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Sound Innovations for Concert Band, Book 1, Second Edition: Oboe Book & Online Media

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Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Oboe Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50613

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Description
Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 1, Second Edition: Oboe Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-8216-8
ISBN13: 978-1-4706-8216-3
UPC: 038081606897
SKU: 00-50613
Instrumentation: Oboe

More about this title

About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band literature. He serves as lead author of Sound Innovations for Concert Band and has earned recognition through multiple awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions connect deeply with performers and audiences, with performances occurring regularly across the globe and appearances on many international concert and contest programs.

Sheldon maintains an active schedule accepting commissions for new works while producing numerous publications for concert band annually. His guest conducting appearances include All-State and Regional Honor Bands, and he regularly serves as a clinician at colleges, universities, and state Music Education Association conferences. He has worked throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China, conducting his own compositions at renowned venues including Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

In recognition of his significant contributions to music education, VanderCook College of Music awarded him an honorary doctorate in July 2020.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is recognized as the inaugural recipient of the George M. Parks Award for Leadership in Music Education, presented jointly by the National Association for Music Education and Music For All. His influence extends globally, with speaking and conducting engagements across every U.S. state and internationally.

Boonshaft's achievements include honors from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and performances for former Presidents George H.W. Bush and Bill Clinton as well as former Prime Minister Margaret Thatcher. He holds memberships in Pi Kappa Lambda and Alpha Chi and has received the University of Hartford's Regent's Award twice along with its Outstanding Music Educator Award. Additional recognition includes three National Endowment for the Arts Artist in Residence selections, the Al G. Wright Award of Distinction from Women Band Directors International, and three Honorary Life Memberships in the Tri-M Music Honor Society.

As Professor Emeritus of Music at Hofstra University, Boonshaft previously taught at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His education includes a Bachelor of Music (Summa Cum Laude) and a Master of Music Education in Conducting, along with a Doctor of Musical Arts degree. He also completed the Kodály Musical Training Institute through a Connecticut General Fellowship. Beyond his academic work, Boonshaft's weekly blog continues to reach and inspire music educators across the profession.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions, establishing himself as a prolific creator in both composition and arrangement.

With over 60 published compositions and arrangements through major music publishers, Black has earned significant industry recognition. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His work on Alfred's Drum Method, Book 1 received a certified Gold Record for exceeding 500,000 copies sold, while Drum! Magazine honored his educational contributions with two Drummie! awards. His compositions have provided source music for numerous television shows and films, including the motion picture Drumline.

As one of the world's leading percussion education authors, Black has written or co-written more than 30 books. His titles include the globally bestselling Alfred's Drum Method and Sound Innovations for Concert Band. His published works have achieved combined sales of two million units and continue to be used and performed by young musicians worldwide.
Bob Phillips
Bob Phillips, born in 1953, is a composer, author, and conductor who has fundamentally shaped string education through innovative pedagogy and large group teaching methods. Recognized as one of today's most prolific educational composers, his materials reach thousands of string students annually across classrooms worldwide.

His catalog includes more than 25 instructional book series, most notably the complete Sound Innovations series and six groundbreaking eclectic styles collections: Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Phillips has published over 200 works for orchestras and bands and holds recognition as an award-winning ASCAP composer. His pieces regularly appear on Midwest Clinic programs, and his instructional video series String Clinics to Go has become a teaching resource for thousands of educators.

Over 27 years in Saline, Michigan, Phillips built a string program exceeding 700 students that became a national model for excellence in both classical and eclectic music. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that earned international acclaim while performing over 80 shows annually, including appearances at the White House and the Midwest Clinic. Phillips has conducted extensively with youth orchestras, all-state ensembles, and prestigious summer programs including Interlochen, Blue Lake Fine Arts Camp, and honors orchestras across Georgia, Kentucky, South Carolina, Michigan, Tennessee, and California. He also served 12 years as resident conductor and arranger for the Wintergrass Festival in Seattle and worked as assistant music director and arranger for the professional string ensemble Barrage 8.

Why we love this

This method strikes a rare balance between pedagogical rigor and musical substance. The six-level structure gives you clear checkpoints and flexibility to move at your ensemble's pace, while the absence of note names inside the heads pushes students toward real music reading from day one. The SI Online platform transforms what could be a static workbook into a dynamic learning system that works whether you're meeting in person or need remote reinforcement.

What to expect

Clean, uncluttered pages let the music breathe and the learning sequence feel manageable rather than overwhelming. The starting pitch in concert D gives oboes a comfortable range that builds confidence early, and the progression from simple rhythms and melodies to more interesting musical shapes keeps young players engaged without jumping too far ahead.

Who it's for

Beginning oboe players in middle and high school concert bands who are reading music for the first time or still developing fundamental skills. This book works equally well in traditional full-year band programs and in schools where students start band at different points in the year.

How to get the most out of it

  • Use the slowed-down and looped accompaniment tracks in SI Online to isolate troublesome passages without stopping the group. Set the playback at 70 percent tempo, lock the rhythm, then gradually increase to full speed over multiple rehearsals.
  • Start with the provided full concert band pieces once your ensemble reaches Level 2 or 3. These pieces anchor the exercises in real musical context and give students something to play for beyond the page.
  • Access the instrument-specific instructional videos from SI Online to preview technical passages before rehearsal. Having students watch a two-minute oboe technique video at home cuts rehearsal time spent on mechanical issues.
  • Assign the theory and rhythm PDFs from SI Online strategically. Use them for sectional work with struggling readers or as independent practice for advanced students rather than whole-group instruction.

How to use it

Use Book 1 as your core method from the first week of school through roughly January or February, depending on your group's pace. The six levels align well with marking periods, allowing you to assess progress and adjust pacing naturally. Once students complete the book, transition them into standard concert band repertoire while using SI Online's supplemental materials as warm-ups and remediation throughout the year.

Skills your students will build

  • Music reading without note names (recognizing pitch by position on the staff)
  • Producing clear, centered tones on oboe across the beginning range
  • Reading quarter notes, eighth notes, half notes, and whole notes in simple time signatures
  • Counting and executing steady rhythms in 2/4, 3/4, and 4/4
  • Breath support and phrase shaping through guided melodies
  • Fingering accuracy and key changes on oboe
  • Playing in tune with a concert band ensemble
  • Understanding concert D as the standard beginning pitch and concert band transposition

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