Love Is Sweeping The Country (From "Of Thee I Sing"): Lead Sheet
George and Ira Gershwin
Item: 00-PSL-000789
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Description
Love Is Sweeping The Country (From "Of Thee I Sing"): Lead Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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More about this title
About the Composer: George Gershwin
George Gershwin (1898-1937) revolutionized American music by fusing classical forms with jazz and popular idioms. His operatic works, rhapsodies, and standards remain central to both concert and educational repertoires because they demonstrate how serious compositional craft can serve immediate, infectious melody.
Ira Gershwin (1896-1983), George's lyricist brother, crafted witty, singable lyrics that matched the sophistication of George's harmonies. Together they created the musical "Of Thee I Sing," which won the Pulitzer Prize for Drama in 1932, making it the first musical to receive that honor.
Why we love this
This lead sheet captures one of the most exuberant songs from a landmark American musical, and the Gershwin estate's approval means you're working from authoritative chord changes and melody. Guitarists at any jazz-fluent level will find the harmonic movement both instructive and genuinely fun to navigate.
What to expect
Bright, affirmative, and harmonically sophisticated. The song radiates the confidence of 1930s theatrical optimism while maintaining the harmonic complexity that made Gershwin a composer rather than just a songwriter. Playful and purposeful at once.
Who it's for
Jazz guitarists and music educators seeking authentic lead sheets of American standards, particularly those building a curriculum around the Great American Songbook or Gershwin's theatrical output. This resource serves serious amateur players and college-level jazz studies students equally well.
How to get the most out of it
- Pay attention to the rhythmic placement of chord changes; Gershwin's voicings often shift on the "and" of beats rather than downbeats, creating forward motion that lazy comping will obscure.
- The melody sits naturally on guitar, but resist the urge to oversimplify the harmony. Use shell voicings or jazz comping that respects the chromatic passing tones Gershwin wrote.
- Lean into the song's optimism without rushing the tempo. The title declares the sentiment; let the harmonic language do the work.
How to use it
Include this in a jazz ensemble or guitar recital that explores American musical theatre, or pair it with other Gershwin standards as a thematic program. Its theatrical pedigree also makes it suitable for rehearsal or performance in contexts that blend classical training with jazz and popular music.
Skills your students will build
- Reading and interpreting jazz chord symbols in context
- Navigating chromatic and diatonic harmonic movement typical of 1930s Broadway
- Improvising melody and comping over a sophisticated harmonic progression
- Understanding how theatrical music differs from pure jazz standards in phrasing and intent