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Laura: Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000237

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000237

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909–1976) stands as one of the most prolific and versatile lyricists in American music history. Born in Savannah, Georgia, he brought a distinctly Southern sensibility to popular song, crafting lyrics that ranged from witty and colloquial to deeply romantic and introspective. His ability to capture the vernacular speech of everyday Americans while maintaining sophisticated poetic craft made him a sought-after collaborator for composers including Harold Arlen, Hoagy Carmichael, Henry Mancini, and Jerome Kern.

Mercer's output spanned Broadway, Hollywood, and the Great American Songbook, producing standards that remain central to jazz and vocal repertoire. His lyrics prize specificity and emotional authenticity over generic sentiment, a quality that has kept his work vital across generations of singers and musicians.

Why we love this

This collection captures the full range of Mercer's artistry in one accessible volume. For vocalists building their standards repertoire, the 46 selections offer everything from narrative character songs to intimate ballads and uptempo novelties. For pianists and guitarists accompanying singers, the chord frames and vocal line make transposition and arrangement straightforward.

What to expect

These songs convey the warmth, wit, and emotional directness that define mid-century American popular music. Whether tender ("Laura," "Skylark") or playful ("Jeepers Creepers," "I'm an Old Cowhand"), the collection evokes a world where clever wordplay and genuine feeling coexist, and where a melody can lodge in your memory after a single hearing.

Who it's for

Vocalists preparing jazz and standards repertoire will find essential material for recitals, auditions, and performance. Pianists and guitarists accompanying singers benefit from the integrated chord frames and vocal layout, which support flexible transposition and stylistic interpretation across a broad range of musical contexts.

How to get the most out of it

  • Study the lyrical phrasing and diction carefully; Mercer's words are meant to be sung with conversational clarity and humor. Let the text shape your phrasing rather than imposing a generic vocal style.
  • In uptempo novelty numbers like "G.I. Jive" or "Ac-cent-tchu-ate the Positive," maintain rhythmic precision while keeping the delivery conversational rather than operatic.
  • Use the guitar chord frames to explore voicings beyond basic triads; jazz-influenced reharmonization suits Mercer's harmonic sophistication and opens interpretive possibilities.
  • Balance the accompaniment dynamically to support the vocal line without overwhelming it. Many of these standards work best when the melody remains the primary focus.

How to use it

Program individual selections as part of an evening devoted to American songbook standards, or sequence them thematically (ballads, novelty songs, character pieces) to showcase Mercer's range. This collection works equally well for recital programming, studio lesson material, or rehearsal preparation for vocalists building confidence with familiar, beloved repertoire.

Skills your students will build

  • Lyrical phrasing and text clarity in American popular song style
  • Reading piano/vocal scores with integrated chord symbols
  • Interpreting chord frames for guitar accompaniment and transposition
  • Understanding idiomatic vocal delivery (comic timing, legit singing, jazz inflection)
  • Analyzing song form and harmonic structure in standards repertoire

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