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Sound Orchestra: Ensemble Development String or Full Orchestra: Violin 2 Book

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Sound Orchestra: Ensemble Development String or Full Orchestra Cover Image

Sound Orchestra: Ensemble Development String or Full Orchestra: Violin 2 Book

Warm-Up Exercises and Chorales to Improve Blend, Balance, Intonation, Phrasing, and Articulation

By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope

Item: 00-49816

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Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through.

Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players.

Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.

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Additional Details
Series: Sound Orchestra: Ensemble Development
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-4838-5
ISBN13: 978-1-4706-4838-1
UPC: 038081569178
SKU: 00-49816

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) has shaped string education through decades of innovation in ensemble pedagogy and compositional work. Over 25 book series bear his name, including all six levels of Sound Innovations and landmark eclectic style collections (Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, among others). His award-winning compositions number over 200, performed regularly at the Midwest Clinic and beyond, with two centuries of ASCAP recognition.

For 27 years, Phillips built the Saline, Michigan string program into a national model serving over 700 students across classical and eclectic repertoire. He founded the Saline Fiddlers Philharmonic, which became internationally recognized, performing more than 80 shows annually and appearing multiple times at the White House. Phillips has conducted all-state orchestras across the country, served as resident conductor and arranger for the Wintergrass Festival for 12 years, and created instructional DVDs (String Clinics to Go) used by thousands of teachers.

Why we love this

The 270 exercises organized by key signature give your ensemble a systematic way to address tone, intonation, and blend without leaving the rehearsal scattered across multiple resources. Phillips and his collaborators built this book to complement performance music directly, so your students strengthen technical fundamentals while staying musically engaged rather than drilling abstractions.

What to expect

Purposeful and engaging. The exercises move through keys and textures with enough variety to hold attention, and the inclusion of recognizable orchestral themes means students feel the payoff immediately. You're building precision without the tedium.

Who it's for

Intermediate through advanced violin 2 players in string orchestras or full orchestras who need targeted work on ensemble skills without abandoning musicality. Teachers seeking a comprehensive method that isolates specific concepts (tone quality, pitch accuracy, phrasing, articulation) while remaining directly applicable to the repertoire their ensemble performs.

How to get the most out of it

  • Work through chorales slowly, focusing on matching vibrato width and speed across the section before increasing tempo.
  • Use orchestral themes as repertoire previews; when your ensemble encounters these passages in full scores, the technical preparation translates immediately to performance.
  • Rotate which desk leads on each exercise to build awareness of blend and train ear from different seating positions.
  • Return to earlier key signatures periodically as warm-up material to reinforce intonation and maintain muscle memory.

How to use it

Open rehearsal with exercises drawn from the key signature(s) your ensemble is working in during that week, moving directly into full-score preparation. The chorales work particularly well as tone-setting material before diving into ensemble pieces, and the orchestral themes serve as natural bridges between method work and performance music.

Skills your students will build

  • Matching vibrato width and speed within a section
  • Intonation accuracy across different key signatures
  • Blend and balance within the violin 2 section
  • Phrasing consistency in ensemble context
  • Articulation clarity and uniformity
  • Tone quality development through sustained, choralelike passages
  • Reading mixed key signatures and technical passages at intermediate-advanced level

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