Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Mallet Instrument Book & Online Media

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Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Mallet Instrument Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50628

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Description
Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 1, Second Edition: Mallet Instrument Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8231-1
ISBN13: 978-1-4706-8231-6
UPC: 038081607047
SKU: 00-50628
Instrumentation: Mallet Percussion

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers in the wind band repertoire. He serves as lead author of Sound Innovations for Concert Band and has earned numerous accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions reach ensembles and audiences globally, appearing on international concert and contest programs with regularity.

Sheldon maintains an active commissioning practice while producing multiple new concert band publications annually. His conducting engagements span All-State and Regional Honor Bands across the country, and he regularly presents clinics and educational sessions at universities and state music education conferences. He has worked as both conductor and clinician throughout the United States, Japan, Canada, Italy, Germany, Australia, and China.

His performances have graced some of the world's most prestigious venues, including Carnegie Hall in New York, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and holds the rank of Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His influence extends far beyond his institutional roles through his widely read "Boonshaft's Blog," which reaches music educators across the country.

Boonshaft's contributions to the field have earned him numerous prestigious honors. He was the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. Additional recognition includes three selections as a National Endowment for the Arts "Artist in Residence," the Al G. Wright Award of Distinction from Women Band Directors International, and honorary life membership in the Tri-M Music Honor Society on three occasions. He has also earned membership in Pi Kappa Lambda and Alpha Chi honor societies and received the University of Hartford's Regent's Award twice, along with their Outstanding Music Educator Award.

His career reflects exceptional distinction across multiple arenas. Boonshaft has been invited to speak and conduct throughout all fifty states and internationally. He has performed for former Presidents George H. W. Bush and Bill Clinton, as well as former British Prime Minister Margaret Thatcher, and received a Certificate of Appreciation from former President Ronald Reagan. Additionally, five state governors have issued official proclamations honoring his work. He holds degrees including a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts, supplemented by a Certificate from the Kodály Musical Training Institute. Earlier in his career, he taught at Moravian College and the University of Hartford while founding and directing both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is an accomplished percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded with renowned entertainers and productions across the globe, establishing himself as a respected figure in the percussion world.

As a prolific composer and arranger, Black has published over 60 compositions and arrangements with major music publishers, many of which have been recorded and performed internationally. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award® participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His work has been featured as background music in television shows and films, including the movie Drumline.

Black stands among the world's bestselling percussion authors, having written or co-authored more than 30 books that have achieved combined sales of two million units. His most notable publications include Alfred's Drum Method, which holds the distinction of being the world's current bestseller and earned a certified Gold Record for surpassing 500,000 copies sold, and Sound Innovations for Concert Band. Educators and young musicians worldwide rely on his instructional materials and compositions daily.
Bob Phillips
Bob Phillips, born in 1953, is a composer, author, conductor, and music educator who has fundamentally shaped string education through innovative large-group pedagogy and diverse musical styles. As one of the most prolific educational composers working today, his materials reach thousands of student musicians annually across classrooms worldwide.

Phillips has authored over 25 instructional book series, including all six levels of Sound Innovations and the pioneering eclectic style collections Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. His catalog includes more than 200 published works for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces are regularly performed at the Midwest Clinic. His instructional video series, String Clinics to Go, has become a standard resource for music teachers nationwide.

For 27 years, Phillips built a nationally recognized string program in Saline, Michigan that served over 700 students and demonstrated excellence across both classical and eclectic musical traditions. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international prominence through more than 80 annual performances, appearances at the White House, and regular participation in the Midwest Clinic. Phillips has conducted extensively with youth orchestras and honor ensembles at institutions including Interlochen, Blue Lake Fine Arts Camp, and all-state orchestras across multiple states. He also served as resident conductor and arranger for Seattle's Wintergrass Festival over a 12-year tenure and worked as assistant music director and arranger for the professional ensemble Barrage 8.

Why we love this

This mallet book integrates seamlessly with the full Sound Innovations curriculum while respecting the unique range and pedagogical needs of mallet percussion students. The starting pitch of concert D keeps early exercises playable on standard instruments, and the note-name-free staff design accelerates music literacy development. Access to SI Online means your percussionists get the same accompaniment tracks, instructional videos, and supplemental resources as the rest of your band, eliminating the isolation that can happen when mallet students work from separate materials.

What to expect

Purposeful and encouraging. The method builds confidence through achievable steps, clear exercise goals, and the musical payoff of playing alongside the full band sound on accompaniment tracks. Mallet students stay engaged with varied styles and the knowledge that they're learning the same core skills as their section mates, just in an instrument-appropriate context.

Who it's for

Beginning mallet percussionists in concert band, from their first notes through foundational independence. Students benefit from the clean page layout, sequential skill building, and free access to online resources that support both rehearsal and home practice at their own pace.

How to get the most out of it

  • Match the tempo of accompaniment tracks to your ensemble's readiness; SI Online's playback controls let you slow difficult sections for focused practice without losing musical context.
  • Use the instrument-specific instructional videos to clarify grip, mallet selection, and striking technique before students encounter problems that become harder to fix later.
  • Reinforce the six-level structure by celebrating completion of each level as a milestone; this scaffolding gives mallet students clear progress markers alongside the rest of the band.

How to use it

Deploy this book throughout your first year with beginning mallets, using the six-level structure to pace instruction alongside your full band's progression. The supplemental worksheets, scale exercises, and chorales available through SI Online give you built-in tools for differentiation, warm-up routines, and assessment without hunting for additional resources.

Skills your students will build

  • Reading treble clef staff notation without reliance on note names printed inside note heads
  • Fundamental mallet grip and striking technique through instrument-specific instructional videos
  • Rhythmic accuracy and independence with concert band accompaniments at variable tempos
  • Music theory fundamentals including scales, intervals, and basic harmonic concepts
  • Ensemble listening and sectional balance within a full band context

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