Accent on Achievement, Book 1 Cover Image

Accent on Achievement, Book 1: Horn in F Book & Online Audio/Software

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Accent on Achievement, Book 1 Cover Image

Accent on Achievement, Book 1: Horn in F Book & Online Audio/Software

By John O'Reilly and Mark Williams

Level: Beginning

Item: 00-17091

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Description
Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Accent on Achievement, Book 1: Horn in F Book & Online Audio/Software comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Au Claire De La Lune --:--
2 Jingle Bells --:--

Au Claire De La Lune

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-0512-X
ISBN13: 978-0-7390-0512-5
UPC: 038081147642
SKU: 00-17091
Instrumentation: Horn in F

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams established himself as one of the most significant composers for school bands and orchestras. He co-authored the widely used Accent on Achievement Band Method and compiled an impressive catalog of more than 200 published compositions. His work earned recognition across the music education field for its quality and accessibility.

Throughout his career, Williams received numerous accolades for his compositions in band, orchestra, and choral settings. His honors included the Gralia Competition from the Western International Band Clinic and multiple ASCAP Special Awards. Williams also served as a woodwind performer and arranger with the 560th Air Force Band, bringing additional depth to his musical expertise.

Based in Washington state for much of his life, Williams taught music in Washington schools with a particular focus on elementary band programs. He held both a Bachelor of Arts in Education and Master of Education from Eastern Washington University. As a clinician and guest conductor, he traveled extensively throughout North America and beyond, visiting 34 states, 5 Canadian provinces, and Australia. Williams maintained an active performance schedule on bassoon and served as Conductor and Artistic Director for the Spokane British Brass Band.

Why we love this

Accent on Achievement stands apart because it treats beginning horn players as real musicians, not technique machines. The full-color presentation and genuine world music and classical arrangements mean your students are learning from legitimate repertoire while mastering fundamentals, and the comprehensive review cycle means skills actually stick.

What to expect

Engaging and purposeful from the first page. Rather than abstract exercises, students encounter folk melodies, classical miniatures, and world music arrangements that feel substantial and musical. The full-color design keeps the material inviting without sacrificing real musical content.

Who it's for

Beginning horn players in grades 5-8, whether they're starting in a school band setting or working with a private teacher. This method works equally well for students who have no prior instrument experience and those moving to horn from another brass instrument.

How to get the most out of it

  • Start each practice session with the scale exercises before moving into the lesson material; this builds muscle memory for intonation without requiring separate warm-up time.
  • Use the recorded accompaniments to develop listening independence early on; even beginning horn players benefit from learning to follow their own line within a musical texture.
  • Work through the chorales slowly and deliberately, treating them as miniature performances rather than drills; this teaches phrasing before advanced embouchure technique becomes the focus.
  • Layer in the rhythm and rest exercises strategically when students hit rough passages in band arrangements; isolated rhythm work often clarifies what seemed tangled in full context.

How to use it

Deploy this as your primary instructional text for beginning band horn players across grades 5-8, pacing one lesson per week or every other week depending on your rehearsal frequency. The band arrangements built into Books 1 and 2 give you rehearsal material that reinforces what students are learning individually, creating a natural bridge between method book study and full ensemble work.

Skills your students will build

  • Reading ledger lines and treble clef with accuracy
  • Breath support and consistent tone production on horn
  • Rhythmic accuracy in simple and compound meters
  • Playing scales in multiple keys with proper valve coordination
  • Matching pitch within a harmonic ensemble context
  • Music reading fluency through chorales and folk arrangements
  • Basic articulation control and dynamic contrast

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