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Jeepers Creepers: Piano/Vocal/Chords

Johnny Mercer

Item: 00-PS-0013126

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-PS-0013126

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909-1976) stands as one of the most prolific and versatile lyricists in American music history. A native of Savannah, Georgia, Mercer brought an ear for authentic vernacular speech and regional color to popular song, crafting lyrics that ranged from sophisticated wit to genuine colloquialism. His collaborations with composers like Harold Arlen, Hoagy Carmichael, Henry Mancini, and Harry Warren produced some of the twentieth century's most enduring standards, from film scores to Broadway shows to radio hits.

Mercer's gift lay in matching language to melody with precision and grace. Whether writing tender ballads or novelty numbers with linguistic playfulness, he understood how lyrics could carry narrative weight, emotional depth, or pure entertainment value. His influence on generations of songwriters and singers remains immeasurable, and his catalog continues to anchor the repertoire of jazz musicians, musical theater performers, and interpreters of the American songbook.

Why we love this

This collection captures Mercer's full range as a lyricist in one practical resource. Whether you're preparing a jazz vocalist for a recital, assembling songs for a cabaret program, or building a studio teacher's repertoire library, these 46 standards represent the cream of American popular song with piano/vocal arrangements that support both serious study and genuine performance.

What to expect

These songs breathe with the warmth and sophistication of mid-twentieth century American popular music. You'll encounter lush romantic ballads like 'Laura' and 'Skylark' alongside playful, rhythmically inventive numbers that showcase Mercer's gift for language and his understanding of how words sit on melody. The collection moves between wistful nostalgia, genuine humor, and emotional directness without ever feeling dated.

Who it's for

This book serves vocalists preparing standards for recitals, auditions, or jazz performance; accompanists building a comprehensive repertoire of classic American songs; and studio teachers seeking authentic, expertly-arranged material spanning ballads, novelty numbers, and film standards. Guitar players using the chord frames alongside piano vocalists will find valuable companionship in these arrangements.

How to get the most out of it

  • Treat the lyrics as dialogue. Mercer's language invites conversational phrasing; avoid over-singing or forcing artificial legato across phrase breaks.
  • Use the chord frames to experiment with comping voicings on guitar, especially in standards like 'Satin Doll' or 'Skylark' where jazz reharmonization enriches the accompaniment.
  • Pay attention to rhythmic speech patterns in novelty numbers like 'G.I. Jive' or 'I'm an Old Cowhand'; the piano's rhythmic gesture supports the lyric's natural swing.
  • Balance vocal projection with textual clarity. Mercer's wit and storytelling only land if the audience understands the words.

How to use it

Program individual selections alongside other standards in a vocalist's recital, or curate a full evening around Mercer's work for a themed concert celebrating American songwriting. These arrangements work equally well in studio lessons, jazz combos, and cabaret-style programs where piano/vocal presentation is the focus.

Skills your students will build

  • Lyric interpretation and conversational phrasing in standards
  • Sight-reading piano/vocal arrangements with chord frames
  • Understanding jazz harmony and reharmonization possibilities
  • Connecting regional American language and idiom to authentic musical delivery
  • Sustaining longer musical lines while maintaining clarity of text

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