Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Flute Book & Online Media

$12.99 USD
Sale price  $12.99 USD Regular price 
Skip to product information
Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Flute Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50612

makemusic Cloud badge
$12.99
Shipped

One moment…

Description
Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 1, Second Edition: Flute Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8215-X
ISBN13: 978-1-4706-8215-6
UPC: 038081606880
SKU: 00-50612
Instrumentation: Flute

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band repertoire. He serves as lead author of Sound Innovations for Concert Band and has earned multiple accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions convey a distinctive artistic voice that connects meaningfully with both performers and listeners worldwide.

Sheldon's works appear regularly on international concert and contest programs, and he maintains an active commission schedule while producing numerous publications annually. As a guest conductor, he frequently leads All-State and Regional Honor Bands. He also works extensively as a clinician and educator, delivering sessions and seminars across universities and state Music Education Association conferences throughout the country.

His conducting and teaching engagements have taken him to the United States, Japan, Canada, Italy, Germany, Australia, and China. Notable performance venues for his compositions include Carnegie Hall in New York, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music awarded him an honorary doctorate.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and maintains a weekly blog that reaches music teachers across the country. His influence extends globally through speaking engagements and conducting appearances in all fifty states and internationally.

His accomplishments have earned widespread recognition. Boonshaft received the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He has been honored with official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for former Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. Additional accolades include membership in Pi Kappa Lambda and Alpha Chi honor societies, the Al G. Wright Award of Distinction from Women Band Directors International, and three selections as a National Endowment for the Arts Artist in Residence.

Boonshaft holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. He is Professor Emeritus of Music at Hofstra University and previously taught at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded with renowned entertainers and productions across the globe, building an extensive professional resume in both performance and music creation.

As a prolific composer and arranger, Black has seen more than 60 of his works published by major music publishers, with many subsequently recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His composition for the film Drumline and various television shows demonstrates his versatility in media and entertainment music. Additionally, Alfred's Drum Method, Book 1 achieved Gold Record certification with over 500,000 copies sold.

Black stands among the world's best-selling percussion authors, having written or co-authored more than 30 books. His titles include Alfred's Drum Method, recognized as the world's current bestseller, and Sound Innovations for Concert Band. His educational materials have reached millions of young musicians globally, with combined sales exceeding two million units. He has also earned two Drum! Magazine Drummie! awards for his educational publications.
Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, and pedagogue who has fundamentally shaped string education through innovative approaches to large group instruction and eclectic musical styles. His work as a conductor and teacher trainer has established him as a leading voice in contemporary music education.

Phillips has authored more than 25 book series for classroom use, with the Sound Innovations series and his groundbreaking eclectic publications earning widespread adoption. His catalog includes over 200 compositions for orchestras and bands, along with the popular instructional video series String Clinics to Go, which has reached thousands of teachers. As an ASCAP award-winning composer, his works are regularly performed at the Midwest Clinic, and he has established himself as one of today's most prolific educational composers.

Over 27 years in Saline, Michigan, Phillips developed a nationally recognized string program serving more than 700 students in both classical and eclectic styles. He founded the Saline Fiddlers Philharmonic, which under his direction performed at the White House and toured extensively with more than 80 shows annually. His conducting experience spans numerous youth symphonies and all-state orchestras across multiple states, including Interlochen, Blue Lake Fine Arts Camp, and the Queensland Honour Ensemble Program. He served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional ensemble Barrage 8.

Why we love this

The second edition reflects genuine classroom feedback from thousands of teachers, which shows in every thoughtful design choice. Starting on concert D removes the frustration of extreme high ledger lines while keeping early repertoire sounding cohesive with your full ensemble. The six-level structure and built-in assessment markers let you move at your flute section's actual pace rather than an arbitrary page count.

What to expect

The music balances accessibility with real musical substance from the opening notes onward. You'll hear folk melodies, world music textures, and classic hymn-based arrangements woven throughout, so students experience genuine artistry rather than abstract exercises.

Who it's for

Beginning flute students entering their first band experience, from middle school through adult learners starting instrumental music. Teachers who want a method that sequences skills logically while offering enough flexibility to differentiate for fast and slow learners in the same section will find the six-level structure and extensive online resources invaluable.

How to get the most out of it

  • Lean on SI Online's slowed-down accompaniment tracks when introducing difficult passages; looping a specific section lets students focus on intonation or fingering without worrying about keeping up with the full tempo.
  • Use the instrument-specific instructional videos to address individual embouchure or fingering questions outside of full-band time, freeing rehearsal for ensemble work.
  • Rotate between the provided tunes and the extra full concert band pieces to keep students engaged; variety in style prevents method fatigue over the course of a school year.
  • Reference the scale exercises and chorales from SI Online's PDFs during warm-up rotation so students reinforce theory concepts they've just learned without treating scales as separate busywork.

How to use it

Anchor your flute section's first-year experience with this method from August through spring, then supplement with small-group arrangements and solos from the SI Online library to maintain motivation into spring concert season. The six-level checkpoints work naturally with typical semester pacing, so you can confidently assess where each student stands before moving to second-level method books.

Skills your students will build

  • Reading standard flute notation and fingering charts without printed note names
  • Producing consistent tone across the range of notes from D to high F
  • Maintaining rhythmic accuracy in 2/4, 3/4, and 4/4 time signatures
  • Responding to dynamic and articulation markings in ensemble context
  • Sight-reading simple melodies and band arrangements
  • Understanding major scales and basic music theory through repertoire
  • Playing with blend and balance alongside full concert band instrumentation

You May Also Like