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Sound Orchestra: Ensemble Development String or Full Orchestra: Trombone Book

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Sound Orchestra: Ensemble Development String or Full Orchestra Cover Image

Sound Orchestra: Ensemble Development String or Full Orchestra: Trombone Book

Warm-Up Exercises and Chorales to Improve Blend, Balance, Intonation, Phrasing, and Articulation

By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope

Item: 00-49810

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Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through.

Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players.

Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.

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Additional Details
Series: Sound Orchestra: Ensemble Development
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-4832-6
ISBN13: 978-1-4706-4832-9
UPC: 038081569116
SKU: 00-49810

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) stands among today's most prolific educational composers and pedagogues, having shaped string education through innovative large-group teaching methods and genre-spanning arrangements. Over a 27-year tenure in Saline, Michigan, he built a string program exceeding 700 students that became a national model for both classical and contemporary musical styles. His published catalog includes more than 200 works for orchestra and band, six levels of the Sound Innovations series, and groundbreaking eclectic collections such as Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic, performed annually by thousands of students.

A conductor with extensive experience at prestigious festivals and honor orchestras across the country, Phillips founded the internationally recognized Saline Fiddlers Philharmonic and served as resident conductor and arranger for Seattle's Wintergrass Festival. His work has been performed at the Midwest Clinic and the White House, and he holds recognition as an award-winning ASCAP composer. His instructional video series, String Clinics to Go, continues to support teachers nationwide.

Why we love this

This trombone book serves the exact role an intermediate-to-advanced ensemble needs: focused, systematic work on the fundamentals that performances demand. The 270 exercises organized by key signature mean you can target specific intonation and blend challenges without hunting through multiple resources, and the inclusion of chorales and orchestral themes keeps the work musical rather than mechanical.

What to expect

Working through these exercises reveals how deeply the trombone fits into ensemble texture. As you move through keys and style-specific chorales, you discover the satisfaction of locking into a section, adjusting pitch by ear, and supporting the strings with a warm, stable foundation that lets the full ensemble ring.

Who it's for

Intermediate through advanced trombone players working within a string orchestra or full orchestra setting. This book serves ensembles ready to move beyond basic technique toward refined tone production, secure intonation, and responsive musicianship within a larger group context.

How to get the most out of it

  • Balance your entrance dynamics against the string section by listening for the strongest sustained note in the ensemble; adjust your volume to sit within rather than above the overall sound.
  • Approach the articulation exercises with attention to how the brass section breathes as a unit; sync your attack and release with other low brass to maintain ensemble cohesion.
  • Use the orchestral themes to rehearse rapid pitch adjustments in real musical context; these passages reveal intonation challenges that isolated scales may not expose.
  • Lock into the rhythmic framework of the string players when working through rhythmically complex sections; the trombone's role is often to anchor the harmonic foundation rather than lead the phrase.

How to use it

Dedicate rehearsal time to targeted work from this book before concerts to address specific intonation or blend concerns that emerged in repertoire rehearsals. The exercises function best as supplemental, daily-practice material alongside your performance music, allowing students to isolate and solve technical problems that would otherwise slow down ensemble rehearsals.

Skills your students will build

  • Tone quality consistency across registers and dynamics
  • Pitch accuracy and responsive intonation adjustment within ensemble texture
  • Blend and balance when paired with string sections
  • Articulation clarity and style-specific phrasing
  • Rhythm security in mixed meters and complex figures
  • Collaborative listening and section ensemble cohesion

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