The Man That Got Away (From "A Star Is Born"): Lead Sheet
George and Ira Gershwin
Item: 00-PSL-000312
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Description
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More about this title
About the Composer: George Gershwin
George Gershwin (1898–1937) was an American composer who bridged classical and popular music with unprecedented success. His ability to write memorable melodies, sophisticated harmonies, and rhythmically inventive passages made him one of the most performed and studied composers of the 20th century. His partnership with lyricist brother Ira produced some of the most enduring songs in the American songbook, including standards that remain central to jazz and musical theater repertoire.
Why we love this
This lead sheet gives guitarists direct access to one of the most beautiful ballads in the Gershwin catalog, and the Gershwin estate's official cooperation on this edition guarantees authenticity. The melody sits naturally on guitar, and the harmonic language rewards careful voicing and chord substitution exploration. Programming a Gershwin standard signals musical sophistication and connects your audience to a timeless American tradition.
What to expect
The tune carries romantic longing and sophisticated melancholy. The melody dips and rises with natural grace, and the harmonic movement suggests both restraint and underlying emotional depth. It's a piece that demands both technical control and interpretive maturity.
Who it's for
This lead sheet serves jazz guitarists, musical theater musicians, and anyone building a repertoire of American standards. It's equally valuable for solo recital work and for ensemble contexts where guitar accompanies singers or other instrumentalists.
How to get the most out of it
- Study the original vocal line carefully before interpreting chord voicings; Gershwin's melodic contour suggests specific harmonic colors and voice leading that elevate a simple performance into a nuanced one.
- The rhythm changes and chromatic movements in the bridge demand clean, deliberate fingering; map out substitutions early so you can focus on phrasing and dynamics during performance.
- Approach the dynamics as you would a vocal ballad: let the melody breathe, and use silence and space as actively as you use sound.
How to use it
Place this as a solo feature in a jazz recital or as an accompaniment for a vocalist in a mixed concert. Its lyrical quality and universal recognition make it an excellent bridge between classical and popular contexts, and it pairs naturally with other Gershwin standards from this collection.
Skills your students will build
- Reading and interpreting lead sheet notation with jazz harmony symbols
- Building chord voicings and substitutions from a melody line
- Phrasing and dynamics in ballad contexts
- Understanding harmonic movement in the Great American Songbook