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Sound Innovations for Concert Band, Book 1, Second Edition: Baritone B.C. Book & Online Media

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Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: Baritone B.C. Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50624

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Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Sound Innovations for Concert Band, Book 1, Second Edition: Baritone B.C. Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8227-3
ISBN13: 978-1-4706-8227-9
UPC: 038081607009
SKU: 00-50624
Instrumentation: Baritone B.C.

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About the Authors

Robert Sheldon
Robert Sheldon stands among today's most widely performed composers of wind band repertoire. He serves as lead author of Sound Innovations for Concert Band and regularly accepts commissions for new works, producing numerous publications annually. His compositions demonstrate an expressive quality that connects deeply with both performers and listeners worldwide.

Sheldon's accolades include recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His music appears regularly on international concert and contest programs and has been performed in prestigious venues including Carnegie Hall, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctorate.

As a guest conductor and clinician, Sheldon maintains an active schedule working with All-State and Regional Honor Bands. He presents sessions and seminars at colleges, universities, and state music education conferences throughout the country. His conducting and educational work has taken him across the United States as well as to Japan, Canada, Italy, Germany, Australia, and China.
Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and maintains an influential presence through his weekly blog that reaches educators nationwide. His speaking and conducting engagements have taken him to every U.S. state and across the globe.

Recognition for his contributions spans both the education sector and government. Boonshaft earned the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He has received proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for multiple U.S. presidents and former British Prime Minister Margaret Thatcher. His academic honors include membership in Pi Kappa Lambda and Alpha Chi, the University of Hartford's Regent's Award (twice) and Outstanding Music Educator Award, three National Endowment for the Arts Artist in Residence selections, and the Al G. Wright Award of Distinction from Women Band Directors International.

As Professor Emeritus of Music at Hofstra University, Boonshaft brings extensive teaching experience from Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His educational credentials include a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, supplemented by a Certificate from the Kodály Musical Training Institute.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and theatrical productions, building a diverse portfolio of musical experience.

A highly productive composer and arranger, Black has published over 60 compositions and arrangements through major music publishers, many of which have been commercially recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His work has also been featured as background music in numerous television shows and films, including the movie Drumline.

As one of the world's leading percussion education authors, Black has written or co-written more than 30 books that have sold over two million copies combined. His titles include Alfred's Drum Method, which remains a global bestseller and achieved Gold Record certification for exceeding 500,000 copies sold, and Sound Innovations for Concert Band. His educational materials are performed and studied by young musicians worldwide.
Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, and conductor who has fundamentally shaped string education through innovative pedagogy. Recognized as a leading figure in large group instruction and eclectic string styles, his educational materials and compositions reach thousands of student musicians annually. Over the course of his career, he has created more than 25 book series for classroom use, establishing himself as one of the most prolific educational composers working today.

His published output includes over 200 works for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces are frequently performed at prestigious venues like the Midwest Clinic. Among his most influential publications are the complete Sound Innovations series and a groundbreaking collection of eclectic style books: Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. His instructional video series, String Clinics to Go, has been adopted by thousands of teachers nationwide.

For 27 years in Saline, Michigan, Phillips built a string program with over 700 students that became a nationally recognized model of excellence in both classical and eclectic music. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that achieved international prominence through performances at the White House, the Midwest Clinic, and more than 80 annual engagements. Additionally, Phillips has served as conductor for numerous youth orchestras and all-state ensembles across the country, worked as assistant music director and arranger for the professional ensemble Barrage 8, and spent 12 years as resident conductor and arranger for the Wintergrass Festival in Seattle.

Why we love this

This method book was built on input from thousands of teachers, and it shows in every detail. The page layouts are genuinely clean and uncluttered, the skill progression moves at a realistic pace without gaps, and the material reflects what baritone players actually need to learn. The integration of SI Online transforms what could be a standard workbook into a living resource that grows with your program.

What to expect

Clean and purposeful. Every page has a reason; there is no filler or busywork. As a baritone player, you will encounter a range of musical styles and contexts that keep your ear engaged while your fundamentals solidify. The progression respects your intelligence as a learner even while you are still mastering the basics.

Who it's for

Beginning baritone players in concert band, from their first day through the completion of foundational skills. The book works equally well for middle school students starting band and for older students joining the ensemble later. Teachers benefit from the built-in pacing structure and the flexibility to differentiate instruction using the supplemental PDFs.

How to get the most out of it

  • Start with the online tuning tracks to establish pitch awareness before tackling exercises; the accompaniment tools make it easy to match intonation in context rather than in isolation.
  • Use the slowed-down accompaniment feature on rhythm pages and chorales to lock in reading accuracy before moving to tempo.
  • Reference the instrument-specific instructional videos when a student struggles with a fingering or embouchure concept; seeing it modeled on baritone removes guesswork.
  • Loop sections that trip up your ensemble (passages with accidentals, register shifts, dynamic changes) so students hear themselves correcting the same material across multiple attempts.

How to use it

Use Book 1 as your primary method for the first year of concert band, working through the six levels at a pace that matches your ensemble's growth. Assign supplemental worksheets from SI Online during sectional rehearsals or as homework for students who need extra reinforcement or early enrichment. When you reach Book 2, your students will have the literacy and confidence to handle more complex repertoire.

Skills your students will build

  • Reading treble clef with confidence and fluency
  • Concert D as a starting pitch and navigating extended range above and below
  • Rhythmic reading in simple meters with clear notation and counting support
  • Breath control and phrasing in musical contexts, not just exercises
  • Intonation awareness through accompaniment-based practice
  • Dynamic shading and articulation as expressive tools
  • Transposition and key signature recognition
  • Ensemble balance and listening to other voices in the band

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