Namely You (from "Li'l Abner") Sheet Music Preview

Namely You (from "Li'l Abner"): Piano/Vocal/Chords

Johnny Mercer

Item: 00-XS-0000244

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Description
Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

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Additional Details
Publisher: Alfred Music
Page Count: 200
SKU: 00-XS-0000244

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909–1976) stands among America's most prolific and versatile lyricists, crafting words for over a thousand songs across Broadway, Hollywood, and Tin Pan Alley. A native of Savannah, Georgia, he brought authentic regional character and colloquial wit to American song, whether writing wistful ballads or playful novelty numbers. His partnerships with composers like Harold Arlen, Hoagy Carmichael, and Henry Mancini produced some of the twentieth century's most enduring standards.

Mercer's gift lay in matching lyrical sophistication to singability; his words sit naturally on the voice and reveal new meaning with each hearing. He won four Academy Awards for Best Original Song, and his catalog encompasses everything from jazz standards to musical theater classics. For singers and pianists, his songs offer both technical challenge and emotional accessibility, making them cornerstone repertoire for anyone serious about American song.

Why we love this

This collection captures the full range of Mercer's artistry in one practical volume. Piano/vocal/guitar arrangements make these standards accessible whether you're coaching a young singer, accompanying a recital, or working through jazz standards in a studio lesson. The 46-song selection is deep enough to sustain months of exploration without feeling like a greatest-hits compilation.

What to expect

These songs radiate the warmth and sophistication of mid-twentieth-century American song. Some settle into dreamy, introspective territory (Moon River, Skylark); others bounce with rhythmic playfulness and regional humor (I'm an Old Cowhand, Ac-cent-tchu-ate the Positive). Throughout, there's a sense of craft and sincerity, of a lyricist who understood that memorable songs balance polish with genuine human feeling.

Who it's for

This book serves vocalists preparing for auditions, recitals, or jazz singing opportunities, as well as pianists and guitarists looking for versatile accompanying repertoire with immediate professional value. Studio teachers and vocal coaches will find 46 tried-and-true vehicles for developing interpretation, phrasing, and song craft across multiple moods and styles.

How to get the most out of it

  • Study the lyric first, independent of the melody. Mercer's word choices carry specific intentions—notice where he uses colloquial speech versus formal language, and let that shape your phrasing and dynamic choices.
  • Use the chord frames as a starting point for reharmonization if you're accompanying on guitar. Many of these songs invite contemporary interpretations; the written harmony is a foundation, not a ceiling.
  • Sing through the verse even if you're only performing the chorus in a recital. Mercer's verses establish character and context that deepen understanding of the refrain.
  • Pay attention to rhythmic placement of lyrics. Mercer frequently plays with syncopation and elision to create natural speech rhythms; let the notation guide your phrasing rather than forcing syllables into metronomic patterns.

How to use it

Build a Mercer-themed recital or jazz series, showcasing the range from introspective ballads to uptempo novelties. Select individual songs to pair with other standards or contemporary repertoire in studio recitals, or use the collection as a songbook for casual performance and learning. Teachers can assign one song at a time as students work through different musical and textual challenges across a semester.

Skills your students will build

  • Interpreting lyrics with specificity and intention
  • Singing through harmonic changes with accurate pitch and smooth voice leading
  • Balancing rhythmic precision with natural speech phrasing
  • Reading and performing guitar chord frames in conjunction with vocal melody
  • Understanding song form across standards (verse, chorus, bridge, refrain structures)

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