Things Are Looking Up Sheet Music Preview

Things Are Looking Up: Lead Sheet

George and Ira Gershwin

Item: 00-PSL-000762

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Description
This is the first "Artist Edition" in our bestselling Just . . . Real Book series. Containing well over 100 songs from George and Ira Gershwin, this is an invaluable resource for all musicians and fans of the Gershwin legacy. As with all books in the Just Real Book series, each arrangement is done to the highest standards. This new edition was produced with the full cooperation and approval of the Gershwin estate. Comb bound.

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 248
SKU: 00-PSL-000762

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged concert hall and popular song with an urgency and sophistication that transformed American music. His melodies became the standard by which twentieth-century songwriting is measured, and his harmonic language—rooted in both classical training and jazz idiom—opened doors for generations of composers working across genres.

Working alongside his lyricist brother Ira, Gershwin created songs that remain central to jazz and musical theatre repertoire. His influence extends far beyond Broadway; his songs are essential learning material for musicians studying jazz standards, voice leading, and the art of memorable melody.

Why we love this

Over 100 Gershwin standards in one resource eliminates the hunt for individual lead sheets across multiple books. The comb binding and high production standards (approved by the Gershwin estate) make this durable enough for regular gigging and teaching, while the consistency of arrangement quality means students studying any song in the book know they're working from a reliable source.

What to expect

Sophisticated without pretension, witty without winking. Gershwin's songs shimmer with blue notes and unexpected harmonic turns, yet they never lose sight of a singable, memorable core. Whether you're navigating a winding bridge or settling into a groove on a verse, there's an elegance in the writing that rewards both technical command and musical intuition.

Who it's for

Jazz guitarists, arrangers, and studio musicians who need reliable, professionally vetted lead sheets for the most-performed Gershwin standards. Music educators and theory instructors teaching harmonic analysis or jazz history will value having this entire catalog at hand. Serious students building repertoire find lead sheets preferable to chord charts alone because they preserve the melodic and rhythmic intentions of the original compositions.

How to get the most out of it

  • Study the harmonic progressions before settling into comping patterns; Gershwin's chords reward close listening and often suggest countermelodic possibilities underneath the main line.
  • Balance melody clarity with accompaniment texture; these standards benefit from a conversational dynamic between the solo line and your chord voicings rather than a purely supportive role.
  • Pay attention to the lyrical phrasing marked in each lead sheet; Gershwin's melodies were shaped for sung words, and respecting those breath points and emphases improves instrumental interpretation.
  • Transpose frequently during practice and performance to find keys that suit both your instrument's range and the harmonic landscape of each song.

How to use it

Build a Gershwin-focused jazz night or concert set, drawing material from the breadth available in this single volume. Use individual songs as teaching repertoire in jazz guitar ensembles or combos, guaranteeing access to fresh material without requiring students to hunt down separate real books. In theory or history classes, the collection serves as a primary source for studying twentieth-century songwriting craft.

Skills your students will build

  • Reading and interpreting lead sheet notation with harmonic specificity
  • Analyzing jazz standards and Gershwin's characteristic harmonic devices (secondary dominants, chromatic voice leading, blue notes)
  • Comping and chord substitution over familiar progressions
  • Transposition and adapting melodies to suit guitar range and key centers
  • Building a working repertoire of essential American songbook standards

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