His Eye Is on the Sparrow - Piano Solo Sheet Music Preview

His Eye Is on the Sparrow - Piano Solo: Piano Solo

33 of the Greatest Hymns of All Time

Arranged by Victor Labenske

Level: Intermediate / Late Intermediate

Item: 00-PS-0017431

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$4.99
Description
Including more than 30 of the greatest hymns of all time, Sunday Morning Companion is designed as a practical resource for church pianists. These arrangements are appropriate for preludes, offertories and postludes, and are written so that minimal preparation time is required. Additionally, the pieces are arranged in a variety of styles that will fit many different worship settings. The comb binding creates a lay-flat experience that is perfect for students and performers. Titles: All Creatures of Our God and King * All Hail the Power of Jesus' Name * Amazing Grace * And Can It Be That I Should Gain? * Be Thou My Vision * Blessed Assurance * Come Thou Fount of Every Blessing * Come, Christians, Join to Sing * Doxology * Eternal Father, Strong to Save * Fairest Lord Jesus * For the Beauty of the Earth * Glorious Things of Thee Are Spoken * His Eye Is On the Sparrow * Holy, Holy, Holy * How Firm a Foundation * I Need Thee Every Hour * It Is Well with My Soul * Jesus Loves Me * Joyful, Joyful, We Adore Thee * Mighty Fortress Is Our God, A * My Faith Has Found a Resting Place * My Jesus, I Love Thee * O God, Our Help in Ages Past * O Sacred Head, Now Wounded * O Worship the King * Praise Ye the Lord * Savior, Like a Shepherd Lead Us * Take My Life and Let It Be * This Is My Father's World * We Gather Together * What a Friend We Have in Jesus * When I Survey the Wondrous Cross. A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 128
SKU: 00-PS-0017431

More about this title

About the Composer: Charles H. Gabriel

Charles H. Gabriel (1856-1932) was one of the most prolific hymn composers of the late nineteenth and early twentieth centuries, with over eight hundred compositions to his name. His gift for memorable melodies and accessible harmonies made him a fixture in American Protestant worship, and many of his tunes remain standards in hymnals today. Gabriel's ability to write singable, emotionally direct music earned him recognition as a master of congregational song.

Why we love this

These arrangements strike the balance every church pianist needs: they sound thoughtful and varied without demanding hours of preparation. The collection covers genuine repertoire staples (not shallow renderings), so you're building a real working library rather than filling a binder. Comb binding that actually lays flat makes the difference between something you'll use weekly and something that stays closed on the shelf.

What to expect

Familiar yet fresh. These arrangements honor the melodies people know by heart while adding harmonic color and structural interest that rewards careful listening. There's a quiet dignity throughout, never manipulative or oversweetened, that lets the hymn text do its spiritual work.

Who it's for

Church pianists who need reliable, well-crafted hymn settings for Sunday services, weddings, and funerals. This collection also serves piano students studying sacred repertoire and arrangers looking at how classic hymn tunes translate across different harmonic languages.

How to get the most out of it

  • Treat each arrangement as its own voice. Some are straightforward hymn settings; others explore rubato or counterpoint. Read through a few to hear the stylistic range before assuming they're all the same approach.
  • Pay attention to pedal markings. These aren't full orchestra reductions, so the sustain pedal carries more weight in shaping phrase length and harmonic resonance.
  • Balance congregational readiness with the arrangement's written texture. If a piece includes fuller voicings or rhythmic complexity, rehearse its introduction or lead-in so the congregation knows what they're hearing.
  • Let the hymn tune's identity remain clear. Even where Gabriel adds harmonic interest, the melody should never disappear into the texture.

How to use it

Use individual pieces as preludes, offertories, or postludes throughout the church year. The 30+ titles mean you can rotate through an entire season with minimal repetition. The collection also works as a teaching tool for advanced piano students learning to approach sacred music with both reverence and pianistic engagement.

Skills your students will build

  • Reading chord symbols and interpreting harmonic progressions in traditional hymn contexts
  • Balancing independent melodic lines (often in the right hand) with accompaniment figures
  • Adjusting touch and pedaling for clarity in polyphonic textures
  • Sight-reading across multiple arrangements with different stylistic approaches
  • Understanding how to adapt tempo and rubato while maintaining congregational familiarity

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