On the Atchison, Topeka and the Santa Fe Sheet Music Preview

On the Atchison, Topeka and the Santa Fe: Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000251

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Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000251

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909-1976) stands among the most prolific and inventive lyricists in American music history. Born in Savannah, Georgia, he brought a distinctive sensibility to songwriting that combined sophisticated wit with genuine warmth, drawing deeply from vernacular speech and regional character. Over a career spanning five decades, he crafted lyrics for more than 1,000 songs across Broadway shows, Hollywood films, and popular standards, earning four Academy Awards and a Grammy Lifetime Achievement Award.

Mercer's gift lay in his ability to capture place, emotion, and personality through language. Whether writing tender ballads like "Moon River" or rollicking novelty numbers like "I'm an Old Cowhand," he never condescended to his subjects or his audiences. He collaborated with some of the twentieth century's finest composers—Harold Arlen, Henry Mancini, Jerome Kern, and others—creating a body of work that remains central to the jazz standard repertoire and American musical theater.

Why we love this

This collection captures Mercer at his most inventive and emotionally generous. Each song reveals a different facet of his craft, from the conversational ease of "Lazybones" to the sophisticated elegance of "Days of Wine and Roses," giving pianists, singers, and guitarists immediate access to some of the finest American popular songs ever written. The piano/vocal/chord format makes these standards accessible for classroom performance, recital programming, or intimate ensemble settings without requiring orchestral arrangements.

What to expect

Opening this songbook is like stepping into a carefully curated listening room where every song tells a distinct story. Mercer's lyrics sparkle with personality—some songs dance and swagger, others settle into wistful reflection—while the melodic and harmonic sophistication beneath them speaks to why these songs have endured. Whether you encounter the whimsy of "Jeepers Creepers" or the melancholy of "Skylark," there's a warmth and humanity that makes each arrangement feel like a conversation between old friends.

Who it's for

This collection serves singers preparing for recital or audition repertoire, pianists seeking to develop fluency with American standards, and guitar accompanists working in jazz or popular music contexts. It's equally valuable for music teachers building classroom libraries of singable, meaningful material that bridges classical and popular idioms.

How to get the most out of it

  • Pay attention to Mercer's use of colloquial phrasing and regional dialect in the lyrics; these details should shape your rhythmic approach and inflection rather than feel tacked on to the melody.
  • Balance the piano part between accompaniment and melodic independence. Many of these songs were originally written with sophisticated orchestrations, so the keyboard voicings often carry substantial harmonic color.
  • Guitar chord frames offer flexibility for accompanying singers; experiment with whether strummed patterns or fingerpicking better serve the song's character and your ensemble's texture.
  • Connect the sung or played melody to the story the lyrics tell. Mercer's words are never mere syllables to be delivered; they are character sketches that demand genuine storytelling.

How to use it

Program individual selections from this collection alongside other standards to create an evening celebrating American songwriting, or extract songs thematically (nostalgia, love, humor) for variety within a longer recital. The accessibility of these piano/vocal arrangements makes them ideal for student recitals, community performances, or classroom music appreciation units where singers and instrumentalists can collaborate on repertoire that audiences genuinely enjoy hearing.

Skills your students will build

  • Reading and interpreting guitar chord frames while maintaining vocal or instrumental line integrity
  • Shaping lyrical phrasing and emotional intent in standards-based repertoire
  • Accompanying singers effectively with keyboard comping and rhythmic sensitivity
  • Understanding harmonic vocabulary and jazz chord substitutions common to American popular song
  • Developing interpretive choices that honor both the song's original context and the performer's own musicality

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