Slap That Bass (From "Shall We Dance") Sheet Music Preview

Slap That Bass (From "Shall We Dance"): Lead Sheet

George and Ira Gershwin

Item: 00-PSL-000759

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Description
This is the first "Artist Edition" in our bestselling Just . . . Real Book series. Containing well over 100 songs from George and Ira Gershwin, this is an invaluable resource for all musicians and fans of the Gershwin legacy. As with all books in the Just Real Book series, each arrangement is done to the highest standards. This new edition was produced with the full cooperation and approval of the Gershwin estate. Comb bound.

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 248
SKU: 00-PSL-000759

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music with a fluency that few composers have matched. His ability to weave jazz idioms, blues inflections, and sophisticated harmonic language into accessible melodies made him one of the most performed American composers of the twentieth century. His collaboration with his brother Ira, a lyricist of exceptional wit and craft, produced some of the most enduring songs in the American songbook.

Gershwin's output spanned concert works like Rhapsody in Blue and An American in Paris alongside theatrical and film scores that have become foundational to jazz and standards repertoire. His approach to composition emphasized clarity of melody and harmonic interest, making his work rewarding for musicians across skill levels. For educators and performers, Gershwin's catalog offers an entry point into understanding how classical training and vernacular music styles can enrich each other.

Why we love this

This lead sheet gives guitarists direct access to one of Gershwin's most rhythmically playful standards in a format built for real-time interpretation. The Gershwin estate's approval ensures accuracy and authenticity, and the comb binding makes this a working resource you'll actually use in the rehearsal room rather than shelve.

What to expect

There's a buoyant energy to "Slap That Bass" that captures the exuberance of early 1930s musical theater. The melody dances with playful syncopation while the changes underneath provide enough harmonic color to stay interesting through multiple choruses. It's the sound of someone having genuine fun with the language of jazz and song.

Who it's for

This collection serves guitarists who want to deepen their standards vocabulary and explore the compositional sophistication that made Gershwin essential to jazz and American music. Whether you're preparing for a jazz combo, expanding your repertoire for freelance work, or teaching students about twentieth-century song form, this real book format gives you the harmonic and melodic architecture without prescriptive arrangements.

How to get the most out of it

  • Study the original 1937 film recording to internalize the song's rhythmic swagger; Gershwin's syncopation comes alive when you hear how the melody sits against the beat.
  • Treat the chord changes as harmonic landmarks, not as fixed fingerings. Explore different voicings that let the bass line move independently from the melody.
  • Lock into the offbeat rhythms of the title phrase itself. "Slap That Bass" sits deliberately behind the beat in ways that feel lazy and confident rather than rushed.

How to use it

Include this as part of a Gershwin-focused program or jazz standards set where you want to showcase American songwriting at its finest. The lead sheet format invites reinterpretation, so you might perform it as a feature guitar solo, embed it in a larger medley, or use it as a teaching demonstration of how melody and harmony work together.

Skills your students will build

  • Reading and interpreting lead sheets with jazz chord symbols
  • Recognizing and performing syncopated rhythmic figures
  • Understanding harmonic movement and voice leading in popular song form
  • Applying bebop and swing phrasing conventions to melody
  • Improvising over standard changes while maintaining the tune's character

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