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Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Alto Clarinet Book & Online Media

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Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Alto Clarinet Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50617

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Description
Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Alto Clarinet Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8220-6
ISBN13: 978-1-4706-8220-0
UPC: 038081606934
SKU: 00-50617
Instrumentation: E-flat Alto Clarinet

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About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He serves as lead author of Sound Innovations for Concert Band and has garnered numerous accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions are heard worldwide and regularly appear on international concert and contest programs.

Sheldon maintains an active schedule creating new commissions and producing multiple publications for concert band annually. He frequently guests conduct All-State and Regional Honor Bands while also serving as a clinician at colleges, universities, and state music education conferences. His conducting and teaching work has taken him throughout the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China.

His performances have been featured at prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and maintains an active schedule speaking and conducting throughout the United States and internationally. His weekly "Boonshaft's Blog" reaches music educators worldwide with practical insights and inspiration.

Boonshaft's contributions to the field have earned him numerous prestigious recognitions. He was the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. His academic credentials include a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies.

His career reflects deep commitment to music education at the highest levels. As Professor Emeritus of Music at Hofstra University, he previously taught at Moravian College and the University of Hartford, where he received the Regent's Award twice and the Outstanding Music Educator Award. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His influence extends beyond academia; he has performed for multiple U.S. presidents and former Prime Minister Margaret Thatcher, received proclamations from five state governors, and earned three NEA Artist in Residence selections.
Dave Black
Dave Black is an accomplished percussionist and composer who holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with numerous renowned entertainers and productions, establishing himself as a respected figure in the percussion world.

As a prolific composer and arranger, Black has published over 60 compositions and arrangements through major music publishers, many of which have been recorded professionally. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation/nomination certificates, the Percussive Arts Society President's Industry Award, and recognition from Modern Drummer and Drum! Magazine. His work has been featured as source and background music in television and film, notably including the movie Drumline.

Black stands among the world's best-selling percussion authors, having written or co-authored more than 30 books. His flagship work, Alfred's Drum Method, ranks as the world's current bestseller and achieved Gold Record status with over 500,000 copies sold. His educational materials, including Sound Innovations for Concert Band, are used by students globally, with combined sales reaching two million units.
Bob Phillips
Bob Phillips, born in 1953, is a composer, author, conductor, and music educator who has established himself as a pioneering force in string education. Recognized for his expertise in large group pedagogy and innovative approaches to eclectic musical styles, he has become one of the most prolific educational composers of his generation. His materials reach thousands of student musicians annually through classroom use and performances.

Phillips has authored more than 25 book series for educational settings, including the complete Sound Innovations series and groundbreaking publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Over 200 of his compositions have been published for orchestras and bands, and he is an award-winning ASCAP composer whose works are regularly performed at the Midwest Clinic. His instructional DVDs, String Clinics to Go, have become essential teaching tools for educators nationwide.

For 27 years in Saline, Michigan, Phillips developed a nationally recognized string program serving over 700 students and demonstrating excellence across classical and eclectic genres. He founded the Saline Fiddlers Philharmonic, which he directed to international acclaim while performing more than 80 shows annually and appearing at the White House and Midwest Clinic. Phillips has conducted numerous youth orchestras and all-state ensembles across the country, including programs at Interlochen, Blue Lake Fine Arts Camp, and various state honors orchestras. He also spent 12 years as resident conductor and arranger for the Wintergrass Festival in Seattle and served as assistant music director for the professional string ensemble Barrage 8.

Why we love this

Sound Innovations stands apart because it was built with input from thousands of practicing teachers, not designed in isolation. The method's clean page layouts and carefully sequenced six-level structure mean students see measurable progress without overwhelming jumps, and the starting pitch of concert D puts alto clarinet students in a comfortable range from day one. The inclusion of SI Online transforms the book from static pages into a complete ecosystem: slowed-down and loopable accompaniment tracks, instrument-specific videos, full concert band pieces, and differentiated worksheets mean you can meet every learner's pace without leaving the resource.

What to expect

Sound Innovations unfolds with intention. Each page builds on the last without sudden leaps; new rhythmic patterns arrive when students are ready, and musical styles shift from folk melodies to contemporary pieces, keeping the learning process fresh and purposeful. The book respects the alto clarinet's warm, mellow voice while developing technical facility that serves the instrument's unique voice in the band.

Who it's for

Beginning alto clarinet students in concert band programs need a method that speaks directly to their instrument's range and role. This book is designed specifically for students starting from their very first notes, with clear pedagogical landmarks and abundant opportunities to hear themselves within the fuller ensemble sound.

How to get the most out of it

  • Use the slowed-down accompaniment tracks on SI Online to isolate difficult rhythmic passages or articulation changes, then gradually increase the playback speed as accuracy improves.
  • Reference the instrument-specific instructional videos when introducing new fingerings or techniques; watching a demonstration often clarifies what fingering charts alone cannot convey.
  • Rotate between the provided alternate tunes and full concert band pieces to maintain student engagement and reinforce concepts across different musical styles and contexts.
  • Leverage the looping feature to let students repeat four or eight-bar sections independently during rehearsal or practice, building confidence before ensemble performance.

How to use it

Deploy this book as your foundational method throughout the first year of instruction, moving through its six levels at a pace that matches your ensemble's readiness. The full concert band pieces and alternate tunes embedded in SI Online serve double duty: they reinforce method concepts while introducing students to actual repertoire they'll perform, collapsing the artificial gap between "method book exercises" and "real music."

Skills your students will build

  • Reading standard alto clarinet fingerings and note positions without visual cues inside note heads
  • Articulation control across various tonguing styles
  • Rhythmic accuracy in simple and compound meters
  • Breath control and phrasing across longer melodic lines
  • Ensemble balance and listening within concert band texture
  • Intonation awareness in relation to written concert pitch
  • Music theory fundamentals through progressive scale and harmonic exercises

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