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Sound Orchestra: Ensemble Development String or Full Orchestra: Piano Accompaniment Book

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Sound Orchestra: Ensemble Development String or Full Orchestra Cover Image

Sound Orchestra: Ensemble Development String or Full Orchestra: Piano Accompaniment Book

Warm-Up Exercises and Chorales to Improve Blend, Balance, Intonation, Phrasing, and Articulation

By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope

Item: 00-49821

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Description
Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through.

Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players.

Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.

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Additional Details
Series: Sound Orchestra: Ensemble Development
Publisher: Alfred Music
Page Count: 92
ISBN10: 1-4706-4843-1
ISBN13: 978-1-4706-4843-5
UPC: 038081569222
SKU: 00-49821

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) is a composer, pedagogue, and conductor who has fundamentally shaped contemporary string education through his innovative approach to large ensemble development. Over a 27-year tenure building a nationally recognized string program in Saline, Michigan, he authored more than 25 instructional book series and composed over 200 works for orchestras and bands, earning ASCAP recognition and regular performances at the Midwest Clinic. His eclectic style publications—including Fiddlers Philharmonic, Jazz Philharmonic, and Rock Philharmonic—have expanded the repertoire available to student ensembles far beyond traditional classical literature.

Phillips has conducted at prestigious venues and festivals across North America, including All-State orchestras, Blue Lake Fine Arts Camp, Interlochen, and the Wintergrass Festival, where he served as resident conductor and arranger for 12 years. His instructional DVDs and clinics have reached thousands of teachers, and his collaborative works with fellow educators continue to shape how string ensembles develop musicianship and technical facility at all levels.

Why we love this

This piano accompaniment book transforms isolated technical work into genuine musical experience. Rather than drilling exercises in silence, pianists provide harmonic context and rhythmic support that lets students hear how their intonation and tone quality sit within actual ensemble sonority, making the pedagogical work feel purposeful and complete.

What to expect

Focused and purposeful. Each exercise isolates a specific ensemble skill—blend, balance, articulation, pitch accuracy—yet the inclusion of piano accompaniment and orchestral themes keeps the work grounded in real music-making rather than mechanical drilling. Students experience both the satisfaction of mastering a technique and the reward of sounding like an actual orchestra.

Who it's for

String or full orchestra directors at the intermediate through advanced level who want to strengthen ensemble fundamentals without sacrificing musicality. Pianists accompanying rehearsals will find this book essential for supporting intonation and tone development work across 270 carefully organized exercises and thematic material.

How to get the most out of it

  • Balance your dynamic support to match the ensemble's development level; in early runs-throughs, provide fuller accompaniment so students hear the harmonic and melodic framework clearly, then gradually pull back as intonation and confidence improve.
  • Listen actively for moments where the ensemble's pitch wavers or tone thins, and subtly adjust your tone quality and resonance to anchor the group without overwhelming the string sound.
  • Shape phrase endings with intention; your accompaniment gives visual and aural cues about where the phrase breathes, especially important for younger or less experienced ensembles still developing phrasing awareness.
  • When working through exercises grouped by key signature, prepare your own fingering and harmonic analysis beforehand so you can offer secure support and catch when the orchestra is pulling away from the tonal center.

How to use it

Deploy this book during dedicated ensemble development blocks early in rehearsal, before diving into full repertoire. The 270 exercises organized by key signature also serve as a library for quick warm-ups aligned with the keys of pieces you're currently programming, reinforcing intonation work in context.

Skills your students will build

  • Intonation accuracy within ensemble context
  • Tone quality and blend across sections
  • Balance and weight distribution in harmonic textures
  • Articulation consistency within and across parts
  • Pitch center awareness and tonal stability by key signature
  • Phrasing and dynamic shaping in ensemble setting
  • Technical facility through isolated, focused repetition

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