Accent on Achievement, Book 1 Cover Image

Accent on Achievement, Book 1: 2 CDs

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Accent on Achievement, Book 1 Cover Image

Accent on Achievement, Book 1: 2 CDs

By John O'Reilly and Mark Williams [/ arr. Steve Bach]

Item: 00-17144

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Description
Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight. This title is available in MakeMusic Cloud.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
ISBN10: 0-7390-0483-2
ISBN13: 978-0-7390-0483-8
UPC: 038081158570
SKU: 00-17144

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams stands out as a leading composer specializing in works for school bands and orchestras. He co-authored the widely used Accent on Achievement Band Method and published over 200 compositions throughout his career. A Chicago native who spent his formative years in Spokane, Washington, Williams dedicated much of his professional life to music education in that state, with particular focus on elementary band instruction.

Williams earned his Bachelor of Arts in Education and Master of Education from Eastern Washington University. His contributions to music have been recognized through numerous accolades, including the Gralia Competition from the Western International Band Clinic and multiple ASCAP Special Awards. As both clinician and guest conductor, he shared his expertise across 34 states, five Canadian provinces, and Australia.

Beyond his compositional work, Williams maintained an active performance schedule as a bassoon player and served as woodwind performer and arranger for the 560th Air Force Band. He also held the position of Conductor and Artistic Director for the Spokane British Brass Band, blending his talents as both a performer and leader in the musical community.

Why we love this

This method book arrives with complete accompaniment recordings, which means you can move faster through material without relying on piano support. The full-color format keeps younger students visually engaged over months of daily practice, and the built-in band arrangements give your ensemble repertoire that actually matches their reading level.

What to expect

Opening these pages feels like stepping into a musician's world that's already alive with color and variety. The repertoire ranges from folk melodies to classical miniatures to global music traditions, so students discover early that bands play far more than just marches and scales.

Who it's for

This is the entry point for beginning band students in grades 5-8, whether they're just picking up an instrument or starting their first year in ensemble. Directors using this method get a complete curriculum built around the USA National Standards, so you spend less time hunting for supplementary materials and more time actually teaching.

How to get the most out of it

  • Use the recorded accompaniments in rehearsal to establish steady tempo and musical phrasing, especially when introducing a new line or key area.
  • Isolate the rhythm and rest exercises as standalone warm-ups before diving into full pieces; these brief cycles establish muscle memory that transfers immediately to new material.
  • Layer the chorales across your section work: treble voices can focus on intonation in one rehearsal segment while lower voices tackle articulation in another, then combine them with the recorded accompaniment.
  • Loop the scale exercises within your daily routine rather than treating them as one-off drills; repetition with the recordings helps students internalize key signatures before they encounter them in actual repertoire.

How to use it

Progress through Books 1 and 2 across your first year or first 18 months, using the built-in arrangements as your primary concert repertoire for fall and spring performances. Move into Book 3 once your ensemble is secure with mixed keys and ready for the technical and rhythmic depth that prepares them for intermediate-level arrangements.

Skills your students will build

  • Reading in treble and bass clefs with growing fluency across multiple keys
  • Interpreting rhythm notation including rests, ties, and dotted rhythmic patterns
  • Maintaining steady tempo and intonation while playing with recorded accompaniments
  • Blending dynamics and articulation within a full band setting
  • Understanding major and minor scale construction (progressively introduced across all three books)
  • Range extension and flexibility through structured lip slur and technical exercises (emphasis in Book 3)

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