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Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Baritone Saxophone Book & Online Media

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Sound Innovations for Concert Band, Book 1, Second Edition Cover Image

Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Baritone Saxophone Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-50620

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Description
Sound Innovations for Concert Band, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band, Book 1, Second Edition: E-flat Baritone Saxophone Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8223-0
ISBN13: 978-1-4706-8223-1
UPC: 038081606965
SKU: 00-50620
Instrumentation: E-flat Baritone Saxophone

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About the Authors

Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers in the wind band repertoire. He is the lead author of Sound Innovations for Concert Band and has earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions convey a distinctive artistic voice that connects powerfully with performers and listeners worldwide.

Sheldon's works appear regularly on international concert and competition programs. He maintains an active schedule accepting commissions and releasing multiple publications for concert band annually. His conducting appearances include guest positions with All-State and Regional Honor Bands across the country, while his clinical presentations reach music educators through college residencies, university seminars, and state Music Education Association conferences.

His conducting and educational work has taken him throughout North America, Europe, Asia, and Australia. Notable performance venues for his compositions include Carnegie Hall, Orchestra Hall in Chicago, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music honored him with a doctorate degree.
Peter Boonshaft
Peter Loel Boonshaft is recognized as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and holds the position of Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. Through his weekly blog, Boonshaft continues to reach and inspire music educators across the country.

His contributions to the field have earned him numerous prestigious honors. He became the first recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. Additional recognition includes membership in Pi Kappa Lambda and Alpha Chi honor societies, the University of Hartford's Regent's Award (received twice) and Outstanding Music Educator Award, the Al G. Wright Award of Distinction from Women Band Directors International, and three selections as a National Endowment for the Arts Artist in Residence. He has also received honorary life membership in the Tri-M Music Honor Society on three occasions.

Boonshaft has conducted and spoken throughout all fifty states and internationally, performing for former Presidents George H. W. Bush and Bill Clinton, Margaret Thatcher, and receiving official recognition from five state governors and former President Ronald Reagan. His educational background includes a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts, along with a Connecticut General Fellowship and Certificate from the Kodály Musical Training Institute. Earlier in his career, he served on the faculties of Moravian College and the University of Hartford, while founding and directing both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded globally with renowned entertainers and productions, establishing himself as a prolific creator in the percussion world.

Black's compositions and arrangements have reached audiences far and wide. Over 60 of his works have been published by major music publishers and subsequently recorded. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation and nomination certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. Additionally, he received a certified Gold Record for Alfred's Drum Method, Book 1, which exceeded 500,000 copies sold. His compositions have been featured as source music in television shows and films, notably including Drumline.

As one of the world's best-selling percussion authors, Black has written or co-authored more than 30 books. His titles include Alfred's Drum Method (currently the world's bestselling percussion method book) and Sound Innovations for Concert Band. His educational materials and compositions are used by young musicians globally, with combined sales totaling two million units.
Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, and educator who has fundamentally shaped string pedagogy. Recognized for his expertise in large group instruction and his ability to blend diverse musical styles for string players, Phillips has become one of the most prolific educational composers of our time. His materials reach thousands of student musicians annually across classrooms nationwide.

Phillips has authored more than 25 book series for educational settings, most notably the six-level Sound Innovations series and innovative eclectic style collections including Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. Over 200 of his compositions have been published for orchestras and bands, earning him recognition as an award-winning ASCAP composer. His works regularly appear on programs at the prestigious Midwest Clinic, and his instructional DVDs, String Clinics to Go, have become essential tools for music educators worldwide.

During 27 years in Saline, Michigan, Phillips built an exceptional string program that enrolled over 700 students and gained national recognition for its excellence across both classical and eclectic genres. He founded and directed the Saline Fiddlers Philharmonic, which developed an international profile while performing more than 80 concerts annually and appearing at the White House and Midwest Clinic. Phillips has also conducted extensively, including work with all-state orchestras in multiple states, the Queensland Honour Ensemble Program, and youth symphonies. He served for 12 years as resident conductor and arranger for Seattle's Wintergrass Festival and worked as assistant music director and arranger for the professional ensemble Barrage 8.

Why we love this

Sound Innovations for Concert Band was built by teachers who understand what actually happens in beginning band rooms. The E-flat baritone saxophone book uses concert D as the starting pitch, giving students immediate success with comfortable fingerings and range, while the absence of note names printed inside heads accelerates music reading from day one. The six-level structure creates natural checkpoints where you can assess progress, celebrate mastery, and adjust pacing without losing momentum.

What to expect

Clean and purposeful. Every page has a clear teaching point and enough musical variety to keep students engaged without overwhelming them. The progressions feel natural rather than formulaic, and students experience genuine performance opportunities early and often.

Who it's for

Beginning baritone saxophone players in concert band settings, typically in grades 6-9. The book works equally well for students starting in September and those joining mid-year, since the six-level progression allows flexible pacing and targeted review.

How to get the most out of it

  • Work through SI Online's instrument-specific videos to understand the unique voicing and role of baritone saxophone in the concert band texture before you rehearse full pieces.
  • Slow down the accompaniment tracks in problem sections, then gradually increase tempo as intonation and rhythmic accuracy solidify.
  • Use the alternate tunes provided in SI Online to reinforce concepts at each level without repeating the same melody multiple times in succession.

How to use it

Use Book 1 as your core curriculum through the fall semester and into winter, moving at a pace that fits your ensemble's needs. The supplemental concert band pieces in SI Online give you performance material alongside the method book, so you can program student soloists or small groups in winter and spring concerts while continuing instruction.

Skills your students will build

  • Reading music notation without printed note names
  • Playing in concert D starting range with proper embouchure
  • Recognizing and performing varied rhythmic patterns (quarter notes, half notes, eighth note pairs, rests)
  • Intonation and tone production on baritone saxophone
  • Counting mixed meters and conducting patterns
  • Ensemble listening and balance within concert band texture
  • Understanding major scales and key signatures
  • Interpreting tempo markings and dynamic changes

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