What Causes That? Sheet Music Preview

What Causes That?: Lead Sheet

George and Ira Gershwin

Item: 00-PSL-000740

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Description
This is the first "Artist Edition" in our bestselling Just . . . Real Book series. Containing well over 100 songs from George and Ira Gershwin, this is an invaluable resource for all musicians and fans of the Gershwin legacy. As with all books in the Just Real Book series, each arrangement is done to the highest standards. This new edition was produced with the full cooperation and approval of the Gershwin estate. Comb bound.

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 248
SKU: 00-PSL-000740

More about this title

About the Composer: George Gershwin

George Gershwin (1898–1937) brought jazz idioms into concert music at a time when the two worlds rarely intersected. A prolific composer for Broadway and film, he wrote some of the 20th century's most enduring melodies while maintaining serious ambitions as a concert composer. His harmonic language blended classical training with vernacular American music, creating works that remain accessible yet sophisticated.

Ira Gershwin (1896–1983) was George's lyricist and creative partner on many of their most celebrated songs. His wit, rhythmic precision, and ability to match words to George's complex melodic lines made him one of American musical theater's finest lyricists. Together, the brothers created a songbook that defines the Great American Songbook.

Why we love this

This collection hands you over 100 Gershwin standards in lead sheet format, which means you can approach each tune on your own terms as a guitarist. The Gershwin estate's cooperation ensures these arrangements honor the original compositions while remaining playable and authentic to the jazz tradition that made these songs immortal.

What to expect

These melodies glow with sophistication and warmth. You'll find yourself drawn into sophisticated harmonic spaces, then surprised by a blues turn or a syncopated phrase that swings naturally under your fingers. Each song carries the elegance of theatrical craft combined with the improvisational spirit of jazz.

Who it's for

Guitarists with intermediate to advanced chord reading skills who want to develop their jazz vocabulary and comping vocabulary through America's most durable standards. This book works equally well for musicians pursuing serious jazz study, performers preparing for jazz jam sessions, and anyone deepening their knowledge of 20th-century popular music composition.

How to get the most out of it

  • Study the original recordings to internalize the phrasing and rhythmic nuance that Gershwin's melodies demand; lead sheets preserve the skeleton, but your ear fills in the sophistication.
  • Treat the chord symbols as a starting point, not a ceiling. Many of these tunes invite reharmonization and comping choices that reflect your own understanding of the changes.
  • Anchor yourself in the melody first, especially on complex harmonic passages. Gershwin's themes are memorable for a reason; let them be your guide through the changes.
  • Pay attention to song form and structure across the collection. Recognizing common patterns (AABA, 32-bar forms, turnarounds) will accelerate your command of the material.

How to use it

Build a jazz guitar recital around themes drawn from this collection, perhaps pairing standards from different periods of Gershwin's output to show the evolution of his style. In an academic jazz study sequence, this book serves as a curriculum unto itself, offering endless material for transcription work, solo development, and ensemble arrangement projects.

Skills your students will build

  • Reading chord symbols and interpreting harmonic progressions in jazz contexts
  • Navigating complex song forms (AABA, 32-bar structures, modulations between sections)
  • Sight-reading melodies across extended ranges and chord changes
  • Understanding jazz standard conventions and comping approaches
  • Recognizing harmonic language and techniques specific to Gershwin's compositional voice

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