasing the range of American song across different moods and decades. Use individual songs as audition material or performance selections in vocal recitals. Assign selections to small ensembles or solo singers preparing for jazz or musical theater contexts.

Skills your students will build

  • Interpreting lyrical content and narrative arc in vocal performance
  • Reading jazz chord symbols and understanding harmonic movement in standards
  • Singing with proper diction and phrasing in American English vernacular
  • Accompanying singers while maintaining flexibility and responsiveness to interpretation
  • Navigating syncopation and rhythmic flexibility in swing and jazz idiom

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