What a Friend We Have in Jesus - Piano Solo: Piano Solo
33 of the Greatest Hymns of All Time
Arranged by Victor Labenske
Level: Intermediate / Late Intermediate
Item: 00-PS-0017448
Pickup currently not available
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Description
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More about this title
About the Composer: Charles C. Converse
Charles C. Converse (1832-1918) was an American composer, musician, and minister whose work shaped American sacred music in the 19th century. Though trained as a violinist and organist, he became best known for his hymn compositions, including the enduring melody for "What a Friend We Have in Jesus," which has comforted congregations for generations. His music blends accessible melody with genuine spiritual intention, making his work a natural choice for churches seeking authentic repertoire that connects to congregational tradition.
Why we love this
Victor Labenske's arrangements strike the right balance between honoring these beloved melodies and giving pianists something musically interesting to play. The variety of styles across 30+ pieces means you can select based on the liturgical moment and your own interpretive preferences, rather than settling for one-size-fits-all settings. Preparation time is genuinely minimal, which matters when you're volunteering or juggling multiple responsibilities.
What to expect
Familiar comfort wrapped in freshly imagined harmonic settings. These are hymns you and your congregation know by heart, yet Labenske's accompaniments invite you to hear them with renewed attention. There's warmth in the writing, a respect for tradition, and enough musical substance to keep you engaged across 128 pages.
Who it's for
Church pianists looking for a reliable collection that covers standard worship moments without demanding extensive practice time. This is equally useful for piano students deepening their sight-reading skills through accessible sacred repertoire, and for musicians preparing audition or recital material drawn from hymn-based traditions.
How to get the most out of it
- Let the hymn tune itself be the priority. Labenske's accompaniments support rather than overshadow the melody, so resist the urge to over-pedal or add interpretive weight that obscures the familiar line.
- Choose your registration intentionally. These pieces work well in a range of dynamics and textures; a soft, transparent setting suits a prelude, while a fuller approach works for a recessional.
- Attend to the key relationships between consecutive pieces if you're programming multiple hymns in a service. The variety of keys across the collection gives you natural voice-leading options.
- Experiment with tempo flexibility around cadential moments. These arrangements breathe well when you honor the natural phrasing of each hymn's text and melody.
How to use it
Build your entire prelude, offertory, and postlude rotation from this single volume. The lay-flat binding and digital accessibility make it practical to keep at the keyboard for Sunday services, or to prepare a custom sequence for special worship occasions like Lent, Advent, or memorial services.
Skills your students will build
- Reading and interpreting hymn-based melodic lines with textual awareness
- Understanding harmonic function in traditional four-part writing
- Developing sight-reading fluency across varied key signatures and textures
- Managing tempo and rubato in service music contexts
- Balancing melody and accompaniment in two-hand coordination